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I'm a bit sad, because it seems that Richard is cheating with this patch-as his system isnt strictly speaking a "shared system" for his system does away with the moddemix in favour of second optimix and he also has an added function module. Which kinda defeats the whole point of the shared system idea.

briads in 3xSaw mode, use A minor scale

briads in 3xSaw mode, use A minor scale

Kabeln högst upp till höger modulerar Red Panda Particle.

See this patch in action at 

input 2 of mixer is from Arp noise fully open

inputs to gate and CV are from kenton USB solo

• demo recorded

• Toggle A-170 time range to bring synth sound in and out

• PM Filter QCV & FCV fully counterclockwise

• Cutoff ~2 o'clock

• wiggle Z4000 decay knob!

• moving delay clock knob is awesome!

reference track: eurorack_52mono.aif

quadlfo in 4lfo mode

1st and 2nd lfos very slow

4th lfo same as echophon clock

3rd lfo 1/2 of 4th lfo (more or less)

notes: if you engage maths' 4th channel Cycle mode , you get fuller tone (not plucked)

wiggling reneé's y-cv attenuator brings variation in the sequence

turning Triatt's second knob fully CW brings cascading, out of tone pitches in the sequenced delays

There are several timbres:

227e A and C ate the Balanced Modulator (Lower part of 285e)

227e B is Bass from 261e, first filtered (B), then VCA'd (A) through 292e

227e D is timbrally very rich, a great complement to (and the same timing as) the bass in 227e B.

281e A goes to 292e A, B, D and Balanced Modulator Timbre input

281e C is the main clock

the 227e's submixer's "in th mix" is disabled to avoid bleed-through, but must be enabled to get the signal from the 207e's output

DON'T change the timing (281e C)!

play slowly with the sequencer (manually) on the 291e. The sequencer is also the same timing as Bass (282e C)

To Do:

tweak the 291e for a more convincing sequence

z3000 at 313hz

z3000 at 313hz

Hi guys - this is a first pass at learning how to use this site - very cool, eh? I made a quick patch, using the new Oakley modules we just received. I documented the patch as you can see, and uploaded an audio example of it to Soundcloud - enjoy!

http://soundcloud.com/337is/ascent-remastered

EDITED Sep 30th 2013, 15:24

http://www.muffwiggler.com/forum/viewtopic.php?p=1286327#1286327

here's audio of the patch:

Here's a video of the above patch...

This is the patch of the lead synth.

EDITED Jul 6th 2014, 14:10

EDITED Aug 15th 2013, 05:44

gotta ping all the 4ms stuff.  

Chinese Mathematics

ZDSP

24-bit LFSR Generator (noise source)

Sport Modulator

Top processor set to CYC ON

Bottom processor set to MODE B. 

Quantimator

Chord Mode

Chord 03

Orville

43 Reverbs - Chambers || 12 Chambers2

EDITED Jul 17th 2013, 06:17

ZDSP

Dragonfly Delay Card

Preset 1: Mono Delay

EDITED Jul 16th 2013, 05:51

ZDSP

Dragonfly Delay Card

Preset 1: Mono Delay

EDITED Jul 16th 2013, 05:51

RESERVED FOR DETAILS

Beautiful!

ZDSP

24-bit LFSR Generator (noise source)

Sport Modulator

Top processor set to CYC ON

Bottom processor set to MODE B. 

Quantimator

Scale Mode

Scale 03

Audio runs out through a E580 Resampling Mini Delay not pictured.

Soundcloud

EDITED Jul 16th 2013, 18:11

sounds like this without the 410:

EDITED Jun 27th 2013, 07:45

q106 1: range 4' frequency +0.6 

q106 2: range 2' frequency +0.1 pulse width level 8.2 width 5.2 

noise output level 0

mixer #1 = 10 ; #2 = 6.4 ; #3 = 10

q109 pulse width envelope A 3.6 D 8.2 S 10 R 2.4

q107 Level 0 frequency 5.8 reseonance level 0 resonance 1.6 signal input level 5 

q109 vca envelope A 3 D 10 S 9.2 R 2.5 

q108 vca linear response gain 0 control #1 level 10

top mult = pitch from ribbon

bottom mult = pressure from ribbon

Top Mult group = pitch (r2m CV1)

Bottom Mult Group = pressure (r2m CV2)

VCA Control input 2 = Silent way Voice Controller out 2 (Motu analog 4 out)

q106 1: Frequency range either 16' or 8' Frequency as close to 0, a=440 as possible

q106 2: Frequency range either 8' or 4' Frequency as close to q106 1 as possible without hard sync for subtle harmonic beating PW level =2 width = 5

Mixer 1 and 2 not set louder than 8

Filter envelope: A7 D5.9 S3.9 R4.8

VCA envelope: A1.6 D1 S10 R4

Filter Level +2 Frequency Cutoff around 5 oclock Resonance 2 Level 5

VCA gain = 0 Control #1 Level = 10

The patch cords that touch the wood frame are inputs and outputs that connect to a Mackie 1202 mixer and/or a Furman patchbay for additional processing.

EDITED May 9th 2013, 18:44

Copied this patch without shame from http://www.modular-planet.de/fx/chopper/chopper.html.

EXCELLENT du coup tu pense que c'est possible d'écouter un peu le son qu'il générerait ?

This is my soon too be completed 2x84u modular.  You can see and hear my modular as I've built it and sounds I've made in it's progress, at my youtube channel: Strange UFO Music.  

Naturally, I'd like to expand to a 3rd row someday.  This is plenty capable of keeping me busy for a very long time.

Favorable to sequencer lovers perhaps, has a total of 11 cv sequencers!: 8 - 4 step sequencers, 2 - 16 step sequncers, and a (up to) 1000 step sequencer!  

Customized Desktop 2x84hp rack to house a MicroBrute.

Remainng 2x20hp would house modules to interact with the MicroBrute.

Polyphonic 6U104HP gearlust setup using four AtomoSynth Koe voices.

I know it's a bit arbitrary, using only black-faced modules, but it looks niiiiiiice.

The low price of the Koe modules makes this a reasonably doable project.

nice!

Certainly, when they're 20-odd years old! They buy me the occasional pint of ale as well. If I knew they would someday be buying me modular gear I'd have had more of 'em.

EDITED Jun 24th 2014, 12:20

Submit button working again?

Kids can do this?

Nine months in and this is how my EuroModular looks after my Father's Day present of a Medic Modules EKG. Thanks Son!

How about a Eurokorn for Christmas?

EDITED Jun 16th 2014, 13:00

This my attempt to emulate A Oberheim SEM 4 Voices Polysynth. I added 4 ADSR to control the VCFs and 4 VCOs to get 2 osc per voice. The fx section is optional but one can dream? I think this could be a very obese sounding synth. If somebody can find a cheaper alternative (all analogue) let me know. 4 more ADSR to control pitch and a Quad quantizer for the slew limiter to do like the glissendo of CS80 

EDITED Jun 16th 2014, 05:57

Just built a two tier case out of pine to accomadate new modules.  Building a lot of Hexinverter rhythm modules for now.  Needed more room. 

Good !!

comme filtre oscillant de belle manière et de plus avec un tracking très correct (avec entrèe 1v/oct), tu as le double filtre  Korgasmatron - http://www.intellijel.com/eurorack-modules/913-2/, j'en ai un, j'aime beaucoup

et l'utilise aussi comme oscillo, de plus il a une ergonomie assez génial. Par ailleurs il sonne bien en tant que multifiltre 12db, beau caractère

j'ai bien hâte de t'entendre sur ces nouveaux instruments

Eryck

merci pour les commentaires. J'ai plongé mais le plan c'est d'avoir 4 (ou 6) x 84hp d'ici la fin de l'année ;-) J'ai le budget d'une commande alors oui je vai explorer Cwejman... je veux deux autres filtres car je m'en sert souvent comme oscillateurs sinusoide... ça sera un prochain poste ;-)

Une année avec du temps et un peu de budget, ça devrait aller ;-)

Continuez à envoyer des recoommendations, je suis toujours ouvert!

p

regarde aussi du côté d'intellijel et leur Dixie II, oscillateur simple mais d'un tracking irréprochable et d'une qualité mordante, connu aussi pour la pureté de son sinus

très important tu t'en doute pour moduler...tes AS 95-e par exemple