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Video breakdown for this system:

Video breakdown for this system:

Video breakdown for this system:

Serge NCOM is a sneaky contender here, can add some super fat subharmonics.

Adding an Erica Synths Black Double Bass to any of your current oscillators is an inexpensive and effective way of getting pretty low...

I would like to see the ability to have multiple racks on the same page. For example, have number of racks and then it splits and has rack one, rack two, etc. It would be nice to be able to layout a large multi-rack system on a single page.

Would also like to see an Excel-compatible spreadsheet of the modules generated from the program.

I would definitely pay for these features.

Thank you!

-- IvanC

I had this request as well, so I could emulate my real-life multirack system. The workaround is to create one big rack and divide it into smaller racks with blank panels. It worked out really well.

@Moogul

In this case, the Piazza San Marco would be located in Berkeley and the Buchla 100 would be the name of a violin :)

Yet there is an undeniable link: the Berkeley’s Sather Tower was inspired by the Campanile of San Marco in Venice!
-- Sweelinck

And both Don and Antonio liked the number four (quattro stagioni, quadrophonic, quad function generator, etc). The plot thickens!

-- Moogul

You’re right, and I even fear that Suzanne Ciani was involved somewhere.
Believe me or not, this case is beyond us...

you have to have stock built on the shelf ready to ship to be added to the company list. i just want to be found when someone types in my company name and not be referred to as other/unknown

EDITED Aug 18th 2023, 16:10

Ahh OK.
Do you have to get autherised or something from Admin? Or is it a pay money type deal?

so you cant go to the module finder and search for my company name.

Hello,

When using the Builder's note to record ideas for a rack configuration, sometimes I lose text that is written after a URL or other ertain characters (I'm sorry I cannot recall the ones this happened with). After adding the URL or character, once I've saved the note, clicked back to the module browsing view, then went back to the note, all text after the URL or character is gone.

My workaround so far is to just put URLs at the end of the note when needed, and to try not to use any characters. Do you have any other suggestions on how to manage this?

Thank you!

For vintage sounding analog goodness I recommend the bubblesound VCOb and/or the uLFO. Really love the bass from those.

Edit: That VCO's little helper module posted above would be cool and reminded me that AM and ring mod-type modulation can create bass-heavy side-bands well. For more grit go with a classic diode/transformer ring mod, for cleaner go with IC/discreet circuits (which are more accurately termed balanced modulators but sound very similar to the classic ring mod).

EDITED Aug 18th 2023, 15:07

how about a link to all other modules bythe same xompany or submitted by the same user
-- pointandclicksystems

I think they are already there, if i click on your profile I see all the modules you've submitted.
Plus each manufacturer is searchable.

how about a link to all other modules bythe same xompany or submitted by the same user

How would this fit your needs and budget?
https://www.modulargrid.net/e/takaab-vlh-vco-s-little-helper
I don't have one but it sounds like it fits your bill.

so no way to be found by company name?

EDITED Aug 18th 2023, 15:59

@Moogul

In this case, the Piazza San Marco would be located in Berkeley and the Buchla 100 would be the name of a violin :)

Yet there is an undeniable link: the Berkeley’s Sather Tower was inspired by the Campanile of San Marco in Venice!
-- Sweelinck

And both Don and Antonio liked the number four (quattro stagioni, quadrophonic, quad function generator, etc). The plot thickens!

... to generate an irregular rhythm via the “arpeggiation rate” input, while maintaining the time signature via a MIDI clock....
-- Moogul

Hi Moogul, thanks for sharing, explaining every step on the way. Very instructive to us non-Easel-ers.
When I first read 'irregular rhythm' in your description I thought of loosely coupled motions as in Relabi -
but no, this stays on a tight grid. Not sure how much of an improvisation this is but It does have a strong sense of form.
I like the swaying back in forth between legato and staccato sections, especially. Very nice!
Thanks for sharing.

-- wiggler55550

Thanks for watching the video. Yes, "irregular" may not be the right word. I meant irregular in the sense of getting away from the steady pulse you usually get from the sequencer when it's triggered by the pulser or the keyboard. A sequence of "different note values" is probably more accurate. And you're right, not much improvisation here - all mapped out beforehand, right down to placement of the masking tape! I'm going to read that John Berndt essay now - thanks for sharing the link!

Do you have a clock divider? I will sometimes put my VCO through a 4ms QCD and then mix the two. It does thicken the sound. A module I've debated getting is the Erica Black Double Bass. You still need a VCO to feed it, but it supposedly handles the frequency division, mixing, and filtering all in one module. I don't have any hands-on experience with it though, so I can't really say how well it works.

Smart communication and fine transaction with @dropthedyle
Recommended !

Thanks Fred! Much appreciated.

@Moogul

In this case, the Piazza San Marco would be located in Berkeley and the Buchla 100 would be the name of a violin :)

Yet there is an undeniable link: the Berkeley’s Sather Tower was inspired by the Campanile of San Marco in Venice!

... to generate an irregular rhythm via the “arpeggiation rate” input, while maintaining the time signature via a MIDI clock....
-- Moogul

Hi Moogul, thanks for sharing, explaining every step on the way. Very instructive to us non-Easel-ers.
When I first read 'irregular rhythm' in your description I thought of loosely coupled motions as in Relabi -
but no, this stays on a tight grid. Not sure how much of an improvisation this is but It does have a strong sense of form.
I like the swaying back in forth between legato and staccato sections, especially. Very nice!
Thanks for sharing.

I think it would be cool if modules could be linked to eachother, with relations such as:
- is a clone of /is cloned by
- is an imitation of/is imitated by
- is an extender for/is extended by
Etc.

Then for example, on the module page of the original Mutable Instruments Plaits, you could show:
- list of all existing clones of the module
- list of any clones that are for sale
- link to a search query in the module finder for modules with a certain relation to the Plaits. You can then further narrow down your search by say height or width.

Edit: I was thinking a bit more about this, we could also consider modules that there is a newer version of a certain module. Then there are also modules that contain functionality from other modules, i.e. the Disting EX does everything the Disting mk4 does, but it is not simply the Disting mk5. The Disting EX can also use MI Braids and Plaits engines but it is not a clone of these either. To consider whether new module versions are an instance of this 'generic' module relation, or a separate attribute type.

EDITED Aug 18th 2023, 15:05

Thanks for this, I was looking in the list of shortcuts and it wasn't listed. Very strange. Anyway it's not exactly ideal on a tablet (need to have a bluetooth keyboard handy) but hey I guess it's 1st world problem really.

-edit- actually this doesn't seem to be an option here at all. Where's the keyboard shortcut option? I can't locate it at all :/ Using iPad / Safari here. Maybe some weird platform specific issue?

At the top of your screen, turn on Keyboard Shortcuts. Then hover over the module you would like to flip. Then press "F". Not as convenient as it used to be but it works.
-- farkas

EDITED Aug 17th 2023, 21:16

Hi Sweelinck, thanks for commenting. Just imagine what Vivaldi could have done with a Buchla Music Easel!

Fine work, a piece of season...
So I thought about this other late summer atmosphere (but there, the thunderstorm rumbles in the distance):

New Systems Instruments Harmonic Shift Oscillator

I would appreciate some advice on choosing a low bass module. Obviously there are lots of 0-20k oscillators out there. I am looking for a "full" sounding oscillator, not necessarily quantizing but appropriately added harmonics. I have plenty of delay/ reverb available but my bassline just sounds thin. Digital or analog? Is modulation the best route? I'd like to stay under $500.

Is it possible to add somewhere information about ownership of multiple same modules?

For example there is number in "My Modules" section informing how many modules are used in actual rack...

Would it be possible to keep track of how many instances of specific module you own?
Maybe the number could be 3/2 - first number is how many modules I own and second number is how many modules I used in rack.

And just idea, is it possible to track the number of used modules acros the all racks?

At the top of your screen, turn on Keyboard Shortcuts. Then hover over the module you would like to flip. Then press "F". Not as convenient as it used to be but it works.
-- farkas

This is actually much better :), never checked the shortcuts, going to use them.
Thank you!

A two-voice track on the Buchla Easel, with stereo delay and a little reverb added externally. The idea was to generate an irregular rhythm via the “arpeggiation rate” input, while maintaining the time signature via a MIDI clock.
Further patch notes in the video.