too many sound sources in too small a rack (I'd say 1 is ideal in this size case - not 4) - not enough utility etc modules to support them adequately

potentially massive overlap with O&C/alan/pams - all can do turing thing type stuff - personally with multiple sound sources I would just go for a Marbles (or clone ALA are doing a full size one) as this will provide up to 3 quantized loopable random pitch sources (and related gates plus a random source for modulation)

to me the mixing solution seems poor... most people seem to want to use plaits and rings (resonate) as stereo sound sources - whilst the only real mixer is the quad vca - which doesn't have enough inputs to handle all the outputs and whilst it could be used for stereo mixing - would limit you to just mixing rings and plaits - and you would have no mixer channels for the mono sources or for sub-mixing - and no vca channels left over for modulation

I'd want more filters and more effects at the least reverb and delay too

I'd probably go for a larger case to accommodate - these changes - for me it would be a tiptop mantis, but that would loose the 1u and the built in functionality (which is to some extent useful, if you want that functionality - but I never have) and even then I'd only be looking to put 2 (or at a push 3 voices) in

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


not as far as I know - iirc you don't actually need to sign up to paypal - you can just use it to process a card payment

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities



Hi,

Want to get an er-301 but the prices are a lot higher than retail. Is it always have been like this?
So, what was a fair price if we don't get one at drop? and now what is the fair price?

Thanks !


Is there another way to pay for a Unicorn Account without using Paypal?

Cheers


For the folks who have bought or are planning to buy a Case from Lake case, did you spend the extra money to get Doepfer PSUs? Anyone get the Meanwells? Any issues with those?

I keep hearing hints that there could be problems with the MWs, but I haven’t heard any specifics directly from a person who had a bad experience. And what kind of issues are we talking about? Noise? Modules not behaving correctly? I guess any kind of issue like that is going to be unacceptable.


please post a link to your actual rack (ie the url) and not just to an image - this really helps us help you!!!! you will need to make the rack public...

I'd have done it for you if your rack was public!
-- JimHowell1970

Alright, I made it public!


please post a link to your actual rack (ie the url) and not just to an image - this really helps us help you!!!! you will need to make the rack public...

I'd have done it for you if your rack was public!

"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia

Utility modules are the dull polish that makes the shiny modules actually shine!!!

sound sources < sound modifiers < modulation sources < utilities


Hey there,
Im starting out with Eurorack just to jam on my own and have a little bit of fun!
Can I please get some feedback and opinions on what to get?
This is my first "prototype" right now.
ModularGrid Rack


Of course! Have fun!

Suck it, nerd


I think the manhattan modular MVP has a lot of utilities built into one.

Also a Matrix Mixer would be a great addition, and give you a lot of feedback patching opportunities, something like the 4ms vca matrix, which will also take care of a lot of VCAs

I would also highly recommend the Joranalogue Morph 4. It just seems like a keyframer/crossfader but when you get in deep it becomes way more than the sum of it's parts.

Look into logic gates as well.

If you're new this all may seem boring but I assure you, utilities are actually the stars of the show.


there's no reason why you can't just design a sticker graphic and use that module's pcb and attach it to the prism system. or you could just build a simple external matrix mixer. My favorite part about the prism circuits mixer is the feedback patching options you have fwiw.


What is the purpose of this instrument?

That's actually a really good question. I want to do many different things:
1. Just jamming on my own, make the occasional recording to share with my buddies. Not actual producing.
2. Have something flexible I can bring to jamming weekends with my friends who own a slew of semi-modulars and drum machines.
3. At some point maybe use it as a development platform of my own modules.

What kind of sounds are you hoping to make, and for what style of music? This looks like a basic subtractive synth, and you could accomplish the same thing, with more features and less cost, using a semi-modular. You could integrate it with other cases later.

Mostly acid/techno/breakbeat/electro. Occasionally a whiff of hardcore. I like a gritty analog sound. I realized at some point that this setup shares quite a lot of features with the Behringer semi-mods (D/Pro-1/Neutron), but they are all monophonic so for instance not suitable to reconfigure as a basic drum machine because their OSCs are tied up. Then again, the setup above could not never be enough to make even the most minimal acid, so perhaps it would be a better idea to for instance start out with a second-hand Neutron and spend money well on a decent CV/audio interface like ES-8/9 and build out from there.

Are you buying all behringer just for cost reasons, or do you really love behringer that much? (not hating, I love behringer and don'tcare who knows it) 84hp isnt a lot of space and there are plenty of other low cost alternatives that wont eat up so much hp. It's good to budget, but you get what you pay for. (not a dig at behringers quality) Sure you're paying less but you also end up with less space, whereas you might pay a little more for a smaller module but you'll end up with more space to add things later on when budget isn't an issue and you figure out what you really need. You might want to add some flexibility to your budget to get flexibility in your case.

I started out with the same idea. I know how to wield a soldering iron and with the idea in mind of at some point designing and building my own modules, I figured it would be best to source the basic setup from DIY suppliers. Then I found out that the really cheap DIY supplier basically sell bare PCBs, a basic front-plate and they leave the component sourcing up to you. I know my way around in that area so in that case it would be even cheaper to look for open-hardware modules, source the PCBs from a cheap Chinese PCB service and do the sourcing myself as well. But I had this as a day job for a while and I know it is time consuming and can be frustrating, esp. with component shortage these days. The full DIY kits with parts and front-plates included cannot match the price point of Behringer and if you take a good look, the Behringer modules aren't that space consuming. All their modules are dual/triple function and have mults embedded. Perhaps you could save a few HP with multiple smaller DIY units but certainly at a higher cost. But I guess a 6U case that is half empty makes way more sense.

Do you specifically need a keystep pro for all 4/5 channels, or would a regular keystep work, after multiplying the cv and trig? It would save you money so you can buy more/better suited modules to acheive your goals. If you want to syncopate the osc you could use KS for ½ and the s&h circuit for the other ½.

I want to use it as a sequencer and clock source, so I would need a Pro (or?). There's the Beatstep Pro which is half the price second hand. But it has less channels and pads instead of keys. I'd rather use keys for beat sequencing than pads for bassline and melody.

I wouldn't plug headphones into your VCA for a variety of reasons. Mainly you could destroy the drivers, but also you'd likely only get sound on the left side since it's a mono output. Thats not as much of an issue for feeding your interface, but a dedicated output module will work better and save you a lot of trouble when trying to bridge the gap between eurorack and line level audio, but you need room for it in the case, and in your budget.

Thanks, makes sense. I think in that case an audio interface with at least 4 inputs would make most sense. So I can use the Mac as an end mixer/effect box with VCV filling the module gap for the coming time.

edit: I see you're using € instead of $, so I'm assuming you're in Europe somewhere, which opens up a lot of diy/built diy options to you depending on where you're located. I'm in the states, but have started ordering from pushermanproductions.com and thonk.co.uk for these reasons. Even with shipping, I'm getting more for less.

Thanks, will look at these!

-- yeahivandalizm

Thanks for your reply, it really helped organize my goals!


well I would love that


Hahaha me too, me too. I'm sure you'll be fine. As fragile as electronics are, they're also pretty resilient. Air conditioners have circuit boards and sit out in the rain and humidity for years. The electrical compartments aren't fully water proof, and they're fine for the most part. I've seen one get damaged from moisture build up, but it was a large swimming pool unit and it was the chlorine gas entering the compartment that destroyed it. I know synths aren't AC units, but as long as your thing isnt waterlogged (beerlogged) you should be good. Am curious to know how it turns out though, holler back when you get that sumbitch runnin again.

Suck it, nerd


Let it dry, then try it. Of you can't see if it's really dry, 2 days should be enough. Don'ttry to force it with hair dryers etc, which may damage it. I've seen coke end up on a keyboard and after drying, it worked again (though the keys were very sticky with all the sugar)
-- Arrandan

[...] Not to tell you how to live your life or anything, I just know that's a bad feeling that can be easily avoided
-- yeahivandalizm

yeahivandalizm, I need all the help I can get, really appreciate it!

Arrandan/yeahivandalizm, thank you both -- I am reasonably optimistic that it's gunna be okay, but am definitely going to resist any urge to verify before another day and a half or so elapses.


"twistenknobs und blinkenlichts" I'm dead lol. Great post Lugia. When I talk to traditional instrumentalists, that seems to be the main idea they hold on this whole thing. It's downright satisfying when they look at me like I'm an alien after I start sperging out on the technical stuff. "Oh, so you're not in it for the pretty lights?" "If the lights serve no purpose I'd rather not have them". Devices with no control over the superfluous lights are a sensory nightmare lol

Suck it, nerd


What is the purpose of this instrument?
What kind of sounds are you hoping to make, and for what style of music? This looks like a basic subtractive synth, and you could accomplish the same thing, with more features and less cost, using a semi-modular. You could integrate it with other cases later.

Are you buying all behringer just for cost reasons, or do you really love behringer that much? (not hating, I love behringer and don'tcare who knows it) 84hp isnt a lot of space and there are plenty of other low cost alternatives that wont eat up so much hp. It's good to budget, but you get what you pay for. (not a dig at behringers quality) Sure you're paying less but you also end up with less space, whereas you might pay a little more for a smaller module but you'll end up with more space to add things later on when budget isn't an issue and you figure out what you really need. You might want to add some flexibility to your budget to get flexibility in your case.

Do you specifically need a keystep pro for all 4/5 channels, or would a regular keystep work, after multiplying the cv and trig? It would save you money so you can buy more/better suited modules to acheive your goals. If you want to syncopate the osc you could use KS for ½ and the s&h circuit for the other ½.

I wouldn't plug headphones into your VCA for a variety of reasons. Mainly you could destroy the drivers, but also you'd likely only get sound on the left side since it's a mono output. Thats not as much of an issue for feeding your interface, but a dedicated output module will work better and save you a lot of trouble when trying to bridge the gap between eurorack and line level audio, but you need room for it in the case, and in your budget.

edit: I see you're using € instead of $, so I'm assuming you're in Europe somewhere, which opens up a lot of diy/built diy options to you depending on where you're located. I'm in the states, but have started ordering from pushermanproductions.com and thonk.co.uk for these reasons. Even with shipping, I'm getting more for less.

Suck it, nerd


For me as a sound designer and sound explorer, I was tired of working ITB all the time with a laptop and VST plugins.
Friends that I jam with all had large modulars and that exposure peaked my curiosity five years ago. I was too broke at the time to buy into eurorack but saved up over time and started with a small Doepfer modular system. Other than time and cost, really no issue with modular world. I do appreciate the faster and easier workflow now with hardware synths like my Elektron boxes that let me save patterns and kits and easier recall for performances in small hardware box but I built a few small modular 4u-7u cases that have good sequencer/mixer and drum machine to take on the go.


Sometimes weeks and months when I have a patch that needs to be consistent until I have time to record and sample it.
I simplified my workflow with a 1010 Music Bluebox mixer/recorder that has been a real game changer for my life. Now I can record happy accidents so if I change patches at least the great accidents are saved forever.


Thoroughly dry and don't force it, like Arrandan says, before attempting to energize the circuitry. This should prevent shorts, as that's the main danger. Even though you can't use heat to help dry it a shitload of dessicant packs might help, especially if you can put them inside. The secondary danger is corrosion of the curcuitry. If you can access the internals and check for sticky build up, after drying you might be able to clean some of the the residue with 90% rubbing alcohol and q-tips. Just make sure the excess dries as well.

I learned booze and synths don't mix so well after twisting a knob off of an envelope generator. Thankfully it was just a round pot shaft that had the knob glued on, but still scared me enough to stick to traditional instruments and move the electronics to a safe location, if inspiration hits after a few. Not to tell you how to live your life or anything, I just know that's a bad feeling that can be easily avoided

Suck it, nerd


Thanks for that! If I recall, it was the Microfreak running through the Arturia fragments. All the best with your projects.


Let it dry, then try it. Of you can't see if it's really dry, 2 days should be enough. Don'ttry to force it with hair dryers etc, which may damage it. I've seen coke end up on a keyboard and after drying, it worked again (though the keys were very sticky with all the sugar)


hi....,

Embarrassed to admit this is my second ever post, about my first ever module (which I will one day disclose its identity if it survives the ensuing...).

Asides from increasingly (one may say) dabbling in synths for the last year, I have been learning to play the drums for the previous 3 years. More recently, I've been attempting to make less unpleasant noises with my synth (i.e. my one single semi-modular), and my very recently acquired powered (and thankfully unconnected at the time of this incident) board, along with an (equally unconnected) first-ever module. Whilst practicing the drums, I accidentally knocked over a freshly-opened, pint-sized can of beer. Said can sadly projectiled an, again thankfully, smallish..yet considerable.. amount of foamy frothy beer such that it moderately lightly covered at least part of my truly cherished module... and to a smaller degree, also to the board I mentioned.

They were fairly quickly wiped off of any excess liquid and did not appear to... well, look any different. Curious if anyone can suggest any methods or strategies to minimize the odds of damage and/or mitigate my acute sense of... unwiseness? Would be greatly appreciated!


Can't comment on how they'd compare, or sound quality, but it looks like it would be super useful for voices in a live case, before tying in with your drumage. She thicc, but probably less hp (and less $,€,£) than if you had separate modules for all the functions. Looks very practical and utilitarian.

Suck it, nerd


Hi, I’m new to real modular synths but I know my way around in VCV Rack. Planning to take step to the real deal now. I set myself a €1000 budget cap but that should also include a (second-hand) Keystep Pro.

After a lot of browsing and searching on this site I ended up with a 100% Behringer setup, which just gives a lot of bang for buck. Am I missing something obvious? I chose the Four Play over the System 100 dual VCA, because I figured I could use 2 channels to patch osc out with envelopes and the two other ones as a basic end mixer. I don’t know if that makes sense. I read somewhere you can just plug headphones in the VCA mix out, is that correct? I also plan to add an audio interface to my Mac so I can run the two voices into VCV Rack to add more voices and/or FX, until I expand with more modules.

For case I chose a €111 bare metal rack enclosure from Behringer, 84HP with supply shown in rack here. So that makes about €650, plus €350 for (used) KSP and a 2x2 audio IO is €1100. Any suggestions to improve on this or save money somewhere would be highly appreciated!


I'm going to remove the sto so that I only have the honda piston and the Plaits. I'm going to remove the overdrive, I think it's a bit of a whim. And inquire for utilities. do you have modules in mind ?


Fantastic/.
-- VOW3LLtheVAMPIRE

Big thanks! Means a lot.


Very curious how this compares to the "industry standard" Intellijel. That I personally never liked all that much, but not much is similar. Obviously no lin/exp switches here. Not sure if it sounds cleaner. It's a bit space hungry, but I commend them on keeping the density down so you can reach the controls.


You need way more utilities and half the oscillators. Think Mixers, Logic, Offset, Attenuators/Attenuverters. Also just because eurorack has he same mounting and power requirements doesn't mean that everything will work best with each other, as everything has a different voltage range that it works best in (for instance maths puts out 10v slopes while the 4ms puts out 5 volt slopes.

If you're just starting I'd pick one company to make a system that's AT LEAST a third smaller than what you have.

If you're just starting I'd really spend at least a year with a Make Noise O-Coast and an O-Control (and maybe a really nice delay/reverb pedal) and ONLY think about a full rack after you've mastered those things. You'll have a LOT of fun with that set up.

I speak from experience, your knowledge and research is worth way more than a rack full of reddit favorites that you don't know how to use yet.


this user has left ModularGrid


You are missing some VCAs, thats my first impression...


my two sound sources Plaits and rings
-- Rjsounds

Just thought I'd mention I see at least 2 more that can be used relatively easily:

  1. Beads: if you remove cables from the 2 inputs and wait a few seconds, the module turns into a wavetable synth. Seeding grains still works, so does the reverb.
  2. Quadrax: by selecting the bipolar LFO mode and turning up the rate, it turns into an oscillator with pretty cool waveform control and it will track 1volt/oct.

-- toodee

Re: number 1 - I was aware of this feature, but you know, I've never really played around with it. I'll give that a shot, Thanks!!

Re: number 2: Thanks for this idea, But I actually don't own a quadrax, or ochd, or fxaid... I had removed those ages ago but clearly i didn't save my rack properly. I definitely want to get one though as that would be a great source for lfos and envelopes!

Cheers!


Method 1: Send White Noise into Rings, not a trigger. You can get Filtered White Noise from Plaits. It's the second red mode. And then to Veils with a Long Attack/Release stage envelope.

Method 2: Trigger Rings as you would. Ting. Adjust Damping to make it decay a little longer and send it to Beads with the Reverb Fully Wet. Tinnnnng. Then to Veils with a long attack. You won't hear much of the initial ting from Rings, only the tail—a long, ethereal smear. nnnnnnnnnnng.

Method 3: Trigger Rings or excite it with white noise. Send it to Beads and press Freeze when it gets to a good spot in the decay. You now have a pad or drone sound. Or use the cv input to gate the Freeze button so you can sequence it as you please.
-- Toccata

WOW!! Thank you!! It had never occurred to me to send a signal that had already been affected by something into the VCA and then to send an envelope into the VCA.... I suppose that's a fairly trivial patch but it's just not something I've tried before, Thank you! Those are all really cool ideas that I'll explore!


Hi All,

Here is my plan :
Half of the time this case will be used to create soundtracks for some short experimental videos.
The other half of the time this case will serve my personal entertainment.

V1

  • I have sold almost all my effects pedals and want to have most of "modulation" effects in the modular (hence the Sewastopol II for guitar input and all these FX modules).
  • I want to be able to play some "ambient", aka slow evolving soundscapes / droning
  • I want to be able to play some basic techno, aka rhythmic and groovy simple melodies

The modules on the picture are organized by "functions" to share my plan with you.

-Yarns : allows me to plug a small keyboard or MPC for sending pitch/gate of melodies I composed previously
-Pamela's Workout : Clock everything + LFOs + occasional euclidian sequence
-Marbles : Sequence for ambiant
-Black Sequencer : Sequencer for everything
-Voltage Block : I see it as a 8 Chanel fader bank / macro controller / modulation sequencer. Splitting one signal allows to control multiple parameters on multiple modules at the same time. As this signal can be sequenced, it feels like a pretty powerful tool.
-Links & Kinks : utilities
-Magneto + Beads + Data Bender : nice creative effects
-ADM11 (chorus) + FX Aid XL + Zverb : nice effects
-Chords V2 (+sequential switch) + Elements + Plaits : voices
-Quadrax (+QX extender) + Quad VCA + Veils + 3xMia : enveloppes / modulation
-Grids + Queen of Pentacles + Peaks : drums (sequences and voices)
-Quad LFO + Maths : Functions
-Qpas + Ripple : Filters
-Dual Drive : Overdrive
-PanMix : 6 voices mixer (4 mono + 2 stereo) with pan CV
-Sewastopol II : Interface for guitars and ext. synths

I feel that this can be a pretty comprehensive system, allowing different use cases in a single "instrument".
I feel that by cramping all these themes (ambiant + techno + guitar effects) in a single enclosure does not allow to push things to their extremes. I think it might be a nice way to start this system and then expand one theme if I understand that I feel more engaged with it (add switches / matrixes for ambiant etc…).

I feel very excited when thinking that most of my desktop + rack + pedalboard gear can be replaced by this (big) eurorack case.

100% of the system is funded by selling my current gear.
100% of the system is purchased second-hand (Mutable Instruments clones, when bought second-hand, can be pretty cheap).

Do you guys have an opinion on this rack ?


my two sound sources Plaits and rings
-- Rjsounds

Just thought I'd mention I see at least 2 more that can be used relatively easily:

  1. Beads: if you remove cables from the 2 inputs and wait a few seconds, the module turns into a wavetable synth. Seeding grains still works, so does the reverb.
  2. Quadrax: by selecting the bipolar LFO mode and turning up the rate, it turns into an oscillator with pretty cool waveform control and it will track 1volt/oct.

--- Voltage control all the things ---


Method 1: Send White Noise into Rings, not a trigger. You can get Filtered White Noise from Plaits. It's the second red mode. And then to Veils with a Long Attack/Release stage envelope.

Method 2: Trigger Rings as you would. Ting. Adjust Damping to make it decay a little longer and send it to Beads with the Reverb Fully Wet. Tinnnnng. Then to Veils with a long attack. You won't hear much of the initial ting from Rings, only the tail—a long, ethereal smear. nnnnnnnnnnng.

Method 3: Trigger Rings or excite it with white noise. Send it to Beads and press Freeze when it gets to a good spot in the decay. You now have a pad or drone sound. Or use the cv input to gate the Freeze button so you can sequence it as you please.


Rack:
ModularGrid Rack

Hi! So I'm having some trouble understanding how to utilize envelopes in order to turn my two sound sources Plaits and rings, into pads. I understand ADSR envelopes and how they work, but I'm struggling to use them to actually make pad sounds.

First I know I'm lacking a dedicated envelope module, so I'm using the adsr in uO_c.

Right now Plaits seems to be the more straight forward one - Pam's or Marbles sends a trigger into uO_c, the adsr then goes into the level of Plaits. Boom, there's my envelope / pad sound right?

How do you achieve that with Rings? There's no level input... So would I send the output of rings into Veils, then send an Envelope into the CV of Veils to treat it as a volume knob? I feel like it hasn't worked for me, unless I'm doing something wrong.

If anyone has any advice for my current setup, that would be great! And I suppose any recommendations for finishing my case as well would be awesome - I primarily make ambient / melodic stuff but am getting a little tired of the plucks... Need more pads! Thank you!


It was a rainy day, so I made this. Truth is, I like making these walk through videos because they force me to consider how best to communicate about synthesis.


Very interesting, thanks.

Also, cool track! How did you get the light, bouncy runs that pan back and forth throughout the piece?


Behringer has a big case that's pretty reasonable. "Behringer Eurorack Go Mobile 2x140 HP Eurorack Case" https://www.sweetwater.com/store/detail/EuroRackGo--behringer-eurorack-go-mobile-2x140-hp-eurorack-case
I just ordered one from Sweetwater.

Robert Day
Fun: guitar/bass/mandolin/drums/synthesizer/write music/build electronics/3D print
Science fiction novelist:
Books: https://www.amazon.com/Robert-Day/e/B07CKMTKJ1/ref=dp_byline_cont_pop_ebooks_1
Blog: https://whitedesert.org


OK. I will look. Black Output is too expensive, so I'm looking for another output/mixer.
-- timtoum93
Take a look to Tesseract Modular modules.
I have these combination
https://www.modulargrid.net/e/tesseract-modular-tex-mix-master-section
https://www.modulargrid.net/e/tesseract-modular-tex-mix-4-mono-channels
-4 mono channels with pan, mutes, cv and two send/return controls for each channel.
-Phones output and send /return section.
-Chainable modules
BR


OK. I will look. Black Output is too expensive, so I'm looking for another output/mixer.


Hi,
If you have you have enough space, an "extra" oscillator is never superfluous, and the STO is a very good module. I would remove the Fold 6, one of the strengths of the Piston Honda is the wavefolder circuit.
I would add some mutes before the mixer, but that's because I really like "mutes".
Here you have some without "clicks", with vactrols.
https://www.modulargrid.net/e/divkid-mutes
Perhaps I would also add another Triplatt, it is quite cheap and you have a lot of modulation signal, sometimes it is interesting to mix them.


Ok i’ll take the Black Output.
And i add a Piston Honda.

do you think I still need the sto and the Fold 6?

Thank you very much :)


Thread: My DIY Case

Diy vco doesnt track great, still useful for filt fm


Interesting topic! Yeah, I generally have the approach of unpatching after I catch something on 'tape'. The process and approach my vary depending on the size of the system, though.

Also, I don't intend to gig with my 'full' system, so moving on from a tune always feels like a breath of fresh air.

All the best!

Here's a recent one that emerged from such a quick repatch.


I'm actually trying to get to a position where I can have the minimal number of modules that have the greatest versatility. I have somewhere around 100+ modules so it gets a bit frustrating knowing that I have any handful of modules that will accomplish the same things. I like making music way more than I like fiddling around with my rack setups and wiring!

-- frankdog

True that. I have a smaller rig (at least at the moment, fingers crossed that changes), but to be honest, I find I push myself in more interesting directions when I limit myself to only a few choice modules. I still think the best modular piece I've made so far was with nothing more than the Minibrute 2s, Veils, and O_c. Somehow now that I have many more modules than that, I can't seem to recreate what I did. Which I guess hits on your other point of making notes/recordings of patches.

@Arrandan, very cool. Things in 5 just have a certain funk to them, don't they. I'm definitely going to attempt your approach of aiming for regular, disciplined recording of jams and then moving on to a new patch. At least until I build a better understanding of my modular system and have a critical mass of modules that allows for longer-term exploration of a patch.


Ladik also has the Composer N which is one of my favourite modules. I can heartily recommend it. I do think Sebsongs will also offer prebuilt units at some point in the future, if I am not mistaken.
-- ParanormalPatroler
I didn't know it, very interesting, and cheap.


This one is the good one :
My humble newbie observations:
-Mixer. I would change Rosie and 2HP mixer for an output/mixer module, with returns and mutes. An affordable option could be:
https://www.modulargrid.net/e/tesseract-modular-tex-mix-master-section --Master
https://www.modulargrid.net/e/tesseract-modular-tex-mix-4-mono-channels --4 channels mixer
-Another filter, a multimode filter, more or less aggressive depending on the type of music you want to make.
-More and more ergonomic VCA's, you have room for them. A cheap option.
https://www.modulargrid.net/e/doepfer-a-130-2
-A sequential switch is a very useful basic to route signals.
https://www.modulargrid.net/e/doepfer-a-151
and a matrix mixer, for example
https://www.modulargrid.net/e/ai-synthesis-ai008-matrix-mixer-black