thanks, great links!
Still hope Frap Tools will make some Plus modules like 10hp and 20hp,
would be rad
Thanks for the feedback already.
I really liked the sound of 'Shelves' as well as its flexibility, but maybe i found another option with the Polaris. I didn't realized that the wavefolder has two inputs, i was more amazed by the sound of it.
I actually chose the Quad VCO because of its LFO features, but it's really taking a lot of space, so I switched it for a simple VCO and a proper double env-generator.
originally I thought of the VC.mixer as my output mixer ,but probably it's better to have a proper one instead.
so here comes the update:
https://cdn.modulargrid.net/img/racks/modulargrid_864987.jpg
Are you sure that my starting set doesn’t work???
If yes, I think you need more experiments to do...
Fortunately music is an area where creativity always has the upper hand on the cold technique.
Lugia is probably/definitely the most knowledgeable person in these forums. Don't characterize what he said as "aggressive." It wasn't.
You have a collection of modules that makes absolutely no sense on their own. You haven't put the time in studying how analog synths work. You don't just buy a bunch of cool looking stuff and expect to get anywhere. But hey, it's your money and you can waste it however you see fit. You came here looking for answers. He gave them to you for free. Don't squeal because he was curt and to the point.
Now here's my advice. Buy something like a Behringer Neutron. It's $300US. It will teach you everything you need to know about BASIC modular architecture as well as a dedicated line-level out (plus synth level). It has MIDI DIN in as well as USB MIDI. You'll also be able to make use of most of the modules you've already obtained (assuming you have them in a case).
You need a LOT more knowledge before putting together a modular synth that will work for you. Dig in Youtube for tutorials and you may want to download VCV Rack. It's a simulated modular synth environment that is great to learn in.
Respect the knowledge people take the time to share with you. I'm sure you'll have more questions later on and Lugia hitting the reply button rather than skipping it because you got all whiny the last time isn't where you want to be.
-- Ronin1973
I’ve gotten nice package deals from Detroit Modular. Granted, if you buy a 7U Intellijel and fill it up, there’s some margin to give on.
Regarding Perfect Circuit being slow to ship... my stuff from EricaSynths was here more quickly. That’s from Latvia as opposed from California.
KAHNCO: dead. As far as I know, it was vaporware. Geeklapeeno, which is similar, was also much talk, no walk.
As for the SP-1, it's conceptually interesting. I do have some concerns about a portable case made up of plastic segments being durable in the long-term, though. It would probably be fine as a studio enclosure, though.
Another idea might be Elby Designs' Construct-a-rack Series cases: http://www.elby-designs.com/contents/en-us/d39.html These come in 42 hp and 20 hp segments, with various options for depth, side panels, mountings, and covers. With these, you do have the ability to build cases with strap-on covers for portability, and the metal construction should prove quite durable over time/use.
The other issue with Sweetwater is that there's really no price breaks on buying modular gear from them. Since the Eurorack market relies on pretty fixed "street" pricing, what you see there is almost always going to be the same as from Perfect Circuit, Detroit, VK, etc. Sweetwater is good about having gear they carry in stock, though; having a warehouse complex the size of some small towns lets you do that!
Nah. I washed my hands of this several days ago. This one's on his own.
A couple of things...first off, if you have a Maths in a simple build like this, you probably won't need that Quad VCO/LFO (which is more of an LFO than a VCO due to the "locking" tendency the oscillator cores have at audio rates). You'd be better off adding a second VCO (like something basic to detune against the Wavetable VCO, thickening up the sound) and some proper envelope generators for use with the VC Mixer, the VCAs, and your filter. Also, lose the uMixer here; you'll find that having a mixer with variable input levels is more helpful in a general-purpose instrument. Note, also, that your wavefolder can function as a mixer (with potentially interesting results!) for the two VCOs.
Also, perhaps drop the Shelves for a more conventional state-variable filter, which should open up space for an output module to bring your levels down to line-level. You might also take out the multiple; in a smaller build, it's generally better to use inline mults or stackcables, leaving panel space for active functionality. Otherwise, this is pretty close to spot-on.
It's in the module types pulldown. Just select "Power" as your module type to view.
Detroit Modular is my go-to place. I've never had issues ordering from them. I've had a couple of self-created issues, but they sorted me out and I was shipped the right gear. They ship same-day or next day, generally.
Perfect Circuit is very active on Youtube. However they are super-slow to ship. But sometimes they have fantastic sales for holidays.
Sweetwater is fine. But they don't stock a lot of modules.
SynthroTek makes "Cheeks Of Steel" It's really inexpensive. The downside is it only comes as a kit. If you're not handy with an iron and test meters then you'll probably want to pass. But it's around $60US.
Lugia is probably/definitely the most knowledgeable person in these forums. Don't characterize what he said as "aggressive." It wasn't.
You have a collection of modules that makes absolutely no sense on their own. You haven't put the time in studying how analog synths work. You don't just buy a bunch of cool looking stuff and expect to get anywhere. But hey, it's your money and you can waste it however you see fit. You came here looking for answers. He gave them to you for free. Don't squeal because he was curt and to the point.
Now here's my advice. Buy something like a Behringer Neutron. It's $300US. It will teach you everything you need to know about BASIC modular architecture as well as a dedicated line-level out (plus synth level). It has MIDI DIN in as well as USB MIDI. You'll also be able to make use of most of the modules you've already obtained (assuming you have them in a case).
You need a LOT more knowledge before putting together a modular synth that will work for you. Dig in Youtube for tutorials and you may want to download VCV Rack. It's a simulated modular synth environment that is great to learn in.
Respect the knowledge people take the time to share with you. I'm sure you'll have more questions later on and Lugia hitting the reply button rather than skipping it because you got all whiny the last time isn't where you want to be.
ah cheers ill have a look, many thanks.
Hey there,
as many others here, I'm new to the topic but interested in adding a modular synth to my workflow at home, as well as a live instrument (with the possibility to work with live-input from other instruments).
I'm quite unsure yet, if I got the concepts of dealing with a modular synth right and I'm not sure, if I missed vital parts, so I'd be really glad about some feedback.
Cheers
Seb
https://cdn.modulargrid.net/img/racks/modulargrid_864646.jpg
Maybe the design has changed. But I see 7U worth of rack. Are you placing this in an Intellijel case? If so, go for the 104HP. It has main outs and MIDI built in... but you won't be needing an Intellijel MIDI 1U module with the Expert Sleepers FH2.
You can ditch the 1U pedal send/return as it needs another module to function. I don't see it in your rack.
You can replace the Intellijel MIDI module with an Intellijel headphone jack.
Ditch the Mutable Instruments stuff and replace them with micro versions of each. You'll appreciate the savings in rack space more than you realize.
Actually I only know those ones
Fraptools Plug: not really "modular"
KAHNCO Modular: the best one I've found, but the guys don't respond to emails
and there's no place to purchase it...probably never launched
http://www.kahncomod.com
SP-1: the only real modular-modular case
https://www.matrixsynth.com/2019/01/the-sp1-eurorack-case-modular-3d.html
do you know other similar projects?
Thanks Lugia, I appreciate you taking the time to respond. Where is the "power" section? At first glance can't locate it...
Cases aren't so much of a product that you see hundreds of case manufacturers like you do with module manufacturers. Off the top of my head, only about two dozen firms specifically making cases come to mind, making it simpler to shop for cases via the various online shops. If you tool around 5-6 of those, you'll wind up being able to comparison shop the majority of Eurorack cases and power solutions available.
Also, having a look in the Eurorack section under "power" can often provide useful clues as to who's also making other power products and, by extension, cases. Not every power supply manufacturer does, but a large percentage do have cases as part of their product lineup.
Many quantizers let you define your own scales by choosing a selection of tones from the standard 12 semitones. Some quantizers also work with microtonal tones. The ADDAC207 Intuitive Quantizer is an example of a full-featured quantizer with microtonal options.
Thanks @Chris_Da_Break for the BD909 the module is in perfect condition! Reliable seller
purely an abstract question, but.. any modules out there that deal with different scales, tuning scales, as in Egyptian and Indian scales. micro tunings.
I can only find modules in the marketplace section - I'm wondering if there's somewhere that folks are selling cases? I'm about to dive in, and I need power and a case, but can't find any for sale on here.....Any help would be much appreciated. Cheers!
FYI I own this pedal, the correct height is 250mm. I measured it with a ruler. Thanks!
Just an FYI, I own this pedal and re-measured it today, the height is 250mm exactly.
Yes, the Morphagene has a mixer on the top center called SOS, Sound on Sound, Fully left is the incoming sound, fully right is the recorded sound, middle is 50% of both.
Modular Addict has great prices on patch cables.
I have some black market cables and like them a lot. Matttech also sells eowave cables which are similar and also really nice.
And of course stackcables are absolutely great.
Thanks! When I check Muffwiggler I see the brand "BlackMarket" passing by a lot.
They are easy to get here in Belgium. Do you have an opinion on them?
LMNTL and Nazca (part of Pittsburgh these days) see a lot of use. Both have some fairly cost-effective multipacks of their various lengths. Also, LMNTL makes some very convenient inline 1-5 mults that most anyone should have a few of. I've known people who've been happy with both.
KICK ASS!!! February 2019 edition
Well, since the onslaught of Winter NAMM is now done, things have cooled off considerably in the new Eurorack arena. Don't get used to the lull in the craziness, though, because Superbooth is only 2+ months away and I think we all know that there's going to be yet another deluge of nifty toys as we approach that event's date (9-11 May). For those who don't know what Superbooth is: basically, it's a three-day carnival of electronic instruments, performances, and other related craziness, held annually in Berlin. It functions as perhaps the largest trade exhibition for modular synths in Europe, and it's yet another of those events where manufacturers are going to be dropping new modules and instruments like they're hot. It, the two NAMM events (although not so much Summer NAMM, or “guitar NAMM” as it's sometimes called) and Knobcon are the four seasonal big-shows for synths.
So in the lull here, only a few things have jumped out of the module miasma. Here they are:
1) Error Instruments KRUSNEK FORST EURORACK: I have to respect the hell out of any Eurorack module that can be controlled with a wad of steel wool! No, seriously! Anyway, what this is is a “controller” (in quotes, because it's always somewhat out of control in of itself!) that applies itself admirably to the production and performance of blips, glitches, and full-on noise! Various studs on the panel are used with other conductors to complete circuits Cracklebox-style, but this also contains some CV alteration/generation possibilities, and can also be used with a special LDR sensor for light-controlled craziness. “Psychedelic”? Maybe. Full-on bonkers? You bet! This one is going to appeal to the noise/industrial crowd, but I can also see some potential generative usage here, too, plus there's some great bits in the video clip where one could easily sort out how to use this as a percussion-type controller. $279, 20 hp.
2) Warm Star Electronics Fragment: On first glance, this just looks like a set of attenuators. Appearances deceive, though. By using patchpoints in the IN and OUT columns in a certain way, it's possible to break the module up into a multitude of mixer and/or attenuator combinations. This is totally brilliant; I'm sure that all of us have found ourselves in situations where we need more submixers than we have on hand, or where our need for those submixers changes radically from patch to patch, and having only fixed-configuration mixers suddenly becomes a hassle. Or you just need one attenuator, not several. And I shouldn't have to mention that any of those issues in a smaller rig can lead to a lot of hair-pulling and other stressy reactions. If you've found yourself there, then here is your fix. $195, 12 hp.
3) VoicAs LEDRover: This thing sounds great! As opposed to some other distortion/overdrive-type effects, this has a wonderful, lush, wooly yowl to it. At least...in one position, it does. See, this is really several distorters in one; VoicAs uses three very different diodes in here (2 LED types and one germanium) so you can tailor your fuzziness to your needs. There's also three bass-boost settings onboard, making this very optimal for ACIEED-type applications (like what you'll note in their video clip). You get CV over Drive amount, plus an extra tone-color fine-tune setting to dial in the exact snarliness required. I also like the fact that the Drive is on a very large knob that begs to be used as a manual controller, so you can play your nastiness just as you might a filter cutoff, etc. Very skiff-friendly, too! $150, 8 hp.
4) Noise Reap SLOPES. It's easy to think you've seen it all after some 5700 Eurorack modules have made it onto ModularGrid. But here's something you've not seen: a logarithmic ADSR, with CV over the A, D and R parameters, paired with and controlling a DC-coupled VCA, all in 12 hp. Seriously...there's not another of these; while there are other EG/VCA combos in Eurorack, this one...pretty much the optimal audio control combo...hasn't popped up. Until now. Not only that, but this can work with either triggers or gates, the VCA also has an additional CV parameter, and you get normal and inverse envelope outputs to boot! This is just brilliant! I can't think of anyone who wouldn't benefit from a couple of these in their build. And not only does it space-save by co-locating your VCA with the EG, it's also only 30mm deep, making it a prime choice for skiff users. Noise Reap has done some interesting things, but this time, they hit the ball outta the park!
5) Ladik L-121 and L-127 LFOs. Ladik continues to amaze. These two 4 hp LFOs are genius. The L-121 is a Folding LFO, incorporating not only CV over rate, but CV over an internal wavefolder that can warp any of the module's 36 waveshapes (uh-huh! Wavetable-style waveshape selection!) into a panoply of strange modulation curves, bending either the positive, negative, or both polarities of the wave cycle. Cycle times range from 30 Hz down to a super-lethargic 10 minutes per cycle. $62-ish. Then the L-127 Delayed LFO goes somewhere else entirely. This has three different delays modes...or rather, two different delay modes and a third one-shot mode that makes it behave more like a transient generator. Again, you've got 36 waveforms in the same sort of arrangement as the L-121 above, plus some jumper configurations that alter how that last mode functions as well as a decaying “echo” mode for the transient function, and alterations to the retriggering function...all of which can, naturally, be brought to the front panel with their P-060 jumper switch kit. $73 or thereabouts. Ladik's modules might not be the snazziest-looking in the Eurorack game, but what's going on behind those basic panels is downright beautiful!
And that, as they say, is that. Like I noted, sort of a spare version of KICK ASS!!! this month, but expect more craziness through March and definitely in April. Until then...
I know technically this is not the question to ask here but since I don't know where else
I'm going to give it a try!
What are the most commonly used patch cables? Budget wise let say from mid range to the more expensive ones.
I was thinking to use a combination of the tiptop stackables and EricaSynths patch cables.
Thanks in advance!
Jazzy
Hi doc11
I'm also not that long on the forum but let me help you with the knowledge I already have.
You will need an output module that brings your signal from synth level to line level I use the Bastl Ciao!
You will need a mixer to mix your signals together. HappyNerding offers some good mixer modules or since you are tight on space the 2hp mix you can use a couple to mix CV and audio signals.
I don't know all your modules and how they interact with each other I leave this to the experts but here you have some basics!
Good luck!
https://cdn.modulargrid.net/img/racks/modulargrid_860869.jpg
Hi all,
I am new to Eurorack, been around the forums for a while (thank you all for all the useful information) and playing with VCV rack and a Neutron for some time, and I feel that after some planning I have an idea of where I would like to go with my rack.
This rack would be accompanied with a Behringer Neutron and a BSP. Most of my pads / ambiences come from my DAW, and what I am really looking for is agressive/dissonant drum sounds, noise, metallic...
I have added a rings because i fell in love with its sound and its one of the modules that made me feel in love with this.
I have some space in this rack, but not sure what for. Thought about a stereo mixer (doepfer) or a mutes module (like divkids) but I am looking for some advice here. I would go straight into my soundcard that's why I thought of having a stereo mixer in the rack.
Do I need a different filter maybe? I would have the neutrons one, plus a low pass gate and this 2hp filt. I would like a random source too, but I guess that could be done either from the uO_C or the Disting.
Have a great weekend!
Hi everyone,
After reviewing all your comments I came up with my new (final?) design.
https://cdn.modulargrid.net/img/racks/modulargrid_861193.jpg
Since the Disting is such a versatile module and is mentioned here several times for different applications I decided to add an extra module. It can fixes a lot of problems in my build.
The Mutes also got a place in my build because I think it is a good aid in live performances.
A 2hp and HappyNerding 6mix (which can also handle 2 stereo channels) in conjunction with the Bastl Ciao! can handle
all my mono AND stereo signals and output the synth to line level.
For all the guys following this thread and and helping my to build a synth that follows my philosophy can we consider this as a solid build?
Thanks in advance for al the comments!
Jazzy
The Chronoblob 2 has dual delay modes, which when clocked and fed audio from something percussive like the Digitakt create polyrhythmic delays bouncing from one ear to the other. Also your rack doesn't really have a spare filter or something to put in the send/return loop of the chronoblob, whereas the new module can be run mono with a feedback loop OR stereo. Again the Disting has a clocked delay, but the chronoblob 1&2 have a lot more functionality.
-- JohnnyCogs
Yes you are referring to a ping pong delay. It sounds cool but in my opinion I don't know if it is worth sacrificing the 2hp and the cash. That is what I meant :)
Also the latest image of the rack I posted didn't update either, I left a 6hp gap which you could fill with something like a Dixie 2+ from Intellijel which is an analog VCO/LFO with sync.
-- JohnnyCogs
Strange things happening here...
I tried hit the picture from your rack but I get a large question mark as result.
Thank you for your answer!
Jazzy
Yeah, maybe.
To be honest, I don’t think I need it. I’m not a fan of Toms and I just pulled the trigger on a Trigger Riot and two Switched Multiples. Hence, I don’t really need the sequencer. I might add the drum sample module at some point, but I feel I’ve got what I want.
I’m interested in the drone system, though.
Updated the layout across a dual 6U RackBrute, an Intellijel 7U, a 6U 84HP Erica case, and two Moog cases 104 and 60 HP this is it:
https://cdn.modulargrid.net/img/racks/modulargrid_861331.jpg
Hello all!
Other than some semi-modular gear, I am fairly new to the Eurorack world. I am looking to put together a 60hp rack that I can use to process external audio, as well as modulate other instruments and video gear.
Here is my current rig:
Instruments:
Elektron Digitakt
Moog Mother-32
Koma Field Kit
Koma Field Kit FX
64 Pixels Vc.ocd
Several circuit-bent, DIY, and lo-fi instruments
Yamaha MG10 mixer
Video Gear:
Gieskes 3TrinsRGB+1c
BPMC Premium Cable
LZX Industries Andor 1
Between the Digitakt + Vc.ocd, and the M-32 I have a lot of envelopes, LFO's, gates, triggers, etc. However, considering my live rig uses anywhere from 20-30 circuit-bent instruments and such, as well as the CV inputs on my 3trins and PC, I thought Maths and Disting would be useful. Rings and Clouds (I know) would be used for processing said circuit-bent instruments, and Ripples could provide additional filtering.
I'm not sure what to do with the remaining 6hp, though I did think it might be wise to go with a Nano Rings instead, to bump that extra space up to 12hp. I think Maths and Disting provide ample modulation sources, so I'd probably like to fill it with something else to process the audio from my existing instruments, perhaps an additional delay or reverb. I also use a lot of contact mics, motors, sensors, and other experimental tools with my Field Kit, and if there is anything that pairs well with these things I'd love to hear about it.
I would generally describe my style as downtempo experimental beat-music, with a lot of ambient influence.
Thanks for taking the time to help!
Erica offers their modules in a pre-configured rack for 3700Euros called the "Techno System". Perhaps they will make you a deal on a system minus the modules you already have?
Here's my take. The MiniBrute 2 is capable of sending and receiving Eurorack clock pulses. I would expand it based around that functionality. I would consider three modules initially: Expert Sleepers Disting mk4, Ornaments & Crime, and Temps Utile.
All of the modules are multifunctional. This will give you a wide palette of options to augment your brute with. As you learn these three modules, you'll get a better taste for what direction you want to go with your expansion. O&C and TU are available in micro 8HP formats. That will go a long way in a cramped case. You're looking at less than $700US for the lot if you shop around.
There are tons of videos on these modules on Youtube if you choose to go that way.
The ErbeVerb is tasty. You will always want a good reverb. If you have the budget get that too.
Once you feel you've mastered these modules, you'll be in good shape to decide what's next. If you find yourself using a specific feature of one module over and over... you might want to find a dedicated version. For example the Disting and the O&C have quantizers. If you're always using a quantizer then it might be prudent to get a stand-alone module.
Hello,
I recently got a new turntable (Audio Note TT2dlx) and am looking to find a piece of furniture for it. It's currently on a $20 IKEA table. A wall mount is unfortunately impossible, so I'm left with the option of a rack. It's a wooden floor. I'm interested in a rack made of wood because I think wood looks nice. I fell over the "Podium Reference" of maple from UK company Hi Fi Racks. Any thoughts or recommendations would be greatly appreciated. Thank you
Question...
- the mono signal after the mutes can be routed trough the delay and then to the 2hp mix or to the Panmix. The signal can also be routed to the Purrvurb but then the output is stereo, to process this with I need a stereo mixer not? Or do I have an alternative way to do this in my setup?
-- Jazzygerard
Disting also has a very nice sounding mono to stereo reverb, and I'm pretty sure the Ciao can take 2 stereo signals or internally normal a mono channel to both left and right speakers. So channel A on the Ciao comes from the Purrverb and B could come from Disting reverb or directly from 2hp mix.
I considered purchasing the stereo version but I don't see the win of a stereo delay compared to the loss in hp and the extra investment.
-- Jazzygerard
The Chronoblob 2 has dual delay modes, which when clocked and fed audio from something percussive like the Digitakt create polyrhythmic delays bouncing from one ear to the other. Also your rack doesn't really have a spare filter or something to put in the send/return loop of the chronoblob, whereas the new module can be run mono with a feedback loop OR stereo. Again the Disting has a clocked delay, but the chronoblob 1&2 have a lot more functionality.
Also the latest image of the rack I posted didn't update either, I left a 6hp gap which you could fill with something like a Dixie 2+ from Intellijel which is an analog VCO/LFO with sync.
Edit: I don't know why but modular grid is not showing the synth the way I saved it... If you click on it you can see the good version.
Ok,
So I put all the thoughts together and came out with the following:
First of all I moved the power supply away to avoid noise issues.
To start from scap. The Pamela is the general clock that drives the whole system. It drives the Digitakt for drum rythm, the Octone that drives the Moog and the Memetic Digitalis which is the main drive for the modular part. Not keeping modulation in mind. The oscillators are patched to the Pico SEQS for some crazy sequences since the twin waves can output quantized signals I can keep everything in key. All my mono signals are patched to the mutes and then the signals go to the 2hp mix. The output from the 2 hp goes to the Happy Nerding Panmix Jr. Which if I understand if you put a mono signal on the input it outputs a stereo signal. The output from the Panmix is routed to the Bastl Ciao and I have a line level output.
This is the general idea.
Question...
Does this sound like a good general approach for this setup? As always tips are welcome, Is this working in a technical way? Musically/soundwise that is al about taste but if it does not work technically no sound can be generated :)
Thank you all for your input!
Can you explain this more in detail please?
-- Jazzygerard
The quattro figaro is 4 vcas with mixed outputs, if you use the AC & BD outputs as left and right respectively, you can put a mono signal in input A and have it normalled to B (mono to stereo) or the left and right outputs from the purrverb into VCA channels A and B (stereo to stereo). The top half of the module (above the black line) is the CV section, there are 4 CV inverters and attenuators, so you can create a stereo field by having the volume go up in one ear and down in the other. Check out this video at 42 seconds for more info, they demonstrate mono to stereo as well as panning.
AAaaaaah! So much input! (love these emoticons!!) thank you so much guys!
I need some time to process all the comments and figure out what suits my needs!
Meanwhile I have some questions:
Actually, I'd suggest keeping the 2 x Mixup version, or maybe consider substituting a pair of Happy Nerding PanMix Jr.s for the Mixups, which would then give you panning over each mixer input. Summing down those into the Ciao! would then make a lot of sense.
-- Lugia
What is the advantage of panning my audio signal? Should you use it to create more "space" in the sound or more effect wisely or am I seeing this wrong? :)
It's worth noting that the Chronoblob 2 is 2hp wider than the original, so if you want to keep that rack configuration pick one up second hand while you still can!
-- JohnnyCogs
I considered purchasing the stereo version but I don't see the win of a stereo delay compared to the loss in hp and the extra investment.
Quattro Figaro can sum 2 stereo channels together (A&B,C&D) and be used for panning with it's normalled CV inversion.
-- JohnnyCogs
Can you explain this more in detail please?
The dual Doepfers kind of kill a lot of HP. Malekko has some interesting options that combine sequencing with envelopes or CV modulation. You can make room for them by switching to a 7U rack and using tiles for some of the functions (I/O, power, mixer). I added a steppy sequencer but you could also use two Quadratt tiles as sub mixers. Also, consider a dual FX in a more compact form, unless full parameter control is a critical component.
Ditching a few modules with non-essential or now redundant function allows you to add a BIA plus compressor, which is a Techno workhorse. Consider a Pico Polivoks VCF for a sub mix. Tallin combines a dual VCA with drive and a stereo mixer plus Pico A-Mix for FX sends round out a alternative version of “your” rack:-- liquid_air
Hi Liquid_air,
Thanks for your thought on my rack but that is not really the "path I want to walk". The modular will be an addition to my current setup where I use an Elektron digitakt for drum rythms and other sounds which I can not generate with the synths and a moog minitaur for bass. The first thing that I notice is the Noise Engineering Basimilus which is a drum synth and not useful in my setup.
As you mention I want full parameter control for my delay and verb and therefore I'll stick to the Chronoblob and Purrverb I prefer to have more control on a few specific effects than have a bunch and use them all because then it is going to sound "cheap".
I see 6 modules that all can act as a sequencer which is to much for this relatively small synth.
I already own the rack and 50% of the modules most of them are coming from the modulation section so so abrupt changes cannot be made any more. I can imagine this synth can perform but not in the way I want it. All though thank you very much for your thought and input!
The dual Doepfers kind of kill a lot of HP. Malekko has some interesting options that combine sequencing with envelopes or CV modulation. You can make room for them by switching to a 7U rack and using tiles for some of the functions (I/O, power, mixer). I added a steppy sequencer but you could also use two Quadratt tiles as sub mixers. Also, consider a dual FX in a more compact form, unless full parameter control is a critical component.
Ditching a few modules with non-essential or now redundant function allows you to add a BIA plus compressor, which is a Techno workhorse. Consider a Pico Polivoks VCF for a sub mix. Tallin combines a dual VCA with drive and a stereo mixer plus Pico A-Mix for FX sends round out a alternative version of “your” rack:
