The user manuals contain the pin outs in terms of DIN socket pins 4/5.

-- os

thanks for the quick reply!

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


this user has left ModularGrid

Putting it all together even used the Mutable Instruments Shades and WMD SSF Toolbox utility modules that were not getting much use.

Shades is quite good can be attenuator or inverter and the sheer number of cool modular utilities in WMD SSF Toolbox is superb. I like using invert and the switch for good results in my patches last night.


The user manuals contain the pin outs in terms of DIN socket pins 4/5.


Hey Os...
I've got everything to connect the midi headers of my GeneralCV and Disting mk4 (brilliant modules btw, thanks) to case mounted din sockets... I keep meaning to implement it, but am not 100% sure about the pin outs - do you have a reference other than the picture of the midi breakout pcb that you could share?

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


If you're that short on space, don't waste 4HP on the breakout, just DIY a cable and run it out the back.


there are cables easily available with trs one end and din socket the other end - if you need to save space in a tiny case this or the drilling holes in the case method i described above would seem to be the best options...

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


There's also the 2HP sized breakout: https://expert-sleepers.co.uk/tinymidibreakout.html

Then that plus a disting mk4 is 6HP.

-- os

Os you got me anyways 🤗 I can't do the tiny midi breakout because I need the DIN connection, but my plan is to go with a mk4. This is going in a 40hp 4ms pod so there isn't a ton of room. The only reason I've been reluctant to go the mk4 route is because MIDI-to-CV is almost all it would be doing. Feels like a waste, but for the price and hp, it's probably my best option.

Currently waiting for Control to restock.


Thank you!!

Inscrumental music for prickly pears.


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Thanks and it is super cool that every time I patch, a new discovery takes place. These happy accidents make playing modular a real joy and experiment in music creation for me. I fixed settings on my YT channel so hopefully you all can view the videos now.


this user has left ModularGrid

You are welcome, I love teaching my lessons learned on modular. I fixed the settings on the video so hopefully now you can view from here. Beads is tons of fun with Rings and Marbles!


Nice track baltergeist. Thoroughly enjoyed listening.


Thread: Change Log

Unicorn rack limit increased to 100

On popular request rack limit for Unicorn accounts was raised from 60 to 100.

Beep, Bopp, Bleep: info@modulargrid.net


BTW the correct answer as always is get a bigger case and get both options!!!!

and of course more utilities!!!! the really important modules!

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


actual link - not jpg

ModularGrid Rack

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


Hi Ryanthegecko,

Yeah, keep it coming! :-) Nice and funny video, I love that kind of underwater effect unless you managed to develop a waterproof system? ;-) Thank you very much for sharing and kind regards, Garfield.
-- GarfieldModular

Thanks Garfield :) Nice new profile pic!


are these things still being made? i know there was a limited run but not sure if they are still being produced,
-- Mosiej
Hi!

Stijn Kuipers here - together with Priscilla we are TiNRS.

This was a special edition - limited run of 25 units. We are no longer producing these. BUT! the files are open source so you can obtain a DIY verison - there are several places where you can buy pcb/panel sets for this module.

The main reason we built this thing was as analog manufacturing practice before we felt comfortable building the Fenix IV.

Fenix IV has been released in the wild for a while now btw - no idea what Lugia is going on about? The first 55 units have been shipped - the next 45 are coming in november. If you hurry there may still be some room on the waiting list.

And indeed: now that the Fenix project is nearing the end, we will be developing and manufacturing some modules again.


Finishing my case (palette 62) and am stuck between going with the qubit surface and the wmd javelin or the alm pop slope and MI plaits. All other modules I already own. Any help is greatly appreciated! Thanks!

https://cdn.modulargrid.net/img/racks/modulargrid_1686596.jpg


https://soundcloud.app.goo.gl/mKetB

Lorre-Mill Double Knot running stereo through Tensor, Avalanche Run, and Rooms. Plumbutter just doing its thing, though I used its deerhorn to glitch things here and there. Electric guitar processed by Cocoquantus through Ghost Echo.

Might take another pass at it with a fretless electric bass just to see how that sounds.

Inscrumental music for prickly pears.


Pretty impressed with the ADDAC701 VCO. Covers the analog realm well, similar to the Dixie or the MN STO, for a reasonable ~$200. You have Plaits for lots of sounds. A complex osc is pretty high-end, big and expensive. I've added a doepfer A-114 Ring Mod + Happy Nerding FM Aid for some RM & FM sounds (using basic VCOs like the 701). Another interesting one is the Instruo tona, which has a wavefolder built in. You can also add a separate wavefolder module to a basic VCO, of course. There's E350/E352 for wavetables, NE Loquelic Iteritas for gnarly modulate-able digital sounds. Something really nice about the STO/Dixie/701/tona + something else (wavefolder, RM, FM, etc.) to get some solid analog sounds. Otherwise, I spent my energy on VCFs and modulation.
Cheers


F> Wailed on this...there was a lot there that was sort of superfluous once the organization process got going. This should make more overall sense, though:

ModularGrid Rack
OK...the top row is your oscillators and filters, plus a Veils after the oscillators for level control of those. Also, the crossover is up there at the upper left, as it makes more sense to use it to slice up the frequency domain of an external signal.

Second row: modulation, save for the Schippmann Compressor at the end. Notice that the waveshaper from the top row is now down here (for tampering with modulation waveforms) and I replaced the top row one with a design based on the Buchla 259's wavefolder.

Third row: This starts with a Konstant Labs PWRchekr, which I often put into builds where you have no DC rail indicators so that you can keep an eye on those. Then the entire external thing was swapped out for a Nonlinear Envelope Follower...this has a mono audio preamp, but it also extracts the incoming envelope for modulation use as well as sends a gate when the input level is high enough, and does all of this in 4 hp. Then the noise...but since the envelope generation situation here was so insufficient that I yanked all of the previous ones and put in a pair of Zadars with Nin expanders, which now brings your envelope total to eight. After those are all of your main effects; I took that down to a Timizoara multiprocessor, Kaminiec delay, and Springray reverb head, then put in a Ladik AUX mixer so that you can sum down the effects to a single stereo AUX return but still have control over the incoming levels. After this, I added a Beads for all sorts of granular mayhem, then the Resonant EQ is down at the end.

Fourth row: Starts with the MIDI interface, then a WMD Tool Box gives you a number of useful utilities in just 6 hp. ANA is next, then since we're screwing around with CV values, I put in a Joranalogue dual window comparator to pick off gate signals from all sorts of incoming signals. After that, I put in a Frequency Central logic module, which together with the previous couple of modules now gives you more potential gate complexity for firing off the triple S&H after it. Then there's your Nutone distorter and Vocoder in the pre-mixer slots. For the main mixer, I dropped in a Toppobrillo Stereomix2 which gives you VCA control over levels, panning, AUX send levels, mutes on all inputs, a CUE send function which can be very useful for checking things on the fly, such as tuning, and a full AUX loop with a mono out and stereo return. The mixer's outs go before the last two modules...I used the River tilting Baxandall EQ as a post-mixer "tone" control and the stereo field adjustment is right after that and before your main outs.

Now THIS seems to be a lot more balanced. The layout is certainly easier to navigate with your primary synth functions all grouped together, as well. My impression is that it's still a little thin on sources, but the rest of the system is now up to snuff, I think, and you've got plenty of possibilities for faking things so that the build can SEEM to have more sources than it actually does.
-- Lugia

Interesting. Going to take a moment to wrap my head around this, but definitely more coherent flow. Goes a little bit against what I was thinking but I like it. Thanks especially with the utilities. Sound sources are definitely on the more minimal side. The whole thing will typically be for designing/mangling one sound at a time, so can use as many/all or as little of the modules available. So I might slim down on the mixer but otherwise makes a lot more sense.

Thanks


Wailed on this...there was a lot there that was sort of superfluous once the organization process got going. This should make more overall sense, though:
ModularGrid Rack
OK...the top row is your oscillators and filters, plus a Veils after the oscillators for level control of those. Also, the crossover is up there at the upper left, as it makes more sense to use it to slice up the frequency domain of an external signal.

Second row: modulation, save for the Schippmann Compressor at the end. Notice that the waveshaper from the top row is now down here (for tampering with modulation waveforms) and I replaced the top row one with a design based on the Buchla 259's wavefolder.

Third row: This starts with a Konstant Labs PWRchekr, which I often put into builds where you have no DC rail indicators so that you can keep an eye on those. Then the entire external thing was swapped out for a Nonlinear Envelope Follower...this has a mono audio preamp, but it also extracts the incoming envelope for modulation use as well as sends a gate when the input level is high enough, and does all of this in 4 hp. Then the noise...but since the envelope generation situation here was so insufficient that I yanked all of the previous ones and put in a pair of Zadars with Nin expanders, which now brings your envelope total to eight. After those are all of your main effects; I took that down to a Timizoara multiprocessor, Kaminiec delay, and Springray reverb head, then put in a Ladik AUX mixer so that you can sum down the effects to a single stereo AUX return but still have control over the incoming levels. After this, I added a Beads for all sorts of granular mayhem, then the Resonant EQ is down at the end.

Fourth row: Starts with the MIDI interface, then a WMD Tool Box gives you a number of useful utilities in just 6 hp. ANA is next, then since we're screwing around with CV values, I put in a Joranalogue dual window comparator to pick off gate signals from all sorts of incoming signals. After that, I put in a Frequency Central logic module, which together with the previous couple of modules now gives you more potential gate complexity for firing off the triple S&H after it. Then there's your Nutone distorter and Vocoder in the pre-mixer slots. For the main mixer, I dropped in a Toppobrillo Stereomix2 which gives you VCA control over levels, panning, AUX send levels, mutes on all inputs, a CUE send function which can be very useful for checking things on the fly, such as tuning, and a full AUX loop with a mono out and stereo return. The mixer's outs go before the last two modules...I used the River tilting Baxandall EQ as a post-mixer "tone" control and the stereo field adjustment is right after that and before your main outs.

Now THIS seems to be a lot more balanced. The layout is certainly easier to navigate with your primary synth functions all grouped together, as well. My impression is that it's still a little thin on sources, but the rest of the system is now up to snuff, I think, and you've got plenty of possibilities for faking things so that the build can SEEM to have more sources than it actually does.


Hi Lugia,

Great website! Thanks a lot for that service manual. Kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Cool stuff. Thanks for the commentary at the end. I'm often listening to stuff and, you know, looking at all those patch cables everywhere (newbie) and wondering what is going on. Cheers.


Nice stuff. Very drone-y. Thanks for sharing.


Jim: Oddly, the build quality on the B.2600 is actually pretty decent. They even went the extra step of venting the metal case to get the temp-sensitive components to settle down easier. Fact is, though...the original's hardware was kind of "meh" anyway. You got left with two rather cumbersome lids to store, Tolex that wasn't always glued down properly, slider caps that seemed to want to hide along with the missing socks from your dryer, etc. And of course, that VCF swap, and the odd heat/cool issues that would affect tuning, drift, etc. But you can still field-recalibrate it if needed...and the service manual should be essentially identical to the original, which you can find HERE: https://www.vintagesynthparts.com/service-manual/ Just make sure to have a multimeter and o-scope handy.

Garfield: Yep, the Lehle filter is a perfect "fix" for the 2600's DC-coupled VCA. Like I said, this behavior is 1:1 with the original in all of its revisions. However, sometimes you can get the VCA to provide a useful subsonic "thump", and this works really nicely when programming percussive sounds, so being able to take the DC filter out of line is important. But again, note the reply to Jim above re: the service manual. The 2600 is easy enough to recalibrate, and recalibrating the ARP 2600 was something A LOT of synthesists would do to dial in the fine details of the sounds they were shooting for. I even got tasked with recalibrating MTSU's ARP several times when I was more or less "in charge" of all of the audio implementations in the School of Music, and it's NOT something super-involved and difficult. But if you want to tweak the VCA's behavior in general, the original service manual by ARP is just fine as a reference.


this user has left ModularGrid

Weird I see error on the site. I’ll look into it.


It's not really a Behringer issue, unless you consider copying the original design TOO exactly to be an issue.
-- Lugia

Hi Lugia,

Thank you very much for your extensive reply and the provided information! :-) Regarding Behringer... well... if I am not mistaken they did with some of the copy/paste stuff they did some improvements, can't remember which device that was, so why not with the B.2600? ;-) But yeah, that might have been a bit too complicated to just solve like that and then definitely the price wouldn't be any more the same.

Okay, I will try what you mentioned with the envelope input once I am getting the 2600 Blue Marvin.

Regarding the number of patch inputs/outputs on the 2600, well till just the Superbooth I wouldn't be able to answer that question. However if you have some ridiculous amount of money left over (5000+ bucks I think it was) then you could consider the TINRS - Fenix IV modular synthesizer with, if I remember well, well over 300 patch inputs/outputs; that would be "a slightly bit more" than the 2600 ;-)

Stupid question perhaps but why not skipping the B. 2600 VCA and put it through an Eurorack VCA? Of course that's not as comfy as using the entire 2600 and it's kind of irritating to take all the 2600 outputs to an Eurorack VCA but would that solve the issue? Most probably there will be a bit of a lost of typical 2600 sound to it as well...

I am planning to use, on your advice, anyway the Lehle 7013 DC Filter in conjunction with the B. 2600 to avoid any DC signals going to my mixer and/or monitors; if I would not make use of an external Eurorack VCA (instead of the B. 2600's VCA).

As always, thanks a lot for your input/feedback/help and kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Hey Garfield - it's not just you - it's blocked from playback on other sites!

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


It's not really a Behringer issue, unless you consider copying the original design TOO exactly to be an issue.

isn't that one of the main gripes about the behringer eurorack modules though in general - along with them being generally poorish quality in terms of panel furniture - cardboard knob inserts that fall off easily etc

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


Smallest and most basic complex VCO: https://www.modulargrid.net/e/void-modular-gravitational-waves While it's missing a few controls you'll find on other complex VCOs, it's still very capable with its internal ring mod, plus you can use other modules to get deeper into the complex oscillator mojo...linear VCAs + an envelope source = oscillator signal that can rise after the note-on to alter the timbre across the sound's attack when you feed the audible oscillator the other oscillator's signal into the FM input.

Also, it's exactly $250...fits your budget perfectly.


ARP 2600 VCA sections have been annoying synthesists since 1971. Typically, they need a good voltage WHACK to fully open, and that's been a thing forever. The two ways around that are to either open the VCA slightly, then start applying an EG per taste via the "LIN" input...or to use the VCA control input marked "EXPL". When the 2600's VCA gets an exponential envelope, then you get the right sort of result. It's not really a Behringer issue, unless you consider copying the original design TOO exactly to be an issue.

However, since it IS a known issue that's been "modded around" in past versions, a good synth tech should be able to apply the same mod to Uli's version. And there's other potential mods in there, although B. gave us a few of them (like VCO sync). But unfortunately, the 2600 is rather infamous for DC on its outputs, which is probably why the original ARP spec had that tough-to-open VCA to prevent DC from going out all the time when the VCA is outputting audio, but at the same time having it also capable of level control over CVs and modulation, which requires a DC-coupled VCA.

Yet another reason why the 2600 is perhaps THE teaching synth of all time. How many other patchables do you know that offer that flexibility + an opportunity to learn why you use exponential responses for audio and linear for modulation? 50 years on, and the 2600 STILL can strut its stuff!


Don't forget to consider the Make Noise - STO module, great little VCO that's easily to be under estimated and it's affordable.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Hi Sacguy71,

Is that just me or do have others the same problem? If I click on this post of yours, it doesn't display the video and I have to open it in YouTube itself, not here; like the previous post you did today.

Great part 2 movie! Ha, ha, it might not be on purpose but in the beginning of your movie when you move with your hand the "curtain of cables" away that blocked the Beads module, it's pretty nice way of introducing Beads :-)

Great sounds you are creating here! It's a good video showing some of the important modules of Mutable Instruments, it regenerates my appetite for some more Mutable Instruments modules :-) Thanks a lot for the demo and kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


While a complex oscillator would offer a lot of variety, I would say that Dixie II+ is a good choice for an analog oscillator within your price range.


this user has left ModularGrid

Get a complex oscillator like Instruo CS-l, Rossum Trident or Endorphin.es Furtherrr Generator.


There is a panel selector that lets you pick different face plates for modules; the other, pre-existing Malekko Quad VCA module has both black and white face panels available.


dear modular grid community!
I need some advice for my last module I want to add to my system (right now).

this is my current system:
ModularGrid Rack

I think that my pamelas new workout and my new nerdseq are a little redundant, especially for my little system I want to build. I guess I will trade my pamelas for a new sound source.

Just some information on what I'm doing or want to do in the future: these are some examples I sequenced with pamelas:
https://soundcloud.com/user-206782857

I was happy with it for quite some time, but I wanted more control and keep some randomness in my sequences. this is where the nerdseq came in. it's probable a little overkill but in the end besides the supreme sequencer capabilities I got a lot of modulation outputs (lfos, envelopes), a sample player + basic digital oscillator voices. I'm planning something in between ambient / electronica music production (complete without the computer).

I'm fairly new to the modular world, and my current feeling is a need for a new voice / oscillator. There is the disting ex and I use it a lot for all kind of sound sources, but I also want the other functions of it as well (you know what I mean?). I sometimes use the filter 8 for oscillator, but then I don't have a proper filter. That are my thoughts right now. I'm currently looking at the make noise telharmonic, sto or intellijel dixie. I don't want to spend more than €250 (used) - maybe a little more. are there any other good sound sources you think are out there that would my system pretty well? If you have some other recommendation I should consider as well, please let me know! :-)

I appreciate your help a lot!


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Thanks Garfield.

Yes, I am using iMovie on my Macbook to edit videos to improve content and quality. That makes life way easier and let's me add things not possible otherwise. Youtube is funny it may have been still processing the final version of the video after I uploaded it. Beads is super fun! I have perfect modular ambient machine in Mutable Instruments Beads, Plaits, Rings and Marbles. I want to try the new filter Blades with it in the future.


this user has left ModularGrid

More tweaking and using Quadrax , Batumi and Marbles for modulation.


Hi Steve,

Thank you very much for the information regarding the Polaris, it's good to hear it's super solid, I like that from modules. I will move the Polaris higher up on my wish list :-) Kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Hi Sacguy71,

Oh yes, finally a video from you again! :-) I like your new style of video, did you get some new tools to make videos?

By the way, your video link here in modulargrid.net didn't seem to work, I managed to watch it on YouTube though. Hmm, and around 4:30 I am getting an error from YouTube saying: An error occurred. Please try again later.

He, he, the musical change around 1+ minute is fun. Thanks a lot for demoing the Beads module, hopefully the issues with YouTube will be solved and kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Hi Cmb_,

I just returned from Superbooth and promised you to report about it, especially Rabid Elephant. I had been in the main building, i.e. the FEZ Building and arrived at the second last booth and I was getting worried that perhaps Rabid Elephant wouldn't be at the Superbooth, perhaps because Covid? You wouldn't know, right?

That second last booth was Rabid Elephant though :-) The good news, on the stand of Rabid Elephant the Portal Drum module was part of the rack that was on display at Superbooth, so lucky :-)

I will be honest with you, till the moment I met the guy from Rabid Elephant (my apologises to this person, I forgot his name :-( ), I was for myself not too much interested in Rabid Elephant modules however after this very friendly guy explained in a detailed and nice way his modules, I am getting some serious appetite for his modules :-) I still feel they are somewhat expensive however at least I do understand now why you are interested in modules of this brand.

The fellow is pretty young, at least compared to myself however his explanation was clear, good and understandable. Our main focus was, on your request, the Drum Portal module, which he had there on display. I can talk most probably for hours about this module however to summarise this a little bit: It's amazing how much functionality has been packed into this module without being over-complicated and though the module isn't small (sorry I forgot the HP size definitely more than 10 HP, towards 20 HP? Not sure about its size, sorry) it's a hell of a drum module! Besides the "usual drum possibilities", like tone, attack and that kind of stuff there are seriously many (but can't remember them all by heart) extra functions possible with either knobs or the many small switches that have been provided with this module. The knobs are... how to call them? Double knobs? So one knob exists of two elements that can be turned, so per double-knob you can adjust already 2 parameters, that seems a bit odd, the knobs are quite tall, he said he wants to look for a bit smaller versions of that, but after a short while you really get used to it and at least to me it didn't really disturb me from a user interface point of view. For myself I felt the switches were a little too small however his argument was that he didn't want to make them too tall since that would cause the chance of accidentally switch them over while turning for example a knob. That might be indeed a good point (though I never had that with any of my modules ever, so far), so if you don't mind those quite tiny small switches, I guess the user interface is just good, nothing really wrong with it.

The price, he wasn't sure yet, for the North America market he guessed it would be in the 700 - 800+ category somewhere, for Europe he doesn't know yet, because of import taxes, likely higher though. So for me, living in Europe, I feel that's a steep price on the other hand I have to be honest here that looking at what this module can do, that's seriously amazing! So for people who are looking for a serious good drum module that has tons of functionality (no menu diving at all, just knobs and switches) perhaps indeed this is worth it.

I also asked about the availability, that was the question where he had most difficulty to answer that. Not because he didn't want to however because he is missing an IC chip that has a shortage on the current market situation. He told me that in fact the module is ready, just except the IC that's missing. So he couldn't give a clear answer to that, just because he wouldn't really know when he would be able to get that chip on stock.

I have to admit that it is pretty difficult to check out a module for someone because there is the difference in how we each of us are looking at things and how to judge certain experiences. I hope I could be of some help here to you and that at least some of the information is kind of helpful to you.

To summarise this: this drum module is certainly for people who really want a serious drum module that is way beyond the average drum module. This module is able to handle so much, can do so many things, yet it is still very easy to handle its functionalities with a good user interface experience.

Kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


this user has left ModularGrid

Hi @Garfield and everyone check this out


this user has left ModularGrid

Spent time last night patching Mutable Instruments Beads and had tons of fun. Here is the demo video:

It is a very deep module and tons of fun with Rings and Marbles especially! I now have an infinite tonal palette for ambient music.
I used Mutable Instruments Plaits and Noise Engineering Cursus Iteritas as the audio sources and fed these into Beads and tried various settings for the grain playback. I am still learning it as well as diving deeper into Marbles and Rings. Marbles is quite the complex modulator!


For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Thread: Pico Seq

have fun...

but remember in order to have fun sometimes we need to do a bit of reseach - and RTFM

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


if you don't mind drilling holes in your case, can do basic soldering and crimp an idc cable then it's reasonably easy to DIY a solution

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


There's also the 2HP sized breakout: https://expert-sleepers.co.uk/tinymidibreakout.html

Then that plus a disting mk4 is 6HP.


Are there any other MIDI-to-CV modules that can work with this breakout module? I'm looking for something really slim (2hp) that I could connect this breakout to that would then do the conversion.


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Thread: Pico Seq

Thanks, that definitely helped me a lot