Hi Wishbonebrewery,

Lovely ambient kind of jam, very enjoyable and somehow peaceful, that's my kind of cup of tea :-)

@Audhentik: Regarding the drums, yes I can imagine what you mean with that, on the other hand perhaps see it like this, by not using too much drums, this emphasis the modular synth sounds, which I feel is a very enjoyable experience. Perhaps Wishbonebrewery should make a "mix" version with more drums & percussion and keep this original version too ;-)

Thanks a lot Wishbonebrewery for sharing this with us and kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Hi Gabor,

Great video, lovely girl and a great demo of the Nord Drum 2, well done! I enjoyed it a lot :-)

Thanks a lot for sharing this with us and kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Hi TheSoundOfMusic,

+1 for Ronin regarding his remark to get yourself a Behringer (short B.) Neutron. I started with that one as well and I do think it really helped me to check if I liked modular, yes or no... for me the clear answer was yes :-)

I agree with Ronin too about the Doepfer - A-111-x, that's something for later. I would start with a simpler oscillator (like the Doepfer - A-110) just to get used to modular in common, once you are more experienced with it you can look and check for complex oscillators, saves you in the beginning a bit of money as well and don't think a simple oscillator wouldn't be used any more once you become experienced. Simple or any oscillator at all are always good additions to whatever setup you like to get working with.

+1 for Lugia on the B. 2600 too. If the B. 2600 would be available at that time I bought the Neutron and if I realised how great (indeed) learning machine that 2600 is, then I would have bought the 2600 instead of the Neutron. I got the Blue Marvin version now since a while and wow, what a machine. That one is from a synthesizer principles-principle just blowing away your mind with, in my opinion, a fantastic cool (to avoid the word "vintage" ;-) let's call it) "old fashion" synthesizer sound (I mean this in a positive way), like the young times of J.M. Jarre, Vangelis, K. Schulze, Tangerine Dream, and the lot.

I don't know where you live but if you live in Europe, check the main synthesizer shop online websites, the B. 2600 default version is now on offer for just as little as 498 bucks! The opportunity to get fantastically started for a seriously reasonable amount of money. If you like that one, it confirms that you are ready for Eurorack and then save a bit longer, get a 3 x 84 HP or 3 x 168 HP rack and there you go. My main advice is to take it easy and slowly but start with a larger rack immediately (that's more cost effective). Take your sweet time and don't buy all modules you have planned or in mind in one go but buy them in little batches, gain experience, if and where needed adjust your opinion on certain modules and then buy a few more. Not everything in one go!

Since you mentioned that you have already experience with semi-modular synths then perhaps you are sure already about the fact that you love modular, well then just go for it :-)

Either way, I wish you good luck and have fun in the (semi-) modular synth world! :-) Kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


short session with the DFAM for Kickdrum, Radias for Percussion, Subharmonicon for Bass, Eurorack (Plaits and Arbhar) for Chords and Crave for a kind of FX Sound. I've turned up the resonance for each signal pretty high which gave me a bit of 90s vibes for this one. Hope you like it:)


lovely atmosphere, the drums could be a bit more interesting tbh...but i also liked your other post and just subscribed to your channel;)


nice patch! if you like to experiment with distortion maybe try out to modulate your vcf cutoff with white noise also;)


Hi Mudi,

Ha, ha, I will be honest here with you, that for a little moment I forgot that the user interface is mainly done via the iPad. Still some main controls on that Eurorack module wouldn't harm and indeed, as you suggest yourself already two or three (or more) buttons for play, pause, stop, reverse, forward, (record?), reverse, back to beginning point, select channel/track, delete, copy, paste, edit, redo, etcetera, functions might be a good addition. I just mention a ton of functions, it doesn't mean all need to be implemented, just to give you some ideas, that's all.

What I actually meant to say/ask and indeed I was unclear about that, is that I miss some CV inputs. That certain sequencer functionality can be controlled by CVs. I don't know the exact functionality of your sequencer (yet), so it's difficult to say exactly what but that at least some main functions of your sequencer (those that would make sense at least) can be CV controlled as well, so either by iPad and/or by CV. For example that "drawing" of the sequencer, would be perhaps interesting if one can control that under certain circumstances by a CV input as well. Just as an example. You are the one who knows your sequencer the best, so I leave it up to you how and which CV inputs would make sense, if at all.

Good luck and kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


While people definitely poo-poo Behringer stuff, I have their 2600...and I would say that THAT would make a better choice here than trying to smash a build into a tiny cab like that. For one thing, it behaves and sounds spot-on, and that's based on having used rev.2, 3 and 4 2600s over the years. Some might claim that it doesn't sound like a "vintage" unit...but that's because it's NOT a "vintage" unit. However, I did use a rev.4 that was only a couple of years out of the box back in the early 1980s, and I think I would be hard pressed to tell that from the B.2600's present-day version.

Plus, it "talks" the same interfacing as Eurorack...1V/8va scaling, positive triggers/gates, and so on. And as far as I'm concerned, the original ARP 2600 was one of the finest teaching synths ever created...hell, it's what I learned on. So once you go for that bigger build, you can still use the B.2600 for a number of things, such as MIDI-CV conversion, extra patchable modules to go alongside the Eurorack, and the like.


I'm not sure you need the DCA half-veils in there, especially with two FULL veils! That would save another 4HP, leaving 10 total free for something else.
-- Cormallen

It fits, though. Given that the topology of those VCAs has that variable curve, it's best to have dedicated VCAs for the modulation as those will need to be used in linear mode (or something weird), while audio requires an exponential VCA so that the level changes conform with the psychoacoustics of how we perceive loudness.


Just had a great experience buying from @VolatileReaction . He shipped within hours, and packed the module well. Module was in even better condition than advertised!


Thanks for going more in depth.

As far as growth, the Doepfer A-111 has very limited growth potential. As far as a synth voice, it's pretty limited in features compared to stand alone modules or other semi-modular synths.

For example, there isn't a sync input into the VCO section. The FM modulation is hardwired to the LFO or ADSR. There are lots of other examples, but I want to keep this brief.

I would definitely replace the Doepfer with individual modules as soon as possible if you're wanting to learn more in depth.

As long as you're going to a bigger case and are aware of the missing feature-sets, there shouldn't be any worries.


thank you Ronin for your message. is very helpful. Yeah the Ornaments & Crime Micro It is incredible! definitely fit for me,
also Pamela's.
So, I would is to draw up again in a 2 x 104 hp cab (ie: a Mantis "footprint"), and then let a few of your thoughts or advices.
thank you very much :)))

-- tsir

The Mantis is a good, low cost choice. But remember that it doesn't come with 1U rails. Steppy comes in a 3U (vertical) form but the Quadratt doesn't. But you can substitute a 3U Triplatt in its place. There are plenty of nice output and MIDI modules in 3U as well.

Also, if you really have to have some Intellijel 1U modules in a 3U system, there are adapter packages for that.


Questions and comments:

The Lapsus and the Quadratt do much of the same thing. Why do you have both in this small case?
The Intellijel VCAs do not have any kind of manual control (like a bias knob). I would start out with 2 to 4 VCAs with bias controls. I'd lose the Intellijel VCAs as well as the USB port and put in an Intellijel Noise Tools unit for some Sample & Hold, slew, and noise goodness.

Scales is nice. But if you're okay with not having real time controls, a Disting EX or a Ornaments & Crime Micro will give you quantizer functionality. Plus when not needed for quantizing they can do a lot of other useful stuff. In a small case, getting more out of each module is definitely a huge bonus. Look into both the Disting EX and O&C and see if they are right for you.

I would also get a small stereo mixing module. Budget around 6 to 8 HP for that. The Quadratt can be used as a mixer. But I think of that as secondary, as the attenuverting portion is much more useful, especially with modules that don't have built in attenuverters.

The BIGGEST ISSUE.
Steppy and Mimetic need external clocks to make them function. Where is this clock going to come from? Also, where will you get the reset signal to restart them both in sync? I would put something like a Pamela's New Workout in the case. It also has multiple functions that are very useful.

Final thoughts:
Small cases seem ideal for first cases. But they are not. Larger cases allow for growth and learning. They are much more forgiving WHEN you change your mind or your level of knowledge expands. Also, small cases tend to have depth restrictions. Not all modules fit in shallow cases like a Palette. Be sure to do your homework on EVERYTHING if you really insist on a palette case.

-- Ronin1973

thank you Ronin for your message. is very helpful. Yeah the Ornaments & Crime Micro It is incredible! definitely fit for me,
also Pamela's.
So, I would is to draw up again in a 2 x 104 hp cab (ie: a Mantis "footprint"), and then let a few of your thoughts or advices.
thank you very much :)))


Patch details in the video description.
Happy new year to y'all :)

I am inspired by birth, death and the events inbetween.

https://youtube.com/@aphewgoodman


great ambience! this one could run for hours:)
-- Audhentik

Thank you a lot for your comment !


Thanks.... this one is something to play in the background and not think about :)

Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.

https://youtube.com/@wishbonebrewery


Cormallen,
Thank you for your input. I've been modifying the rack and implementing some of Lugia's suggestions. I'll look into the modules you suggest now, interesting stuff. Thanks again :)


Nice! You have a new subscriber. My favourite part for sure is around 5:40 where you hear the two bass sounds slow and separate. Then when they come together again you can really appreciate how they are complimentary to each other when combined. I also like the times when the chaotic swells build up and then cut out to the smooth piano sound. Constantly surprising, but not in a jarring way, just keeping my ears happily engaged.
I look forward to hearing more of your work.
Best, Ryan


it's cute !


This is a very nerdy video. I was looking for a demo of FXAID's reverbs algorythms, and I couldn't find one, so I got myself a FXAID and a XL version, and decided to make a video for the ones like me who need to get a glimpse of what the verbs are on it.
No talk, just the sound on a basic waveform, for a clear understanding of what the verb does.


i tried using it with usb from hermod to the computer
then choose hermod in the channel in ableton,insert midiclip,but when i play the sound in ableton is kind of high pitched and doesentsound the same as when just using the modular in it self

https://broken-form.bandcamp.com/

Got a Mantis Case for sale,PM Me


hey ryanthegecko! thanks for the awesome feedback! I appreciate your interest, you can check other jams on my YT channel and subscribe because I'll keep making them :) what was your favourite part?


Wow! Those are all really great sounding. I certainly wouldn’t complain if they were all longer. I love to see the SubH make appearances in this kind of ambient. Cheers!
-- TumeniKnobs

thank you so much! really appreciate it:)


Sounds great ambience!
-- sacguy71

thank you! :)


after a few seconds i've already loved it! don't have the time right now to listen through but i will come back to it later for sure:)


great ambience! this one could run for hours:)


Thread: Only Pluck

Thank you OLDAN, vow311 and jb61264 for your comments.
Minibrute 2 and Rackbrute 6U is a perfect combo for me. Of cource it would be nice with a larger rack when I realize that I need a new specific module for a new patch idea. But I have found out that I often can get close to that modules function by clever combinations of the utility modules that I actually have.
For me the most valuable modules are Marbles, Plaits and Maths.
Here is my setup:
ModularGrid Rack


Smooth and quick transaction with @mircori


I want this to be just l like any other Eurorack sequencers on the market but with a superior interface which can grow to anything.
This is purpose built and designed for Eurorack.
-- mudi

Very nice project, I'll be keeping an eye on this. A mouse is a pretty good interface to do office stuff, but I loathe using it to draw automation curves or sequence stuff, so using touch on an iPad is something I can definitely see myself using.

Wishing you all the best success !

--- Voltage control all the things ---


I like a lot of Lugia's changes, but I might suggest a few tweaks:

Morpheus is a great filter, but it is pretty fiddly to use. Maybe go with a SuperCritical Neutron Flux instead? It's also a stereo filter - well, unless you use it in 8 pole configuration, and it can do some amazing stuff. It also sounds fantastic - one of the best filters I've ever heard. As a b0nus, it would save 6HP.

I'm not sure you need the DCA half-veils in there, especially with two FULL veils! That would save another 4HP, leaving 10 total free for something else.

How about a Joranalogue Orbit for that? You don't seem to have a lot noise/random options in here at the moment...


If this is what you mean, I've been doing the following:

Play any old Audio sample on loop via Disting (or other sample player, or any Audio input to be honest)

I'm using the Patching Panda Punch VCA which has its own decay envelops on its 2 Channels to create an evolving or changing percussion track which I've been triggering with Euclidean sequences which i can control via CV to that it changes over time.
Punch is a great little VCA with its Accent input too so you can get a groove pattern playing that too, it also has Envelop Outs with an Invert switch so you can send that to a Filter to further tweak your sound.

Punch also works great for Acid Synth lines.

I've also used my ALM PipSlope to make an AD envelope to do the same thing coupled with a regular VCA.

The other module i would recommend for this is the Befaco Percall, I don't own it but you can make anything into Percussion with that and it also has Choke so it will shut off the Open Hat with a Closed Hat etc.

As you say you could use an envelope follower which is listening to some other percussion track to get Triggers, gates and a Decay envelope out of it.

Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.

https://youtube.com/@wishbonebrewery


I think Katowice needs to have a mixer module with Pan capability for it to flourish

Do you think X-pan or jumble henge are suitable for Katowice?


Hi all,

I am interested in the nRings from After Later Audio, but have struggled to find content on YT. Does anyone have experience with this module? Would you recommend it?

Thanks!


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Hi GarfieldModular,

Thank you! :)

Could you give me some examples? Play/Stop or something more complex?


Hi Mudi,

Wow a big progress you made there!

Any chance that you are going to add CV inputs to your Eurorack module for this sequencer? :-)

Some basic knobs, buttons and switches as well so one could control, let's say, the main functions not only via the iPad but via the module as well?

Interesting teaser, I can't wait for the rest to come! :-) Good luck with the progress and kind regards, Garfield.

For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads


Oh man there's just so much good stuff going on here. That bass sounds so fat and lush. It's like a musical chocolate roll.
Controlled chaos, and so much dynamic and timbral range. Beautiful interaction with the piano.
Tremendous performance! I really enjoyed listening. Thanks for sharing.


Thread: Only Pluck

Very cool...love the setup! I have a Rackbrute 6U with a Minibrute2 (not 2S like you)...have a link to your Rackbrute setup?

JB


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Thread: Only Pluck


Hope you'll get some value out of it! And I'm always up for requests on what to build next, so feel free to suggest something.

Yes, all music in my videos is my original pieces. Only problem I have now is I put up one video every 5 days and I need to start cranking out new audio tracks to go with 'em!

The CopyCat multi from Patching Panda is a great first kit, pretty simple one to get you over the hump of finishing the first. Video in the playlist.
--C.K.


Great stuff CK, and good timing for me. Winter has properly set in and my hobby desk is almost clear of last year’s projects (just finished a wooden clock kit). I have all the Euro DIY stuff ready and I’m almost mentally prepared to try my first kit. Hopefully I can make a passive mult work more reliably than the clock… ;-)

I started watching one of your Befaco builds and the production quality of the video is great. Is that you original music in the background?

Cheers!


Thread: Only Pluck

Awesome!


Four words. Snappy-Low-Pass-Gates!
-- pigrabbit

Thanks for the input! I looked that up and it sounds fascinating. Apparently this is a good one? https://pittsburghmodular.com/lifeforms-dynamic-impulse-filter

Any other thoughts? Does this sound like a good mix of functions to start 1) applying the envelope of one sound to another source, and 2) filtering the resulting audio following the original envelope?

Thanks everyone!


Sounds heavily compressed/limited to me. Might want to add something like that to your signal chain.
-- farkas

Thanks farkas, appreciate the input. I'll probably handle that with outboard gear or in the DAW (this is strictly for recording). Cheers!


Just got the first prototype ready. Most of the work on the hw side is done.

Raquencer proto v1

I did some work on the SW side too. Check it out here:


Guess this is the correct thread to post this on.
I've started a YouTube playlist on my channel focused on building Eurorack modules. Didn't want to mention it until I had a few, and I'm up to 17 build videos now, so enough to make it worthwhile.

C.K. builds Eurorack

I release a kit build every 5 days, alternating between general purpose kits and Eurorack modules, so there's a new Euro build every ten days.

I am not an expert. I'm a guy who's been building electronics for 50 years (and making electric music that entire time) and hopefully these videos may help someone over a rough spot in a build or introduce someone to the build process for something they want to make.
I may get some things wrong, that's part of the, uh, fun.
I want to build every Eurorack module kit in the world, which is goal which will last forever, of course.
Take a look if this interests you.
--C.K.


Thanks for your thoughts. I realize I didn't share some of my goals - I agree that if this was the only rack I planned to use for learning that a semi-modular unit would be better value. I intend to build a larger 6U rack in the next several months, aiming to master a few modules at a time. The Data unit has been very valuable to me to inspect waveforms and the harmonic spectrum, as well as debug some issues with CV coming from other gear that I have (several synthesizers and drum machines). My objective with this first unit was to move fully into the modular world, as I have several years of experience with semi-modular units and 20+ years experience as a musician. Going forward this rack will serve as a sort of "staging" rack as I learn new modules.


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Yes, unfortunately, everything is not perfect. But you can, for example, use a stereo mixer as a sub-mixer,like the Befaco-STMIX or 2 mono channels as stereo with hard left and right panning. And on the mixer there are cv inputs for levels. This could be used for cv controlled mute.


Thread: Only Pluck

Thank you cmb and ryanthegecko for nice comments!
I was surprised that one single oscillator could sound like this.


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Thread: Jamuary

Fun quick patch session