Hi, love the software.
Feature requests:
- Download/ save option of Datasheet
I have optimized the print view. Workaround on Mac OS is to hit print and save as PDF.
- Datasheet option for all modules i own
Just put all modules in one rack is not an option?
- Option to select multiple modules to add to specific rack
That is a common request and may come at some time.
-- Haus_Sonsbeeck
Beep, Bopp, Bleep: info@modulargrid.net
I got the weird problem that sometimes (like just a few minutes ago) almost all of my modules disappear from the grid and i have to add them again.
I think you can use M32 and DFAM VCA out for eurorack signal out your synths but you'll need some kind of line level common output. I really like Nearness and simply use dedicated volumes for attenuating with my M32s but there's also other mixing solutions. One thing you'll realize is you'll need to convert the CV of Mother 32 if you wish to use a sequencer module (unless youre just using with MIDI through Keystep) something like Erica synths mscale to get full range.
-- lvelazquez
Thanks for the reply! I added a line level output in the rack. I was planning on keeping the separate outs from the mother and dfam straight to a mixer. I was planning on using the keystep to control the eurorack, do i need MIDI or can i just plug out the cv/Gate to controll it?
Ah i never thought on the cv converter for the mother, great Idea!
This is the updated rack https://cdn.modulargrid.net/img/racks/modulargrid_967898.jpg?1564651789
That's my rack! You pasted the wrong link..
-- naught101
That's everybody's rack :)
Beep, Bopp, Bleep: info@modulargrid.net
https://www.modulargrid.net/e/racks/view
-- Circuit78
That's my rack! You pasted the wrong link..
Hi i am noob to modular world. So i am buying my first semi-modular Synth behringer neutron. I have a soundcard, novation launchkey 49 and volca sample what else i might need to get started ? I love melodic and dark techno.
Also i want expand my neutron to eurorack so what modules do i need. I have planned to buy a midi to CV(mutant brains), pamelas workout, a vco and a 2HP sequencer.
I even like maths,clouds,plonk,euclid but right now low on budget so i will buy it later. So please guide me what should i buy step by step. Please answer all question.
Thank u
I think you can use M32 and DFAM VCA out for eurorack signal out your synths but you'll need some kind of line level common output. I really like Nearness and simply use dedicated volumes for attenuating with my M32s but there's also other mixing solutions. One thing you'll realize is you'll need to convert the CV of Mother 32 if you wish to use a sequencer module (unless youre just using with MIDI through Keystep) something like Erica synths mscale to get full range.
If you want TM to generate melodies in the chromatic scale then yes you need a quantizer.
I was curious if anyone has had any experience with the 2hp TM. I’m going to enclose my current skiff diagram. Do I really need a quantizer? I thought the turning machine was like a random step sequencer and didn’t purchase one. Supposed to have the Turing machine next Monday. I should also mention that I have a Moog Mother 32, DFAM, and Grandmother that I use with my eurorack. Thanks for any help. Trying to post rack once more.
https://cdn.modulargrid.net/img/racks/modulargrid_874982.jpg
Thanks for the input folks.
I will look into the Allen&Heath Mixers.
So here's a shameless Crosspost from the MW Forum :-)
I already told that I ditched the Dual ADSR and added the Zadar. But
the Zadar can't do a normal ADSR. But even if it could tho ADSR I think it would be a waste to use it just for that.
So i only have the Maths for Envelopes. Would it be a good Idea to add something like the Intellijel Quadra? I know it only does AD and AHR or do I need a "standard" ADSR?
Read up on synth levels versus line level. The Eurorack signal is a LOT hotter than line level.
How you handle it is up to you and depends a lot on your gear. There are line level mixers and audio interfaces that can handle synth level without distorting. But there's no guarantee that everything will.
There are quite a few choices when it comes to interfacing.
You can buy a Eurorack interface like the Expert Sleepers ES-8.
You can buy a Eurorack module that converts synth level to line level.
You can buy an external mixer that has enough headroom at the input level to handle Eurorack.
You can attenuate the signal in Eurorack going out to your audio interface.I use a synth to line level Eurorack module. I find that to be the easiest solution without the worries.
The biggest issue is going the other way around: line level to synth level. That requires boosting the signal and has to be done with active electronics. Using a non-specific piece of Eurorack to boost the signal can add lots of noise.
-- Ronin1973
Thanks for the reply! i added a external out for the simplicity of things.
I would think a DC coupled digital delay set to 0% feedback could handle the job. Looks like I have an assignment to do when I get home tonight.
Read up on synth levels versus line level. The Eurorack signal is a LOT hotter than line level.
How you handle it is up to you and depends a lot on your gear. There are line level mixers and audio interfaces that can handle synth level without distorting. But there's no guarantee that everything will.
There are quite a few choices when it comes to interfacing.
You can buy a Eurorack interface like the Expert Sleepers ES-8.
You can buy a Eurorack module that converts synth level to line level.
You can buy an external mixer that has enough headroom at the input level to handle Eurorack.
You can attenuate the signal in Eurorack going out to your audio interface.
I use a synth to line level Eurorack module. I find that to be the easiest solution without the worries.
The biggest issue is going the other way around: line level to synth level. That requires boosting the signal and has to be done with active electronics. Using a non-specific piece of Eurorack to boost the signal can add lots of noise.
Hey everyone! IM about to start my Journey in the eurorack world and IM so stoked to spend absurd amount of time (and money..) on this new-found love! I have a mother 32 and a DFAM in a twotier rack and IM planning on keeping it that way, but to expand this system with 2 84hp Tiptop HE racks in a custom made box.
https://cdn.modulargrid.net/img/racks/modulargrid_967898.jpg
The Idea is that the top rack is More towards modulation and effects. The lower rack is focusing More to be a kind of a standalone ”synth” or as a complement to the mother 32. Beacause IM totalt new to this i just wanted to check of a
Few thing First..
Hi Alan, old thread I know but shouldn't your patch be STO sub out to Quad VCA in not Quadra in?
I just picked up a Mutant Brains, and like many folks interested in the module, I'm hoping to use it to allow my digitakt to control my eurorack rig. I've installed the module and I've sent a sysex file to it via Midi-OX. The lights on top of the unit blinked, but something's still off. To test it, I'm sending a basic midi track from Cubase out of my Scarlet 18i8 and into the Mutant Brains. (I'm sending it on ch 6.) The patch is mutant brains cv out to STO, mutant brains gate to Quadra, Quadra envelope to Quad VCA cv in, STO sub out to Quadra in, Quadra out to my output module.
The sound I'm getting is glitchy. When a single sustained midi note plays in the Cubase sequence, I'm getting lots of random notes that play from the STO. The Sysex settings are all pretty basic (inputs on ch 5-8, CV outs all set to "first note pitch," and then gates 1-4 all set to "first note on" and gate. Any guidance is much appreciated.
-- alan_smythee
I’d suggest grabbing an Arturia Keystep or Beatstep Pro for sequencing and save your Space for more modulation sources. For about $120 you get a solid keyboard controller with a built in arpeggiator, sequencer and you can switch MIDI channels while the sequencer keeps playing and play live over another channel. Great performance tool. You could also drop in a Mutant Brain and use any MIDI device for control like a Novation Circuit, MPC or Digtakt. The Mutant Brain is completely customizable giving you plenty of cv/gate/trigger and even clock division options for output. Using an external sequencer is going to result in far more control over compositions at a much lower cost. If you want a more randomized or more generative composition, try a shift register and quantizer combo along with a keystep to enter root notes that the system can then transpose or riff off of.
As far as stereo goes, I think it’s worth it if you can find the right mixer module that fits your system without taking up a lot of space. The intellijel Mixup is a great little stereo mixer with plenty of inputs and stereo output in 6 hp.
Also, I tell this to everyone: get an Expert Sleepers Disting Mk 4. It’s an amazing module in a very small package. It’s probably the best wav player/sampler/Swiss army knife for the price and keeps getting better and better every update(which is very regularly).
I started with these cases but ..if you have to buy a power supply new I wouldn’t recommend the investment at that point you’re better off getting a 3U rackbrute which gives you 83hp instead of 60-56hp. They’re too small but as with anything you could probably do fit smaller digital clone modules and such and make a complete system. I had a leftover case and I’m currently using it to expand a m32/dfam rig. Would really look in nearness for a compact stereo mix solution.
I can whole-heartedly recommend @bj_gzp who not only was a quick and friendly person to do this business with, spent (as I can only imagine) countless hours navigating through the nine circles of UPS customer service for me when the forces of parcel shipping were stacked against me. Thank you!
Thanks for the information.
I did not see the magazine at Superbooth :-(
But now I have subscribed :-)
Still don't like the tiny screen tough.
-- Quantum_Eraser
Well, it is a multi-function module. In your first rack, I would strongly suggest having one.... even if you don't like the tiny screen. :)
Sometimes its worth it to compromise.
Yeah, I know that the sequencers adjusts that pitch in relation to where the oscillator is set. But when I first got into Eurorack
it took some time to figure it out :-)
Still don't like the tiny screen tough.
The Qu-Bit Octone could also be an option for me.
Thank you Luigia for the advice.
I'll experimenting with VCV for a working rack and after this I'll post it!
I'll not buy nothing before being sure my rack works.Thank you!
-- ellelle
Hi Ellelle,
Lugia had some points. Here are a few others.
When you post a link to a rack, use the link to the page rather than a jpg. It's much easier to review your module selection by clicking the "INFO" on the module than trying to find it manually.
Here's a link to your rack. Try clicking on the picture and see what I mean:
Your rack is definitely lacking oscillators/sound sources. It is possible to use a couple of these modules as sound sources... like the Maths... however it's not intended to be one, so the results may be a little difficult to manage.
Let's keep going on what you have.
There a lots of MID to CV solutions out there. For the space and features, you can do better than the A-192-2. Something to consider is how dependent on your DAW or MIDI source for basic patches? Having an onboard sequencer or even two different types of onboard sequencers is usually a much better way to go. Sequencers are useful for much more than playing back notes.
You have a clock generater (2HP)... what will you be clocking with it? It's rhetorical. But once you learn a bit more, you'll see what I mean. Clocks and clock divisions are important. The 2HP module is very basic.
The A-143-3 is okay. But it lacks some features. You cannot reset or clock your LFOs. That's an important feature for predictable rhythmic results. It's also missing a lot of common waveforms. The Batumi with a Poti expander is a good alternative.
You have two different reverb modules. One is a digital 2HP reverb and the other is just an interface for an external spring reverb.
The A-138p is an expansion unit for another module. If you look at the face, it has 4 inputs... but no outputs. Do not buy this module as it will be useless in this situation.
Quantizers. Where would you like to source pitch information and how important is it that pitches conform to a scale? Again, once you learn more, you might want to consider one.
It's pretty common that people want to get into modular and their first instinct is to load up a rack with stuff that looks cool or is popular... but they tend to lack the understanding of WHY or WHY NOT those things should be in THEIR rack.
Open up VCV rack and place in it.
2 VCOs
1 noise-generator (white noise/pink noise)
1 low-pass filter
1 LFO
2 ADSR envelope generators
4 VCAs
1 four channel mixer
2 Eight-Step sequencers
1 audio interface module (necessary to hear anything).
Now start patching and make a simple monophonic synth. You should be able to create a lot of different basic sounds. Explore every connection and every knob. Once you've got the hang of it, then start trying out different modules like quantizers, effects, etc.
Watched another Video of the Sequins mode (or App or how it is called)
What I still don't get. How do you put in the notes for the next step? Do you really have to select the Notes with
these Numbers? It can't imagine thats the only way.Does it not trigger the Note from the Next step and you can select the pitch by dialing the knob? (like moving
the slider on the Pittsburgh Sequencer)
-- Quantum_Eraser
Did you view this video? In Eurorack, you're not generally selecting the specific notes you're wanting. An oscillator is generally set at a pitch and the sequencer adjusts that pitch in relation to where the oscillator is set. It's all relative... that's why you hear about people "tuning their oscillators" before they get started. Everything is dependent on where your oscillator is tuned as to what actual note (the frequency of the oscillator) will produce. With a lot of sequencers, you can pick a scale that the sequencer will quantize to. Chromatic, of course, is the easiest. With the O_C sequencer you adjust the value of each step. It denotes the octave and pitch (12 notes) above the base note. If you're coming from a DAW where everything is laid out easy-peasy it can take a little getting used to.
I grabbed a copy of the Waveform Magazine at Superbooth this year:
https://www.waveformmagazine.com/
I really enjoyed the read, it has a good mix between interviews (manufacturer and musicians) and gear/music reviews.
Hi - thanks for the feedback. Yeah, I'm torn between the disting because it seems ideal for a beginner like me to learn different modules and suss out what I might find essential or less useful or the ADSRVCA that keeps things simple. I have the KB-1 and SV-1 already (prices were too good to miss). I'm in no immediate rush to decide as the case isn't available until late Nov by the looks of it. I might just keep an eye on both modules and if either comes up at a decent price, let that be the deciding factor. Even if I get the ADSRVCA, like you say, I'll no doubt be getting a disting later down the line!
Thats genius...The Ladik P-520 is exactly what i was thinking of I would need for my approach. Are the Outputs 6.3mm jacks?
3.5mm, but it's a simple matter to use 3.5mm to 1/4" cables between the Ladik and the mixer.
As for a mixer i am looking for one with built in USB Audio Interface. Don't need onboard effects since I would probably
never use them.
Smart move. Most onboard FX are sort of "cripply" when compared to a serious FX processor...either the quality is sub-par, or the controllability of the FX are poor, or both. My suggestion: an Allen & Heath ZED-18, which would give you plenty of inputs for your modular submix alongside a good amount for other incoming sources. This has 10 mono inputs with inserts (VERY useful for doing FX per channel via outboard processors!), four stereo ins, four AUXes, ample I/O for output and monitoring (and inserts on your stereo main out), no FX, and USB send/return. Might seem a bit big at first, but the fact is that you always want to overspec your mixer...you'll be surprised at how quickly you can go through channels when you've got everything hooked up!
That's because you're looking in the wrong place. Try under "Effect" instead. A number of the Spin FV-1-based modules are pitch-shift capable, and there are others in this category that have that capability. Also, some granular devices are capable of doing real-time pitchshifting, so you can't dismiss them outright...have a look in the module descriptions and you'll find a few.
Another possibility would be a Digitech Whammy pedal if you're set on that sound. To incorporate that into your rig, you'll need an effects-loop module that handles the appropriate level step-down/step-up to go from the modular to the pedal and back.
I use a Behringer QX1002USB mixer. It work fine for direct audio.
-- naught101I've read different opinions over the last few days. Some say its no problem, others say that now every mixer is suited, while some people say that you should not do this. :-)
-- Quantum_Eraser
To give you an idea of volumes, I run all my audio into a Ginko Synthese Mix, with all the knobs at about 10-11 O'clock (so 1/3?), any higher than about 12 o'clock and I get distortion (not sure if that's in the mix module, or the Behringer, I will have to check.). I run that output into channel 3 of the QX1002USB (this channel as not preamp gain control), and I have that volume at 9-10 O'clock (so, 1/4 volume?). I run the mixer outptut fader at around half for a loudish, but comfortable listening level (studio monitors and a sub in my bedroom). If I play audio from my computer at full volume through one of the other channels, I'd have that channel's volume control at about 12 o'clock.
Disting is definitely great for versatility, and if you're planning a bigger rack later, it can help you to know whether you need a module of a particular type (because you can use the Disting as that module, almost certainly). If you buy one, you will never need to get rid of it. But it's also a bit menu-divey, and it's impossible to remember what module is in which bank, so you need the manual at hand most of the time (or a cheatsheet). Then again, you're usually going to only set what module it's using once every few patches. Disting has a euclidean pattern generator included.
If you already have a midi controller, you might be better off using that with a midi -> CV converter than using the KB-1.
ADSRVCA looks like a very useful module, as it can be used as an LFO, and the VCA can be used separately from the envelope if you want..
Watched another Video of the Sequins mode (or App or how it is called)
What I still don't get. How do you put in the notes for the next step? Do you really have to select the Notes with
these Numbers? It can't imagine thats the only way.
Does it not trigger the Note from the Next step and you can select the pitch by dialing the knob? (like moving
the slider on the Pittsburgh Sequencer)
When I think of working with such a tiny Display and 2 knobs it really puts me of.
I know, the O&C is nice but it just doesn't appeal to me.
About the secret-key-press Nightmare. I watched Review Video again and you are right. The only thing that it does to confirm that you changed a mode is the LED light up for a brief moment. The Modes are printed on the Plate. No LED here to show the mode you are in.
I habe to find another solution for sequencing.
In my first Rack Build I had the Varigate4+ in the Setup.
-- Quantum_Eraser
There are two rotary encoders and two buttons. The menuing is very simple. I would definitely find some tutorial videos on O_C before you write it off. I'm definitely in the camp of "if it's too complicated its not going to be in my rack." The O_C is less frustrating to use than the Lifeforms sequencer. As the beginnings of your rack, a module like this will give you tons of options with only a sprinkle of learning-curve.
When I think of working with such a tiny Display and 2 knobs it really puts me of.
I know, the O&C is nice but it just doesn't appeal to me.
About the secret-key-press Nightmare of the Pittsburgh Sequencer. I watched Review Video again and you are right. The only thing that it does to confirm that you changed a mode is the LED light up for a brief moment. The Modes are printed on the Plate. No LED here to show the mode you are in. It's a shame. It's really a nice small sequencer and has all I need.
Looks like i have to find another solution for sequencing.
In my first Rack Build I had the Varigate4+ in the Setup.
Get rid of the Lifeforms sequencer. It's crap. I own one and it's a secret-key-press nightmare and the documentation sucks.
Replace it with a micro Ornaments and Crime. You'll save two HP and get all of that functionality and MORE. The O_C is pretty easy to use. Plus it can handle quantizing, can generate envelopes OR gates along with your desired CV. Plus you can SAVE the status of the module between power cycles.
Don't forget the Poti with the Batumi. It's like $60US. But it's worth it.
I use a Behringer QX1002USB mixer. It work fine for direct audio.
-- naught101
I've read different opinions over the last few days. Some say its no problem, others say that now every mixer is suited, while some people say that you should not do this. :-)
Another idea for that last 6hp -
ES Disting mk4 (VCA/env functions as before but much much more versatility if I want to do something different)
plus another 2hp module - more vcas? or 2hp verb (replaces need for ext fx when going portable but the SV-1 output module is mono so stereo output probably useless?) or something to add to the 2nd vco sequencing options (2hp Brst or Euclid or some logic?)
A better option? (I'm almost 100% sure the Disting mk4 would be useful in my later, bigger rack so not a wasted purchase)
https://cdn.modulargrid.net/img/racks/modulargrid_968599.jpg
I’m wondering about a pitch shifting module, looking for something that works kinda like the Digitech Whammy pedal. Searching for “pitch shift” modules finds a bunch of delay/granular synthesis stuff, not what I’m looking for.
https://cdn.modulargrid.net/img/racks/modulargrid_965868.jpg
Hopefully this will - ta for the headsup!
I use a Behringer QX1002USB mixer. It work fine for direct audio. However, I have had trouble with getting it to work as a USB audio interface (on Linux).
Hi all,
I'm finally taking the dive into eurorack. I have Nord G1 + G2, 0-coast and other CV friendly bits n bobs plus reaktor and some PD experience so I have a basic understanding of what I'm getting myself into :)
Long term, I'm planning something like a Mantis rack - that kinda size, for a hybrid studio setup, but in the shorter term I have got myself a Pittsburgh SV-1 and KB-1 combo that I'd like to have as a little closed system that I can either use with my larger studio or take in the garden for portable jams. Other than the case (which will be a Lifeforms Research Console Case unless anyone has any better suggestions for powered 2x48hp?).
I'm not interested in putting them in a bigger case - this system will just be my first dipping my toe into eurorack type deal, the bigger Mantis rack will probably be MI based.
I'm currently getting into VCV to learn the basics for my bigger rack so I'm in no rush to start buying the Mantis and the modules.
However, to get to the point, the Lifeforms case leaves me with 6hp to play with. Most examples of this Pittsburgh SV-1/KB-1 seems to use just a blank panel. I would like to maximise the usability of this combo. My thoughts at the moment are to go with a ADSRVCA https://www.modulargrid.net/e/steady-state-fate-adsrvca which seems to be the only VCA/env combo that I can fit.
My logic being I could use both VCOs on the SV-1 completely separately in terms of env/gate/pitch. So KB-1 main sequencer or keyb could drive VCO1 and the 4 state mini sequencer could do VCO2. Or I could use the duophonic mode? And if I didn't want to do that I could use it for VCF modulation or something (as the SV-1 just has the one envelope).
Am I correct in this thinking? Would this work? Or is there a more useful module to put in?
Bear in mind, I do have 0-coast and other bits to use if I want but I wanted it to work nicely on it's own (well with a fx pedal).
In terms of the music style, experimental/ambient/glitchy/classic electronics - pretty open really so the more versatile the better.
https://cdn.modulargrid.net/img/racks/modulargrid_965868.jpg
Thank you Luigia for the advice.
I'll experimenting with VCV for a working rack and after this I'll post it!
I'll not buy nothing before being sure my rack works.
Thank you!
Thats genius..... The Ladik P-520 is exactly what i was thinking of I would need for my approach. Are the Outputs 6.3mm jacks?
As for a mixer i am looking for one with built in USB Audio Interface. Don't need onboard effects since I would probably
never use them.
It doesn't have to be Behringer :-)
This won't be able to "auto generation" sounds at all...because there's nothing in it that can MAKE sounds!
If you're used to computer-based synthesis/control methods, I'd strongly suggest stopping right here, right now, and getting a copy of VCV Rack so that you can see how modular synthesis really works. This current build is totally unworkable.
Also, when you do get back around to working out a physical system after sorting out what has to go into one, I would strongly suggest keeping track of your module depths. For example, if this is in an Arturia Rackbrute case, the MIDI interface you've specced here will not fit. Your panel sizes also seem poorly thought out; why use a Doepfer A-145-3 in this small a space when an A-145-4 would make much more sense in terms of space occupied vs. function delivered?
Another rule of thumb: start with a MUCH larger cab than you think you need, then populate it and start "working backwards" by paring this down. A Rackbrute 6U is a really small thing, and if you're used to CSound and/or Max, you're going to feel massively restricted because this just isn't enough space to pull off the complexity you're used to OR what you're trying to do with this build.
Lastly, expect to be revising something like this for weeks, if not months. No one gets this right on their first try. It's not simply a case of "slap things in box and patch"...there is definitely a process to this, and there are definitely things that MUST be in a system that simply aren't in here at present. Again, try experimenting with VCV before you blow a wad of cash on something unusable like this.
I wouldn't be caught dead using a Behringer mixer, frankly. As much gear as I have, exactly ZERO percent of it is Uli's. As for the recent Yamaha stuff...eh. One line that I do know can handle these sorts of levels is Allen & Heath's ZED series mixers; these were tested out some years back by a user on Muffwiggler to be able to handle in excess of 10V peak to peak at maximum preamp attenuation. Even so...I still wouldn't do this, as all of that excess voltage has to go somewhere, and that somewhere is almost always in the form of heat. And heat shortens component life.
Another strategy, instead of mixing in the modular, would be to have several channels of level step-down in a small space. Have a look at Ladik's P-520, which offers four level converters from synth to line levels. Two of these would only occupy 8 hp, cost about $60-ish, fit easily (20mm depth) in any cab, and give you eight discrete outputs that are ready for mixer inputs without having to do anything with the input trims that might compromise sound quality or component integrity.
As for the best mixer for this...if you can source a first-gen Mackie 1202 that's in excellent shape, no abuse, that would be my choice. Sound quality is excellent and very colorless, there's no cheap FX added, the input preamps can handle big voltage swings (and this is from experience!), and they're pretty close to smashproof. A lot of the new small mixers are sort of cheaply-made, I think...but this isn't.
is this IS already possible/ if so, my apologies.
if not, i think it would be useful. don't you?
Hi guys!
I'm an electronic music composer from Italy and new to Eurorack.
I composed electronic music with Csound, Max msp and DAW like Logic but now I want to make my first rack.
I'd like a generic modular for rhythmic patterns and evolving pads, compatible with midi/usb and able to auto generation sounds.
I've already studied my rack and I'd like to receive some feedback!
https://cdn.modulargrid.net/img/racks/modulargrid_966474.jpg
I hope I haven't forgotten anything too important.
Thank you!
Manu
Hi, love the software.
Feature requests:
- Download/ save option of Datasheet
- Datasheet option for all modules i own
- Option to select multiple modules to add to specific rack
