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A little preamble...
I've played around with music gear for years, started way back with Rebirth 338, had samplers and bits of gear etc, Stayed with Reason since the start, always for fun.

Starting my modular journey now after getting back into the Roland Boutiques, I kinda liked the idea of a Hardware ReBirth 338!
My plan is to build a kinda generative modular rack that fills the gaps around the TR08 / TR09 / TBo3 & SH01, I just sold my Korg Volca Bass as I just don't get along with its sequencer, at some point I will get a Beatstep which could have fixed the Korg but hey!
Its really tempting on ebay when you see a module you fancy come up at a good price but its all too easy to get carried away and not get to my goal of heading somewhere generative to compliment and expand on the Synth gear I already have.

So whats best?
Buy the ebay deals or hold out for my plan?
There's so much good gear out there!!!!

Yeah, its a random first post! Hi.

Excellent feedback, thank you! I'm glad you think that this project is not a fool's errand.

I had not considered rack widths beyond 104hp based on typical sizes I was seeing in commercial cases, but I do now see that 126hp is indeed an option for a more authentic 2-row layout. I do plan to build the case myself out of simple box-jointed pine boards or plywood, and already have 3 sets of 84hp rails purchased for the project, but I suppose that I can save those for one of the wing blocks ... you assume correctly that I have considered building those as well if this initial project is a success!

I have not otherwise looked at genuine spring units within the context of Eurorack, but I will do some research on that. Your talk of effects reminds me of my pedal board full of guitar effects (including some nice reverbs). I ought to consider an effects send-return that I could use to patch into that. If anything, that could offload rack space used for effects in favor of what I already have.

I do like the the look of that Olitronic Pro Out, and the 2hp MIDI module is what I currently have on hand, which is the only reason why it's in there. I'll need to do some research to better understand what this unit would and would not allow for compared to other interfaces with more gate/CV outs.

The sequencer solution will probably deviate from the original, in that I don't tend to write waltzes so am not sure how I would approach a 12-step sequencer other than setting it to run 8 steps and ignoring the last 4 steps-- a strange design choice by Roland indeed! I do like the idea of a sequencer "block," but want to focus on getting this first block done before I commit to others. Block 1 is daunting enough, as I'm DIY'ing all the Pharmasonic modules, have fairly limited experience with electronics and soldering, and this is my 1st forray into Eurorack.

Based on your excellent input, I've updated my design:

I'm hoping to keep the cost for the project to about $1400US for the Pharmasonic modules and case, which is certainly better priced than buying an original System 700!

Based on your

EDITED Aug 8th 2019, 20:27

The problem that you're encountering is that there's no cheap way to cover all of your bases. Choosing one or two oscillators means leaving other possibilities on the shelf. Not good or bad... just different possibilities.

There is no one answer. But there is some advice to be refrained over and over.

1. Buy a case that's bigger than what you think you will need. Most Eurorack set-ups grow over time. Not having the space for that super-awesome 24HP module you're really itching to get means having to buy additional case hardware for the privilege. Future proof your set-up for at least 1 year.

2. Filters, LFOs, attenuverters, output modules, and other utilities are often overlooked in most fantasy builds. You want at least one multimode filter, at least one LFO, two envelope generators, four VCAs, and an output module to go with a one or two oscillator set-up.

3. Don't overlook synth-voices and stand-alone synths that are Eurorack compatible. At the bottom of the pile you'll find Behringer's Neutron. But many other synth manufacturers offer their stand-alone synths and synth voices. If you're just getting into modular synth they may be a much more affordable solution that come with the basics. Besides the Neutron, check out Moog's Mother-32, Grandmother, Pittsburgh Modular's synths, as well as many, many other manufacturers.

4. Play in the virtual world for free. VCV Rack is a FREE modular synth environment. If you're literally learning the ins and outs of the modular synth world, it's a great way to learn more about different module types. It's not a substitute for modular. But a lot of what you will learn will carry over.

First up, if this is intended to replicate Block 1, I wouldn't have put it in this case. Erica's Monster Case (2x 126hp) is a much better fit here, with the same space, internal power, and the two-row form factor (or something better approximating it) of the original. The 84hp width cabs are better suited here to stand in for the wing cabs, and since (I assume) you have three already, you have the basis for two of your wing cabinets.

Block 1's audio input is already there...it's the "amplifier", which you'll notice has a similar gain setup to the ARP 2600 input amplifier. That extra module can therefore be eliminated.

DSP effects...uhm, no. Part of the key to the System 700 sound (just like in the Buchla 100) is the spring reverb. The electromechanical design introduces a lot of odd behaviors, nonlinearities, etc that you just can't model well with a Spin FV-1 chip (the basis for the PICO DSP). You're also missing a panner here. And the output stage needs metering to match up with the original. For the reverb, I'd be inclined to go with G-Storm's Electro Spring Tank as the drive module, then select a long Accusonics tank (mounted internally) to get the right sort of sound there. The "panner" that Block A has, though, isn't a VCA-based autopanner but a three-channel stereo mixer, everything under manual control. So something simple but stereo like Doepfer's A-138s would be just fine. Then for your output, I'd go with something that has dual balanced 1/4" outs plus metering, like Olitronik's Pro OUT. Note that all of this is available in black as well, which fits the look.

Lastly, MIDI. Now, this is something the System 700 Block 1 didn't have. However, it DID have the keyboard interface which allowed multiple channels of control for CV/gate to Block 1 and other Blocks. My suggestion would be Befaco's MIDI Thing, which gives you four channels of CV/gate, plus clocking...which might be handy if you try and replicate the sequencer block later on. And the look fits, plus it's a rather simple MIDI to CV, which would fit with the simpler implementation found on Block 1's keyboard interface.

This isn't at all a bad idea, especially since Pharmasonic has replicated the primary modules for the most part. The only stumbling block might be the sequencer, if you opt to continue on and recreate the entire System 700, because that used a weird 12-stage x 3 setup, sort of like a mutated Moog 960 etc. But continuing on while using the Pharmasonics as the basis is also much cheaper than trying to source an original System 700; even with Eurorack being more spendy these days, the resulting build would still come in at a price far less than a used original System 700.

Hi all,

I'm building a reasonable clone of the Roland System 700 "Block 1" out of the excellent Pharmasonic modules into a 9u x 84hp rack.

The Pharmasonic Modules themselves are 'immutable', in that I'm not looking to swap out/replace/improve on any of them, as that is kind of the whole point of the project, but I'm actively looking for any thoughts you have on the 'other' modules that are either needed (power supply, line-level output) or very handy (MIDI input, Audio input, DSP effects). Obviously there's not a whole lot of space left in the rack to work with, so compact is good.

Let me know what you would add (or remove) within the space available if this were your project! Any input is appreciated.

EDITED Aug 8th 2019, 16:48

Bought an ER-301 from @carci : module in perfect condition and I have never seen a module protected for transport so well. Perfect transaction, thanks !

Today I have installed all modules in my first rack!
As I am a little bit used with desktop analog synths the only modules I have to learn is Marbles and Plaits. And they seems to be a pair that likes each other.
But there is still a big black hole in the rack that wants to be filled with modules.
Would be glad for some advices about what would be the next modules if I want to make ambient music and maybe try to learn a little bit about generative patches.

EDITED Aug 9th 2019, 08:33

Hey guys,

I'm becoming more and more interested in modular synthesizers and spending a lot of my time trying setups on this site at the moment. I want to build a system focused on sound design so I mainly look at complex oscillators and function generators that you don't find in the traditionnal desktop synth world. The problem is that I will not be able to buy every module at once, and morover, I read everywhere that the best way to do things is to go step by step, so I'm wondering what would be the best way to proceed. Here are three options I'm condisering and I would love to have your input!

Quick precision, I'm interested in this since I've read that Blawan had designed most of the sounds on his last album/EPs with a few modules. My intention is to have a nice sound design station with randomnes, unusual modulations, happy accidents and techno in mind.

First, buying small modules over time:

With this setup, I would start with a very basic synth voice (something like STO, Pip Slope, Ripples, Shades and 2hp VCA) and add small modules with time. This would be super simple at the beginning and become more complex with each module I hope.

Second, starting with a 0-coast

With this setup, I start with a 0-coast, which would be the initial budget, and then add modules depending on what I need. This seems cool because the 0-coast looks like and already complex synth with a lot of exotic possibilities. And it would also be the cheapest option :)

Third, big modules:

This seems like the most interesting setup from a sound design point of view, but it seems like a "buy everything at once" system as everything seems important for it to work properly (except the sequencer)

What do you think? What would be the most intelligent choice? In what order would you buy modules? Are there missing ones? Or useless ones?

(I have not decided on the specific modules yet, like which oscillators/function generators/filters, the question is more focused on the best method to build a system and what kind of modules I want to place in it, but if you have recommendations on modules I should change or consider instead, please say! :) )

Thanks a lot!

EDITED Aug 8th 2019, 09:47

hi I built this rack with the goal of making a live techno, with the experience I was thinking of adding a distortion 308 or a Dusting mk4 and replace Rings by Honda Piston Mk3.
What do you think?

-- PCHMR

Hey PCHMR!

If live playing is your focus, I might suggest you think twice about the Disting (depending what you’re intentions are). While it’s great to have a Swiss Army knife in a small system, the Disting is the worst interface I’ve ever come across in eurorack, and you will always need a manual or cheat sheet out unless you just have one setting you love and set-and-forget. But if you if do set and forget, you’re more than likely to find a module that does that thing way better than the Disting.

Here’s my pitch for keeping it though: if you’re in a learning/growing phase and you’d like to have it to better understand different functions of modules, and also to have something which will make you realize “oooohhhh, if I had this kind of thing I could do X”, then maybe it’s a good thing to start with.

I say all this because I have one and this has been my journey with it.

I'm not too jazzed about the drum module choices, tbh. While the Tiptop Hats909 module is a good choice, the Jomox just strikes me as pointlessly expensive and a space-hog for what it does. Erica's Bass Drum would be a better choice if you need that level of control over the kicks...it's less than half the cost, takes up 6 hp less. And the Basimilac Erectus Blovio or whatever nonsense it calls itself is, again, expensive for what it does and...sorry, but I'm of the opinion that the panel looks like utter shite and poses issues if you want to use this effectively in a live, low-light venue. Having done plenty of that exact sort of thing back in the 1990s, I can speak from experience when I say that you want clean, clear panel layouts, not something that requires excessive squinting and puzzling over. Lastly, you might find programming easier if you use a multitrack trigger sequencer such as Tiptop's Circadian Rhythms for the drum programming alone, leaving the Hermod to deal with bass/bleep/pads/leads and clocking in general.

One way I would suggest making ample use of a separate trigger sequencer, btw, would be to go with a Delptronics LDB-2e/2x pair. That would then give you much of the TR-808/TR-606/CR-78-type soundset, with the 2x expander allowing some extra control tricks like CV pitch over several of the sounds, etc.

Another point: you should find a way to set this up as a stereo device. Right now, it's not really that, despite the Rosie having a stereo out (of a sort). Drums/percussives are much more effective when spatialized across a stereo field as opposed to all coming out of one point. If this is in an Intellijel 7U cab, you need to implement the stereo I/O in the tile row as well as putting a QuadrATT in there for mixing/attenuation duties. Plus, if the Circadian Rhythms is limiting in capabilities, you can add a Steppy 1U up there for four additional trigger lanes.

Lastly, envelopes. There's no EGs in here, unless you count the Maths (which I don't...it has much better uses here, especially considering the lack of any other modulation sources), and you have plenty of things that NEED envelope control, such as your VCAs, VCFs and...yep...the Rings, which you probably should keep, as it would make a nice resonating cavity-type effect before your Clouds clone, and also do some to help out the stereo imaging as a result.

Main riff is Plaits, modulating the model input to switch between all the melodic and some of the percussion algorithms. The melody and "electric piano" towards the end is Arturia MicroFreak. Klavis Twin Waves does the bassline and Elektron Rytm the drums.

You should definitely check out Strymon AA.1
Works very well with guitar pedals

hi I built this rack with the goal of making a live techno, with the experience I was thinking of adding a distortion 308 or a Dusting mk4 and replace Rings by Honda Piston Mk3.
What do you think?

EDITED Aug 8th 2019, 07:04

My new generative patch to learn the melodic possibilities of Mutable Instruments Marbles and two Plaits.
I love classical nocturnes by Frederic Chopin and Claude Debussy, so this one is inspired by their works.
Hope you will like it.

Bought my first Modules today.

My dealer had some of them in Stock:

Chords V2
ALM Tangle Quartet
2HP Pluck
Xaoc Batumi
Maths
Morphagene
MI Marbles

Also the Ladik arrived today.

So I still need a small mixer in my Rack to mix the Soundsources together. Would the Bastl ABC be good?

We are discussing this a while. It's a good idea and absolutely makes sense but it's also quite some work. Might come at some point...

so with some luck I’ve traded into modular. I’m just looking for opinions on what will be coming in the mail in the next few days. I’m looking to take this into ambient territory and also add some drum modules. As of right now I will just be clocking with sq-1. Thanks in advance for any opinions. https://cdn.modulargrid.net/img/racks/modulargrid_973182.jpg

so with some luck I’ve traded into modular. I’m just looking for opinions on what will be coming in the mail in the next few days. I’m looking to take this into ambient territory and also add some drum modules. As of right now I will just be clocking with sq-1. Thanks in advance for any opinions. https://cdn.modulargrid.net/img/racks/modulargrid_973182.jpg

Maybe one day this will be a problem but for now I already have a 6U104HP DIY flightcase (260€) and lots of room (because the neutron goes). Main reason I prefer to rack these semimodular synths is for transport and to keep the system as compact and tidy as possible. If one day I end up needing more room I can always put them back in their case.
The expensive part of eurorack is not the case, is the modules. A 6U104hp full of eurorack modules goes for around 4000-5000€, the 270€ spent on the case is just a 5%

As has come up on here numerous times, putting patchables that already have a powered case into another case for which you need power isn't a very economical move. Basically, you're paying to case and power these patchables twice...and given the cost per hp of space in a Eurorack cab with power, that's costing you perhaps a few hundred to do in terms of loss of Eurorack cab space.

Hello,
I got into modular world quite recently; I started with a Neutron and DFAM and added few things.
I work a with a computer and also stand alone; anything from experimental/IDM to Dark/industrial techno
My actual set up looks like this:

But I decided to sell the Neutron (despite people complaining about behringer is what got me into modular),; although has lots of patching options the overall sound is not for me . I even end up using the DFAM more for synth sounds. I will also sell the hexinverter Mutant brain; 0-coast has midi, I also own a Korg SQ-1 and my audio interface (presonus studio 1810) can send CV. So I am served (Mutant brain was the first one of these).
I also own a Bastl Kastle V1.5 I am selling too; I barely use it.

I have just bought an 0-coast ( I really like the way it sounds) and a mutable instruments links

I am considering two options, either move to a smaller 84hp case or keep the 104hp one (although there will be quite a lot of empty space for a while)

So, so far I own and will keep DFAM, 0-coast, Maths, ALM-06 (really useful if you own guitar pedals) Disting MK4, and links. I also own a Korg SQ-1, Volca Kick and Volca Drum and¡ a Kaoss Pad 3. The mixer is a Behringer QX1204USB
I will probably add a behringer crave (low cost alternative to Mother 32, which pairs well with DFAM) and a Roland TR8S(I prefer a Drum Machine over a sampler like Digitakt, and can not afford Analog Rytm)

I plan to add a VCA (either Intellijel uVCA/Quad VCA or Veils), maybe kinks. I do not want to add many modules at once, I have just scratched the surface of maths and Disting Mk4.

What modules do you think I should or could add to this set up first (I hear Pamela´s workout, ModDemix, and other)..maybe add the VCA/quad VCA or wait, what other utilities ..maybe another filter?
I do not mind (In fact I prefer) to buy second hand and/or old/mkI versions

Regards
Javier

EDITED Aug 5th 2019, 15:04

Actually, you could possibly use some more VCAs...the Veils is obviously for the audio, but having a few more linear/DC-coupled ones for CV level modulation would be useful here since you've got an ample amount of modulation sources. Other than that, I'd reorder everything so that your power supplies aren't next to audio path modules...especially not next to the Ears, which stands the highest chance of susceptibility to noise/garbage.
-- Lugia

Hmmm.. originally I thought 2*104hp would be very much sufficient, but now I can see the 3rd row is alluring me...I was actually thinking to get a MI Blinds for the CV modulation, and perhaps some noise generators, more effects modules like the Erica Synths Black Hole DSP v2, the “everyone’s favourite” disting mk4.....(that’s half of the 3rd row already)

I never thought audio sources next to power supplies would cause noise, thanks for letting me know!

Please clap.

Yes the EMW switch interface 1 is just about exactly what I was looking for! Thanks as always , Lugia.

Actually, you could possibly use some more VCAs...the Veils is obviously for the audio, but having a few more linear/DC-coupled ones for CV level modulation would be useful here since you've got an ample amount of modulation sources. Other than that, I'd reorder everything so that your power supplies aren't next to audio path modules...especially not next to the Ears, which stands the highest chance of susceptibility to noise/garbage.

Doepfer A-182-1, EMW Switch Interface 2, ph Multiple Dual Channel, ph 2xAB, EMW Switched Patch, EMW Matrix Patch.

I know it exist. It’s so basic that it has to.
I’m looking for a module with 4 or so inputs and 2 outputs for each inputs with a switch for each channel so I can send a voltage to either output 1 or output 2 depending on the position of the switch

Well, if that's the case, have a look at KOMA's Strom+ and Strom Passive instead. The active Strom+ supply gives you 1.5A @ +12V, 1A @ -12V, and 1.5A @ 5V, and then the Passive is simply a connector between the KOMA power jumper from the Strom+ and your busboard. So with that, you still only have one P/S generating heat; the skiff with the Passive doesn't have that issue. And then there's price: 2 x Row Power 40 = $310, this KOMA solution = $191. Cost-wise, much more effective.
-- Lugia

I just checked these KOMA module on their website, looks nice and definitely a better solution for the Moog cases..But since I already got the two ROW powers and I didn't seem to find any reseller for KOMA Storm+ in the UK, I might eventually upgrade to a proper powered-case later..

Apart from that, would you also recommend any module that's probably missing in my rack or could potentially add on it? Thanks.

Looking for feedback as I expand my rack. Currently have O-Coast, Maths, Rings, Clouds, and Rosie. Also have Beat Step Pro and Matrix Brute.

Too much or not enough of something here?

The addiction is real.....

EDITED Aug 6th 2019, 00:42

Well, if that's the case, have a look at KOMA's Strom+ and Strom Passive instead. The active Strom+ supply gives you 1.5A @ +12V, 1A @ -12V, and 1.5A @ 5V, and then the Passive is simply a connector between the KOMA power jumper from the Strom+ and your busboard. So with that, you still only have one P/S generating heat; the skiff with the Passive doesn't have that issue. And then there's price: 2 x Row Power 40 = $310, this KOMA solution = $191. Cost-wise, much more effective.

After a lot of help in this forum I now have bought my first modules.
The rack is based on a Minibrute 2S that I wanted to expand for making the synth more powerful and fun.
I hope it now will be a base for some ambient experimentation and maybe suitable for learning the first steps in generative patching. But I am sure I need some more modules for that purpose. So I hope I will get som advice how to proceed.
I guess the sequencer is not the best choice but I already have it and it has been a good tool for sequencing my Moog Werkstatt. But I guess that I later will remove it for making space for new modules as I also have the Korg SQ-1 and Arturia Beatstep and Keystep.

EDITED Aug 8th 2019, 13:31

I had a Tune at one point - they work great. I recommend adding an Expert Sleepers Disting Mk 4, it has dual a quantizer along with shift registers (Turing Machine) and whole lot more. It’s a really useful module for under $200 and only 4hp. You could ditch the Tune or just have more quantizer for other vcos

Hi,

I'm just starting to begin looking at Eurorack gear, and ModularGrid has been insanely helpful for researching and discovering modules, but one thing that is still missing is researching and discovering cases.

For this, I'm left with either googling, finding random MW or lines posts, or looking at Thomann, Sweetwater, and Schneidersladen.

I'm sure there are more case manufacturers out there than show up in these searches (I saw some of them at superbooth), but there's no database or index anywhere of which manufacturers make which cases.

Is this something that could be added to ModularGrid any time in the future?

Thanks!

One thing I'd consider is that if you don't need the second Row Power 40, don't put it in. As long as your total current draw in the build is between 2/3rds to 3/4ths of the rated amperage of a single Row Power 40's rails, you'd probably be better off running the single power supply to both busboards. This also means there'll be less heat buildup in the case...and lots of heat + analog circuits = generally not so good, so if that's avoidable, definitely avoid it.
-- Lugia

Hi Lugia,

Thanks for your reply. That's definitely a thing, I also feel that the extra ROW power is not very efficient and it takes some hp space...but the reason for putting one for each row and not using busboards instead is because I'm using 2 Moog 104hp cases (got them 2nd hand on ebay), which basically only works using daisy-chained power modules to link them together :< I might consider upgrading to a proper suitcase-style case later.

Any Eurorack except for early Analogue Systems modules, which have a slightly different power connection setup. These can be made to work with an adapter power cable, but then you face the issue of their earlier modules not lining up with the mounting spacing. More recent Analogue Systems modules now have the proper connection for the Eurorack standard, plus these use oval mounting holes to allow them to line up with both AS-Euro cabs and more typical Eurorack cabs.

One thing I'd consider is that if you don't need the second Row Power 40, don't put it in. As long as your total current draw in the build is between 2/3rds to 3/4ths of the rated amperage of a single Row Power 40's rails, you'd probably be better off running the single power supply to both busboards. This also means there'll be less heat buildup in the case...and lots of heat + analog circuits = generally not so good, so if that's avoidable, definitely avoid it.

Hello there,
I recemtly get an a-100 low cost case and reading the manual says tha accept Doepfer modules or 100% compatible, so im wondering which other providers or modules can i use with this case. Thanks in advance.

Hey all, so this is my planned rack in progress, upgrade from m32 and DFAM. I'm using an external Mackie 802 mixer for audio output from MI Veils and mixing, I feel the need to have an onboard oscilloscope to better learn what's going on.

Would anyone recommend to change anything? or anything to add for the possible 3rd 104hp row in the future?

Thanks in advance!

EDITED Aug 2nd 2019, 16:25

Hi Ronin

Thank you for the reply.
Your advices are welcome and I'll make the rack you suggested.

Thank you!

Hi, love the software.
Feature requests:
- Download/ save option of Datasheet

I have optimized the print view. Workaround on Mac OS is to hit print and save as PDF.

• Datasheet option for all modules i own

Just put all modules in one rack is not an option?

• Option to select multiple modules to add to specific rack

That is a common request and may come at some time.

-- Haus_Sonsbeeck

-- modulargrid
Thanks! Super helpfull

Hi! I'm new to modular synthesis. After spending sometime with mother 32 I wanted to add more sample experimentation so I started building this rack. The idea was to make it an all around workstation for creating long, slow evolving melodic synth & sample passages, play with rhythmic dynamics and FX. I'd love to hear more recommendations for modules that could enhance the modules I already have, as well as any other tips that could be relevant.

EDITED Aug 2nd 2019, 05:39

Plus, the Chronoblobs all have a very unusual (for Eurorack delays) feature: an insert point in the feedback path. Lots of abuse potential...everything from filtering the echo returns to pitch-shift-whirl insanity ala the Butthole Surfers' "Creep In the Cellar", etc. Much fun.

One other device, sort of delay-ish, that might come in handy in there would be a Morphagene. This would allow for not only stereo delay-type actions, but quite a bit of on-the-fly sample looping/manipulation/damage.

EDITED Aug 2nd 2019, 05:27

That's my rack! You pasted the wrong link..
-- naught101

That's everybody's rack :)
-- modulargrid

;)

FWIW, it might be worth adding some validation to forum posts to prevent people posting those links - I've noticed it a handful of times in just the last week.

IF USING WITH PRO TOOLS:

Set Yarns TE to EXTERNAL
Set Yarns B-- to INFINITY
Set

EDITED Aug 1st 2019, 20:54

I'm entertaining buying an Alright Devices Chronoblob 2. It hits all the high-marks for a dedicated delay unit for me.

Thanks Ronin, please report back if you can!

I went ahead and purchased a quantizer. Now my problem is that I probably need to get another rack to keep this addiction going. I thought I was finished.

Update on my Rackbuild.

For the last days I was looking for a Option to Sequence in a Small HP Format. And I have to admit Ronin was Right.
The O&C running the Sequins App seems to be the best Option :-) Also the Copier Machine look interesting.

I also was able to sell my Clouds and get a used Monsoon Clouds. I know the µBurst Version is even smaller, but I think 12HP for the Monsoon is nice. It saves me 6HP and I like the Sliders :-)

I also added the Disting MK4 the 2HP Pluck and Erica Dual FX.

What do yo think?

I was also looking into the Chords V2. When I discovered Modular Synths the Chords was (besides the Clouds) the module that I really liked. Maybe replacing the E350 with the Chords V2?