but, i would really like yall to answer this:
"could you make music on this if all you had was patch-through cables? use imagination."
i just like designing stuff. i think you could make really unique live performances etc.
peace
~~~~
but, i would really like yall to answer this:
"could you make music on this if all you had was patch-through cables? use imagination."
i just like designing stuff. i think you could make really unique live performances etc.
peace
~~~~
why is that, noodlehut, because you dont understand what the modules do, they dont fit your style, or because you think this is a flawed arrangement? im curious. etc. ... ...
I don't have any of those modules so I don't understand what they do right now,
but I'm sure they are learnable and can all do something interesting.
A lot of those things in your design aren't available anyway.
And sure, you can play a simple oscillator like a penny whistle and make music.
But filling a box with random complex modules does not make it a performant instrument.
A car with some impressive engines, but no wheels, no gas tank, no transmission, no seats.
How are you going to mix those audio sources? Coordinate the clocks they want? Blend CVs?
There's several stereo modules, but no way to fully mix them and use the functionallity you would be paying for.
Many of those modules want to be fed envelopes, but in that pic I can't see any envelope generators or LFOs.
There's too many sequencers, with too few voices for them to feed. Maybe pick two at the most.
Also, you have to imagine it with patch cords draped all over it, in a live setting, with challenging lighting.
This one seems a mess.
But I do like the Moog follower/filter, that's my favorite thing in the rack.
That, and the SIG module above it.
I have a couple of SIG things and their modules are unique and thought provoking.
noodlehut.bandcamp.com