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would be fancy if it was 10 years ago, now its just the same old gold design with zero innovation with a clickbait to sort by price, i never liked this company from the beginning, look at xaoc, make noise, ssf, and this same old 20hp gold oscillator of the most mundane sounds
-- compviga

Wow. I always thought that if you didn't have anything nice to say, don't say anything at all, guess you missed that memo. This company is amazing as are their modules, they are definitely far from "mundane"! I feel sad for you if you can't get that experience in your world view and I hope you find what ever it is you are looking for eventually so you can spend less time dumping on other people's hard (and excellent) work.
I would love to try this module out one day, but I may have to visit Glasgow (again) to do it!
-- Artpunk

It's internet, and I enjoy shitposting so what? And I do it with extensive knowledge in Eurorack. For me, Instruo synths were edgy during 2015, now it's kind of outdated (sampler mono, standalones for OSC Seashell etc), and Instruo prices are hiked up for no reason other than shiny gold panel, and here I see a module with 99.999.9999 as a cheap AD to make Instruo top when you sort modules according to the price, I am not writing about other modules, I am just writing on this module because what is that price tag? I don't see a hard-worked design module here, another bunch of same old design filters with hard to recognize what goes where input/output schematics (for the sake of edgy design, similar to Bastl Instruments nighmare). Check Make Noise New Universal Synthesizer, or even old Rossum 2015 modules, see the difference between quality of design? Yea, I am here complaining about it. Maybe he will read and make better modules.

Hi all, I ended up making a song around a talk by Alan Watts, where he talks about randomness and coincidences.

The song started with an audio sample from Clinamen, an art installation where ceramic bowls of various size float in a large pool, and when they collide they create these wonderful sounds. (Thanks to Kevin Luce and freesound.org.)

I wanted to pair these with a bit more randomness, and created a patch with Pam's Pro Workout, Turing Machine + Pulses, and Rample. It created another layer of random percussion sounds, albeit a bit more frequent than that of Clinamen.

(The rack where I made all of the drum and bass sounds.)

The bass consists of a couple of sounds as well. One starts with La Reine du Chaos, which goes through a Samvær Under Tilsün LPG, and then through cDVCA for filter and drive. The other bass starts with Collide 4, where the monitor output goes to a Steve's MS-22 for a bit of filtering magic.

I also added some hihats using HATS808 and Mutant Hi-Hats, which is run with a simple sequence from Steppy. The kick is Ultra-Kick, running a sequence from the Oxi One mk1.

There's a bit of textural sounds coming from the Collide 4, going through Rainmaker for some delay magic. It's barely noticeable, but it's there.

All of the sounds in the drum machine is side-chained with Ghost and Scrat. The latter has an especially nasty saturation, which I love to layer with my drum and bass sounds.

There's a final patch with the Oxi Coral, that is fueled with a generative sequence from the Oxi One. The output of the Coral goes through Oneiroi and Clouds, for various effects. This setup is where I mostly turned knobs to create a bit more variations throughout the talk.

The talk is from a video I found online, which I ran through stem splitting in Ableton Live to extract the vocals. It's long, but I enjoyed it and the themes he talked about, so wanted to allow it its full length.

I usually upload my songs to SoundCloud, but due to the length of this one I decided to make a video out of it instead. I made it using nw_wrld, an open-source project by Daniel Aagentah.

Hope you all enjoy it ^_^

Hey!

Ive been trying for a while to organize my modules in my case to have a great flow but im currently very confused, i would really appreciate how you would re-arrange the modules in my case,

thanks in advance

I'm creating my first module drawer to create deep, immersive textures, ambient drone sounds, and other genres. My first modules have been a Magerit Laniakea and a Behringer CU1A for the outputs, but no matter how much I connect my Akai with its Gates IN or OUT CVs, there is no way for this to sound. What modules do you recommend to send the audio of my Eurorack to an Akai Force so that I can sequence, edit, record or control it through it? I am new to modular synthesis, I would like to learn all the concepts and connections, what each module is for and which are the most essential, focused on recording and transmitting audio externally, to other control units, but I can hardly find main information basic to correctly identify each concept. Any ideas? Thank you so much

EDITED Yesterday, 17:16

Hey,

If anyone wants to trade their Vhikk X for my Elmyra 2 - let me know. Looking to trade.

Hi guys!
I’m kind of new to modular and I want to add a delay to my rack. I’ve chosen the Befaco Crush Delay, but I can’t find information about the differences between v2 and v3. Does anyone have experience with both v2 and v3? What are the main differences between them? Which one would you recommend for a newbie? Cheers!

A short introduction to Ecodynamics, a generative sequencing system inspired by non-equilibrium ecology. Patterns emerge, destabilize, and re-form over time, in response to the playing of the notes themselves. A useful way to avoid repetitive, looping sequences.

MALEKO:
canal 1: pitch bombo
c2: opertura noise
c3. pitch bombo
c4: opertura noise
Voy pasando de cancion y pasando del canal 1-2 al canal 3-4, y luego a la siguiente memoria de maleko

BEH SEQ:
-lfo para noise
-cv para mk4

MK4:
samples percusivos y noise, que se van cambiando en el live

VOZ:
pico input a--> pico input b-->planet-->fx aid

BOMBO:
quizas se triga desde pico trig? (a negras y otra opcion creativa, pero a tierra)
su pitch viene de maleko

MIXERS:
uno para lo que viene de la case (bombo, noise, mk4) y sale para:
otro mixer que se suma a lo que hay fuera de la case (monostation, volca sample, radio, synth)

Ademas de la case, tenemos:
MONOSTATION
VOLCA SAMPLE (dentro de la case) para hacer percs agudas
RADIO (walkman sony ?)
SYNTH ?

En directo voy jugando con:
a) monostation y volca sample (+ voz, radio...)
b) case (bombo, noise, mk4) y volca sample
c) otros?? synth??

EDITED Yesterday, 13:18

https://patchground.com/
놀러오세요~!

*DPO
-final nob: 미세한 음색 조정!!

*Maths (신호의 길이를 조정하여, 결국 소리의 길이 조절!)
-rise 맨왼쪽으로, fall은 맨 오른쪽 근처에서 조정. 구슬굴러가는? 물 떨어지는 소리(in 동굴?)
- log/exponential 으로... 미세 소리조정

*Gemini2412
-lp, bp, hp 번걸아가며... 조정.

*Stages
-red로 설정(nob-시간조정, slide bar-음정 높낮이조정)
==> 소리의 미세한 높낮이 조정으로 다양한 소리구현!!

*VCA
-미세조정 with L nob & cv nob

!! Rings 소리는 Mimeophon과 연결
-LFO는 RATE와 연결

!! Milky way는 Morphagene와 연결

*DPO
-final 파: 음색!!

*Maths
-rise 맨왼쪽으로, fall은 맨 오른쪽 근처에서 조정. 구슬굴러가는? 물 떨어지는 소리(in 동굴?)
- log/exponential 으로... 미세 소리조정

*Gemini2412

*Stages
-red로 설정(nob-시간조정, slide bar-음정 높낮이조정)
==> 소리의 미세한 높낮이 조정으로 다양한 소리구현!!

*VCA
-미세조정

!! Rings 소리는 Mimeophon과 연결
-LFO는 RATE와 연결
!! Milky way는 Morphagene와 연결

EDITED Friday January 16, 15:11

Fantastic, it's now installed.

Thanks for your help.

There appears to be a small tab on the board that sticks out and prevents the module from going into the rack.
-- Bodythief

carefully remove/break away the tab (for example with pliers) - it has no connectivity so it will not be an issue

happy patching

EDITED Friday January 16, 12:04

Hi, I'm building a rack for the first time with no previous experiencve
I came to put a 1u Intellijel module into the 1u slot and it doesn't fit !
There appears to be a small tab on the board that sticks out and prevents the module from going into the rack.

Any ideas?

Thanks for the other suggestions...

I'am now seriously looking the make a O.R.N.8 / O_C T4.1 as it look like a wonderfull piece of HW.

Already launch a production of Beaks/Peaks,
and added a very cool clone of Quad VCA clone (Four play - Behringer) that already improved the fun and possibilty when making patch.

hi Zacksname,

thanks a lot for this answer.
i understand your point about the apparent lack of modulation.
Actually i use a lot the performer for this.
It’s a wonderfull swissknife for this setup as any output can be use a LFO.
it’s cv input can also be use as a cv sampler that can be routed internally as a complex sample and old or other crazy usecase.
(as a new player in the modular world i'm really surprised this module is not really popular, this thing is awesome)
but i'm also looking onto make noise Math as an option to complement this rack...
about the behringer interface the diy polivoks output module work really fine with it.
i also use the external input of the mother32 if needed...

i will sure take your suggestion for more vca or attenuverter as theres a lot of low HP options for this ;)

again many thanks for your answer.

Edit : About space, i can gain a large amount of space by relocating the Performer on a standalone dedicated case.
So space is not really an issue.

According to your feedback, i'am also currently lurking on XAOC Batumi or behringer Four-LFO Clone of it...

About VCA both Befaco ATTE or Blacknoise GOMA seem interessting too.

Edit n°2 : I'm not afraid of "difficult build"

Edit n°3 : Problem solved ...

I'have tooked out the Westlicht Performer of the rack to gain some space.

@Cikkun
Can highly recommend Cinna.
Thanks you so much for the sweet deal on the Nordular Wyrd.

You would need two EGs that trigger on end of envelope, and your A-141-2 VCADSR / VCLFO does that, but only does one. You would need a quad polarizing mixer like the A-138J to blend the functions, but I didn't spot that here. And then I guess something else to mix and invert the outputs.

But it's good because if you drop the A-141-2, you only have find 6hp more to sacrifice to fit a 20hp Maths.
Oh, you wanted to get rid of some modules? We don't do that here. We only get more modules and larger cases.

EDITED Thursday January 15, 19:24

An impressive build, but what we'd really like to see is your giant collection of patchcords!

Looks better in person.
It's assembled, and now I'm testing to see if I've broken anything(else),
and that the module interconnect ribbon cables are working.
(oops, there's two modules that are different from the plan. Can you spot them?)

EDITED Thursday January 15, 18:06

*DPO
-vco 1: fine 조절하여. 오실레이터 주요 파형 바꿈으로써, 음의 속도 변화를 줄수 있음.

*Maths
-rise 맨왼쪽으로, fall은 맨 오른쪽 근처로.. 그래야 음색이.. 구슬굴러가는 소리가 남.
- 이 구슬구르는 소리의 정도 조절은 log/exponential 으로... 조정

EDITED Thursday January 15, 16:35

I have you ever considered the Nekyia Sosumi LPG ? It's a simple 2 voices LPG 4hp. I have one & I like it. I thinks both voice filter's are -6db, wich is quiet different than LXD, but it sounds good. Mine as quiet short tails, but like in others LPG modules, each vactrol is specific.

Anyone want to trade? Offering Elmyra II for Vhikk X.

I don't think there is... I had to preorder from the UK.

Tonight I'm hosting a listening party for upcoming release of Eurorack-devised and performed music.
Wednesday, 14/1/2026
7pm/1900 PST
https://studiorom.bandcamp.com/merch/the-dronefields-listening-party

Labyrinth is a very complex design which combines different approaches of sound design.
I really appreciate what it offers in this small box.

Maybe you just didnt spend much time with it?

Its a matter of taste, but I get really nice sounds and cool stuff out of it.
But I also love the DFAM.
To me Labyrinth is a unique and a fun maschine. I can spend hours with it - and it covers so much ground.
You can go from a ambient landscape, to percussion and into lunatic madness - just with a few simple knob twists.

I have also so much modules to do weird stuff - but I apreciate this little box.

It is a modular, it is analog (the sound parts) and it is a percussive synth. If you are aware and in need of those three things it is a good one. Took me some time. Compared to the DFAM it is a very complex beast to wrap your head around. If you struggle with it look at other peoples patches. That did help me. It definitely is not a solo-lead-synth (for me).

I also need a switch.
Do you have a advice for a good switch module?

MN Jumbler and Patching Panda Rewire looks interesting to me so far.
But its hard to get them used on lower price.

Hi guys,

I have a question regarding the wiring of the new Intellijel Performance Case Gen.2.
I’m not very familiar with cases that have built-in connections like this one.

Are the cables for connecting the MIDI and audio in/out jacks included with the case, or with the Intellijel 1U modules? or do they have to be purchased separately? And if they are included with the 1U modules, are they long enough if the 1U row is placed in the middle of the case instead of at the top?

If these cables are not included or are too short, could someone tell me which ones I would need to buy (for example at Thomann)?

Thanks a lot to all who helps the greenhorns !!

cheers

Slim: thanks very much. I'll look into switches.

You are maybe looking for a switch.
Some switch can change routings via CV or gate signals. Doepfer has some. Many other brands also do.
Some can be activated manually. Tesseract 8x8 buffered matrix comes to my mind, there are plently other options.

Greetings. I am somewhat new to modular (although very much NOT new to synths otherwise). I am mainly a guitar player. I am going to use a Behringer PP-1 to route my guitar signal into Eurorack and use the PP-1's CV/Gate outputs to patch into two separate synth voices. Is there some sort of module that will allow me to patch the single CV/Gate outputs on the PP-1 into the CV/Gate inputs of multiple synths and also, at the same time, to in some way select which of the synths is active? I will be running the synth voices into loopers, and I want to be able to select which of the synth voices I am playing before it gets to the looper.

Shorter: I want to play one synth voice into one looper at a time, not both at once, and then switch to the other voice.

I hope this makes some sort of sense. Thanks in advance for any advice or any other thoughts on how to achieve this - I'm guessing someone will have an idea that I simply am not thinking of, and I would appreciate that input as well. Thanks.

Ron

*Pamela's Wokrout
-사각파

*Stages
-붉은색 모드 선택: nob=시간(딜레이)조정, slide bar(pitch조정)
-stage의 엔벨럽(시간차 피치조정) 조정을 하여, 음의 높낮이 조정

*VCV
-stage의 엔벨럽의 강도 조절

*GEMINI2412
-음색 조정

VAEMI Eurorack Series VAEMI Eurorack modules are available with a 35% discount until the end of March 2026.
This discount is valid exclusively for purchases made through our website.
No campaign code or additional action is required; the discount is applied automatically.
VAEMI Eurorack Series modules are
entirely handmade in Istanbul and produced in limited quantities.
The handcrafted production process and the use of carefully selected components make this series limited both in character and availability.
The modules in this series offer
• a strong analog character,
• a distinctive sonic identity,
• and a technically deep approach.
Each module is developed to make a meaningful contribution to analog sound design.
If you are considering this series, we recommend not missing it.
For details and purchases:
www.vaemi.net

VAEMI Eurorack Series – Modules
OSI-OP — Thru-Zero VCO

VoltRatio — Analog Frequency Ratio Switch

Mixer — DC Mono Mixer & Attenuator

XFMR Active Ring Modulator — Ring Modulator with Transformer

Shift Register — Dual 4-bit Shift Register

XFMR VCA — Linear VCA with Op-Amp & Audio Transformer

XFMR VCA Expander — Dual Exponential VCA

XFMR EuroDI — Balanced XLR Output Stage with Transformer

...I'm finally getting around to putting mostly all in one case...
-- dform98

Purely out of curiosity: do you build your mega case yourself, or is it something you buy ready-made?
How big will it end up being in the end?
And what non-Eurorack gear are you using together with the case (I noticed you have a Cirklon expander mounted in it)?

Looks fun. https://www.dstrtd.com/

Yesterday i clicked the edit module button and ticked Blank Panel. Feel free to do the same its an open system if you spot things in the wrong place.

great system btw!
Metron and Metropolix both have probability, pams has euclidean, zadar has bursts, cara has controlled loopable random (botb cv and gate), batumi can self modulate. think up some processes that excite you! Use mixers, mults and attenuation you already have to glue your modulation together! matrix mixer is a great idea if you must buy something. but looks complete already to me!
monorail tech talk is a great youtube resource to think better with ingredients.

if the size of your system creates overwhelm, throw 5-6 modules in a smaller case to focus on how to wring them out.

EDITED Sunday January 11, 07:10

you have so much modulation in there! just stare at your system and read up in how to use it as like you'd like. $0 answer!
pams, metropolix, maths and cara alone will get great results. assume you have everything you could possibly need.

In case you were unaware, "No ai slop" is a forum rule.

Best of luck.

Damn, sold out already.

i don't think this should be under MI as a manufacturer...

Hi,
Happy unicorn user here. I was thinking, would it be possible to introduce the option for creating Folders inside the command center? So you can group related racks in their respective folders.
Maybe I'm the only one with this very specific need. But maybe there's others?

EDITED Jan 10th, 17:21

*Stages
-붉은색 모드 선택: nob=시간(딜레이)조정, slide bar(pitch조정)

@Wildfire_Laboratories is the prebuilt unit quality-tested in the lab ?

-I like to use matrix mixers and vcas to patch modulation busses and control busses.
Works also with melodies and gates.

So you you can have many elements that effect each other - but you can blend it always back and forth as you like.
Often consisting of a basic sequence as base element, some kind of shift register, lfos, enevelopes, burst and more -
but you just give a little bit of its complexity, maybe a bit more random there, a bit chaotic bursts over here
- like Bob Ross painting a picture :D
-
So its about planing a good control core for many fluctuating elements.

The other aspect is to think about generative chains, to get a working factory of elements.
So your design chains of possibility and effects that work together like a net or maybe network.

Something like:
Enevelope X triggers sequencer B at 20 % - while LFO C changes the pattern, but only if it the value of sequence A is smaller than sequence B.
The shift register goes trough a vca, the vca only opens if trigger Y fires, - trigger Y occurs 5 % of the triggerrate of trigger X.
Trigger Y also fires the main envelope but the envelope changes everytime a low note occurs...............
................. and so on ...................

Not the best example, but you can design a kinds of synergetic flow between modules, if you think about how they can combine movements in cv.

also simple stuff like combining a Lapsus Os with a Gamut Repetitor can be a good point without complex pastching.

what in the rich parents send their kid to art school is this
-- HersheyHighway

very flattered that you think I have a degree

what in the rich parents send their kid to art school is this