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Hello! I really love how the drony resonator (Cwejman Res-4) sounds in this video by hainbach:

But surely I can't afford that resonator, but I wonder if there is any more affordable resonators that could be interesting for creating drony textures.

Thanks in advance!

Edgecutter looks pretty cool.

Zadar accept gate in the trig input. You must set the point (knob D / sustain mode) on the envelop where the gate will be held.

O.O WoW that mixer is even better than the other two. I even got to free some HPs swapping them. Check my new modified rack out with somehow your ideas on.

Thanks!!

Edit: I think I got on the right direction and almost finish my intentions so far with my built. I can see most clearly where I want to go... ^^

EDITED Jul 1st 2021, 21:20

If it's not sending clocks through the Hydra, then a perfectly good approach would be to split the clock with an inline mult or Y-cable. Since clocks are nothing but +5V(ish) pulses, you can split these as needed without major issues.

Another possible performance mixer would be Tesseract's TEXMIX system. In that case, you start with a master module, then add input modules as needed in either mono or stereo strips. Jim really likes this one, although it does have less CV automation potential than the WMD.

One thing I'd suggest if you ARE recabbing a Mescaline: check Folktek's modules, and you'll find a few more that use the Dupont pins...especially some little attenuator banks that can open things up further.

Hi Wishbonebrewery,

Oh wow, so fast already a jam with your new module, nice! :-) Indeed interesting this Mimeophon, so what are you saying, that I should get one too? ;-) I will put it higher up in my wish list :-D

Thanks a lot for demoing the Mimeophon and kind regards, Garfield.

New to modular so apologies for what is probably a very rudimentary question.

I am using Ableton Live with a MOTU 828 (CV outputs). I have a Hydrasynth that I am sending midi tempo signals to and am wondering, if I patch the Hydrasynths output into two of the modules I currently have, should they be tempo synched to the midi tempo I have sent out from Ableton?...does it automatically flow through the clock output from the Hydrasynth into my modules (using a stackcables to go to two different modules).

What is the best way to mange tempo when using a hybrid sort of setup?

Hi Nokulture,

Totally different style than that track I just previously listened at from you and yet very interesting. With a bit of fantasy this could be a great soundtrack for a fantastic movie :-D

Nicely done! Thank you very much for sharing this and kind regards, Garfield.

Hi Nokulture,

Oh that's a nice track, nice and lovely melody, it's really fun to listen at! :-)

Great work and thank you very much for sharing this, kind regards, Garfield.

I love Instruo Ceis . Its a vc-ASDR but also has trigger outputs for every stage of the envelope. 🤯
For ambient slow motion things i love XAOC ZADAR

My three standouts:

Vanilla EG:
Intellijel Dual ADSR

Most modulation:
Tins Edgecutter

All-Around Favorite:
Tip Top Z4000 NS

There are plenty of great EGs... and most do what they say on the tin.

Yesterdays first play with the Mimeophon

Its going to be very entertaining :)

Indeed!! I like the BL mixer too. I can keep the Intellijel mixup together with this one.
Thank you.

Add 'Chaos' subcategory filter to differentiate between chaos and random modules.

Hey all!! It's been half a year since I started my Eurorack journey and I'm having a blast!!

This is my current rack:

I pair it with some pedals and reverb on my laptop.
I had to take Maths out cause of space unfortunately (:/), but am getting a skiff this week, so it might get a second chance in!!! :)

I've made this other rack 'fantasy', trying to have an imagination of where I want to go in the future and have a possible final iteration! Maths won't be there.... :D Would rather go with Falistri as an alternative. Rings won't be there either.
I want to incorporate lots of field recording, my double bass as acoustic instrument and texture source, some guitar also. The music I want to create ambient, drone, with lots of lo-fi elements, tape degradation sounds, etc.

The whole system would be in two 7U (104hp) cases, so I also have an idea for the second 1U row with some mosaic modules and I'm sure I'd like to integrate some Ritual Electronics and possibly the Noise Tools and Stereo In and Out from IJ.

So I'd like some pointers on how to go further, please. As in, what should I add to my skiff (104 hp) keeping in mind I'd like mostly to expand on the modulation further. I know I need a sequencer and would like a second filter that should be stereo, apart from the needed modulation and a real mixer.

Thanks in advance y'all!!! :D

Looks pretty good.

I use a Blue Lantern Stereo Sir Mix-A-Lot
https://www.modulargrid.net/e/blue-lantern-modules-stereo-sir-mix-alot

It's 24HP versus 40 and is $500US cheaper. However it lacks a headphone jack and some features like prefader listen (cue). It's definitely not BETTER than the WMD... but $500 and 16HP is a nice stack of cash if you don't need as many channels... not a recommendation but an option.

EDITED Jun 30th 2021, 16:57

Hi! Thanks for listening.
I wrote a little summary of the patch on the youtube video description. Let me know if you need to clarify some detail :)

That's a great listen! Just hit repeat. :-) I'd love to learn more about how it was done. Cheers.

Thanks! Yes, the Piston Honda "exciting" Rings produced some great (but sometimes ear piercing) feedback that sounded killer through my studio monitors. Mylar is awesome, and there are so many other folks producing great tutorial and review content. Soooo much to learn and explore. :-)

Thank you for this!!
If you make some farther changes, let a comment, please.
Don't delete it yet! ^^

...and refresh button does not make it update to the new one.

Is this a new bug? - it used to work better. Not always, but better.

I eventually tried it the way I described it (that is, the Mental-Motion-Channel mounted top-to-bottom in a 9U rack, not beside each other). To my surprise the beautiful patterns make an even more significant whole and the ins and outs is both more easily available and readable. I’ll gather the audio outs into a small mixer module. The channel touchplates are not as immediate as before but the rest really opens up. I’ll try this for a while and see what it brings to the table …

Pseudo generative patch around rings, plaits and plonk.

Just a simple patch around a melody from Plaits, and rampage as enveloppe modulated by ochd.

Thank you both. I hear a room full of people playing various percussion instruments. I am not sure what an alien fire drill is, but it sounds fun.

Thank you. Glad you like it.

Awesome!!

You have given me lot of homework. I need to study a lot of this, especially those first meeting modules on there.
I understand your arrangement and why is that. It is cool.

What got my complete attention was the small 1HP power checkers, something so important I didn't know it does exist.

But, there is something I really need and you took out; the WMD stereo xfader and compressor, and so the Erica DSP2, these units are essentially to process external stereo audio source and sent it back to the external mixer w/o mixing with the internal audio line, the Intellijel IN/Out on top row in the rack was for that purpose..

My first conclusion is, I need to get out modules for external stereo processing to a small case, like the 4ms pods.

I appreciate all the perspectives and POV in this modular approach.
I need to check all those modules out and distribution, I will be busy for awhile. ^^

Thank you very much, again.
Banzai!!

EDITED Jul 1st 2021, 12:41

OK...now that the 416 hp cab is in play, I did some major adjustments to the initial version of that. There was a lot of superfluous stuff in that, and that was dealt with pretty quickly. For one thing, the only mult that's in here now is the 1 x 8 Erica buffered mult on the top row. As for the rest, just use inline mult widgets, and you'll be fine; you don't need several buffered mults, as their primary use is to keep scaled/quantized CVs on pitch by avoiding voltage sag. The Studio Electronics mixers also went away, as they're just too big for a build of this size. Once I got things pared down to size, I dove into the rework. So...

On the layout: things have been majorly regrouped in favor of function groupings, instead of splaying out all of the various "voices" all over the build. This actually makes the result much more intuitive and easier to patch.

Top row: This is all audio. The buffered mult is first, then the two Pitt oscillators, and then the Bifold. After this, you have the Mob of Emus...and I gave that a Bubblesound hex VCA so that every output of the Mob can now be brought under modulation control via the VCAs. The ONE got co-located with the Beads (a sensible pairing) and then the Panharmonium ends things up with more VCO processing.

Second row: Modulation left, filtering right. The mod sources here (except for a slew limiter, which fits into the signal flow between your MIDI interface and the buffered mult for the oscillator CVs) are all envelopes: Quadrax, Zadar, Dual ADSR, and the Quadrax and Zadar have their expanders. The other side is mostly filtering: Forbidden Planet, Linnaeus, Rings, then a Veils gives you CV control over the levels of four signals. Now, how that works is like this: if you wanted a signal via the Linneaus AND the Rings, you'd patch the left outs into the first and second VCAs, and the rights go to the third and fourth. With the way that the Veils' "breakout bus" works, you then take outputs from 2 and 4, and then you have two stereo pairs under full VCA control. The last bit there is a stereo summing mixer that lets you sum down three stereo signals to one stereo output pair.

Third row: Again, this is split with more modulation and control on the left, and your FX on the right. The MIDI interface is first, then a more complex dual sample and hold with an internal noise source. After that, the Batumi (with Poti), a triple linear VCA for CV/mod control over modulation signal levels, and the MISO fits in before the Maths. Then the FX themselves, with the two Tiptop modules up first, then the Mimeophon and Warps. The Dual Black FX was removed mainly due to redundancy, plus the new output mixer allows a lot more flexibility in terms of FX routing, as you'll see.

Bottom row: Control on most of this, with the main mixer taking up the right end. The left end's small modules all play around with timing: the Pam's, an Adventure Audio clock counter, a quad pulse delay for shifting/swinging clock pulses, a dual-channel stochastic pulse skipper, then a Joranalogue dual window comparator, which allows you to pick off gates from modulation signals or when any CV exceeds a given value. This is a window comparator, also, so you actually get THREE pickoffs per inputted mod signal. And all of these timing modifiers get down to a dual Boolean gate from Frequency Central. All of this allows you to really mess with the clocking and triggering, especially where the control of the different layers in the Z8000 are concerned. One more little module gives you stereo audio inputs, and this is located next to the WMD Performance Mixer, which contains your final level VCAs per input, gives you two different AUX busses to feed your FX from the strips (and this is where those two Tiptop modules come in, since you can simultaneously use the ZVERB and ECHOZ and have them return to the mixer in parallel and NOT series, which is more of a pain to control), panning, your headphone preamp, and a number of other useful procedures.

Lastly, you'll see two little 1U modules on the left side on rows 2 and 3...those are KonstantLabs PWRchekrs, which let you have visual feedback of the health of your DC busses while you use the system.

Now, yes, there's a number of things that were removed...and really, I don't think you'll miss them at all. The big key here was to try and "multitask" as many modules as possible. For example, the dual S&H before was just a dual S&H; in this build, the noise source is integral with that and the module has more complex routings internally. And some other things were added, like the hex VCA after the Mob of Emus, which now lets you "strum" through the six different "voices" and then sum this down, either as stereo (with the lefts in 1-3, rights in 4-6) or mono (just use the mono out). There's a lot of that in here now. But this now has a pretty good balance between modulation, control, generation, modification, and utility across both the audio AND mod/control signal paths. And most importantly, there's plenty of that to go around to really make the audio aspects here shine.

Hi Paratek,

Hmm, no info in the manual (of A-118-1) and no information about it on doepfer.de either :-(

Sorry, no idea, perhaps send an E-mail to Doepfer? Please let us know in case you might figure it out, I would be interested in knowing too. Thank you and kind regards, Garfield.

Hi Molerat99,

This is a very nice track, almost like a soundtrack, on the other hand hearing ambient and new age influences too. I don't mind more tracks like this, especially when they are longer :-)

Thanks a lot for sharing this and kind regards, Garfield.

Hi Bleepadelic,

How nice subtle is this track? Wow! Beautifully done and so good "under control" as I call it. Perhaps I should consider a Subharmonicon? :-)

Thanks a lot for sharing this and kind regards, Garfield.

Depends...if you put the Mescaline in a typical cab, that would tend to get messy in the way I describe above. But if you put it in a 1 x 126 cab, now...that would actually preserve the "ecology" of the Mescaline while, at the same time, housing it in something less precarious. And yep, it fills that from end to end. If you wanted to do a lot of gigging with the Mescaline, this might be a good solution. However, you would still have the potential of patchcord snarls right over the middle of this.

How I deal with this: the Softpop and bitRanger aren't in any fixed position, so if they need to go somewhere for the sake of patch clarity, that's not a problem. The Mescaline is also not necessarily "fixed", either...but it tends to stay in a position that allows it easy access to the "non-movable" Dupont pin devices, such as the AE and the FHC quad comparator. But they don't need to go "outside" their patching paradigms, since each device also has 3.5mm I/O of some sort, so there's no need to start stringing Dupont wires all over the whole modular "sandbox" station in here.

The other key to this is the sandbox itself. This has 80 1/4" patchpoints in of itself (Furman PB-40s, all non-normalled) which, along with my unkillable Mackie 1202 (1st gen), allow me to centralize the signal routing for this entire subset of gear. Plus, it lets me have a pair of FX processors (Zoom 9120, Korg SDD3300), a quad gate (Symetrix) and my MOTU interface for either audio or CV/gate/trig work right there, all ready to go. And yes, I did implement the inserts on strips 1-4 on the Mackie, where I use some little short patches to handle the duties of the "normalization" link.

Thank you very much!!

You can search on Wiggle Hunt
https://wigglehunt.com/
Wiggle Hunt (Global modular synth gear search)

Looks like Control and Detroit Modular Have them
https://wigglehunt.com/?query=Pamela%27s+New+Workout&condition=&stock_status=in_&price_min=0&price_max=5000¤cy_code=150&sort=price

Thank you very much!!
I definitely added both of them, I knew about the Pamela, but it is a little troublesome to get a new one.
Where can I get a new one in USA online stores?

Thanks a lot :)

For modulation and clocking, two staples that I own and love are Batumi quad LFO and Pamela's New Workout. Both are superb and powerful modules that can do a lot of things.

Sure...
You are right about the wavefolder modules, I will get rip of one of them for sure. I will most probably keep the bifold for the Xfader option, I need it.
Regarding the Ins/Outs, I do need both at the same time; the top one is for getting in external stereo/mono audio, process it and send it back to the external mixer while the bottom one does what it has to do.
And yes, I am thinking in a sampler playback unit, and definitely you are right again, the Morphagene is one of my options, but most probably I will go for a most simple module on that aspect.
I read about the Riot, but I think it is not for me, I can still do random stuff with the same amount of outputs on the SQ-64. And I was thinking in something a little most elaborated for generating a smaller amount of gates in case of need, like Marbles.
You are right with the Black Module, I was thinking the same, you can't use the S&H and LFO at the same time. It is so bad.
But If I decide to go with the FH-2 instead of the most simple Intellijel unit, I will have LFOs from there. And MOE outputs can generate LFOs too.
If you have a nice LFO on mind, let me know.

Edit: I think I better look for a separated S&H module instead of looking for another LFO. ^^

You certainly have lots of good points.
Thank you very much for your thoughts.

EDITED Jun 29th 2021, 19:52

Is anyone know what trimpot at the corner of pcb do?

A few questions...
There are a few things you seem to have more and more of... like wavefolders.. I see two of them. Do you foresee needing two of them? Is there something about each that the other can't duplicate? The same question for the Intellijel "Outs" and "Audio I/O".

If you're concentrating on mangling, some sort of sample playback/mangling module might be nice... like a Morphegine.

You might want to consider something like a Trigger Riot. You'll hear a lot about clock... surely... but having odd rhythmic triggers controlling sequencer steps, etc. are great for strange results.

The Black Modulator is nice. But it doubles up as S&H as well as an LFO. You can keep it. But I would also get a dedicated LFO module that is fully featured with sync, reset, CV etc. You may want to use both S&H and an LFO at once without compromising.

Try the FH2 for clock... certainly. But you may get a little frustrated with the module having to menu dive.

Whoa, intense! Gave me a case confused robot head bobbing (in a good way)
-- Molerat99

Thank you for the feedback :)

Really enjoyed this piece, thanks! Nature footage and the out of focus shots were nice touches
-- Molerat99

It makes me very happy that you enjoyed the track! 🙏🏻 Thank you for the feedback!

Really superb piece, makes me want to dance. All the elements really fit together nicely

Really enjoyed this piece, thanks! Nature footage and the out of focus shots were nice touches

Whoa, intense! Gave me a case confused robot head bobbing (in a good way)

This has a neat "alien fire drill" kind of thing going on. Very interesting

Really like the sinister mood! I've learned a lot watching those suggested systems vids.

Thanks Tumeni and Garfield, I appreciate the kind words! I definitely had a video game level in mind while working on this patch. As for the patch notes Akemie was the only voice from the modular -> Percall (VCA) -> VCF1 filter -> Disting (clockable delay mode B4). The real magic here is the looper pedal which I used to loop some notes from the Crave. I also played the Crave a bit live during recording. Because the loop pedal isn't sync'd to anything its temporal relationship is constantly shifting.