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Having a lot of interesting options is a fun part of this whole hobby. I think we are all building our own individual "dream voicing rig," so the answers you get here will probably be all over the place. In the search for my own perfect voicing I've tried a bit of everything. Had a Furthrrr Generator, still have the Recombination Engine, E352, and Panharmonium, tried a fair amount of the Mutable stuff, some of the Schlappi stuff, some Make Noise and Noise Engineering, etc.
The truth is my favorite sounding and playing modules are the AJH Synth stuff. They sound perfect to my ears. They are well-built. The envelopes, oscillators, filters, and VCAs react exactly as I expect. Just perfect. Traditional subtractive synthesis may seem a little "boring" or not taking advantage of all modular has to offer, but I'm extremely happy with my choice to add their stuff to my rack. In fact, I'm going to pick up a few more to expand my AJH stable (the 2412 filter, another VCO and Contour Generator, the Dual LFO/VCA, and the Wave Swarm for sure). Highly recommended for excellent high-quality subtractive voicing.
A module that I was pleasantly surprised by is Mutable Instruments Warps. I've struggled to connect with most of my MI modules (sold Plaits and Clouds is sitting in a box in a closet), but Warps with the Parasites firmware instantly clicked for me. I may just have weird taste, but I think it's pretty underrated for a multi-function waveshaper/ring mod/crossfader etc. etc. etc.

EDITED Sep 8th 2021, 23:53

Hi Cmb_,

Pity you can't make it for the Superbooth. Okay, if I don't forget (but I just wrote it down) and have time, I will checkout the Portal Drum module of Rabid Elephant, if that one is on display.

Will let you know once I am back from Superbooth. Kind regards, Garfield.

Hi Shanewave,

Nice to see you at work again in this video. Interesting track this is. I have the feeling you are taking us here on a sonic journey or rather sonic adventure and the listener is being fed with great sounds and interesting melodies! :-)

Just one little thing... could you do much more of music like this please? ;-)

Thank you very much for this piece of music-art and kind regards, Garfield.

Hi Baltergeist,

Nice to hear from you again, straight away with two great tracks! :-) I love your experimental touch towards your music, it's always exciting to listen at your music and the creativity you are putting into your tracks is just fantastic :-D

Two different tracks, but both have much to love for. Thank you very much for sharing this with us and kind regards, Garfield.

A few add on comments:

-- since posting, I've been wondering if this is a ridiculous question, as in "you don't need that much in modular" or "thinking in terms of 'sound sources,' you're missing how modular works." All told, if it is useless or counterproductive to have a large voicing section (like above), I'd like to know that and why.

-- but on further consideration, I think it is an interesting question, to me at least. Why? Because it raises at least two potentially important points:
++ what's the best of modular (in the sound-generation domain)? How many modules would you need to get a significant % of that "best of"?
++ looking at other "power synths" like Waldorf Quantum (hardware) and VSTs like U-he Zebra, Omnisphere, KVR Synthmaster etc., what does it take for a modular setup to meet similar sound-design capabilities (at least in 1 voice)? Where does Modular SMASH other hardware / vst options?

-- all considered, I'm hoping to get a better understanding of "voicing" options so as I go forward with modular, I can keep going towards "what makes modular great and unique"

Thanks all!

@Ronin1973, I've thought about dedicated Euclidean modules and here's why I haven't added any yet:

-- Euclidean Circles v2 (ECv2) looks cool-ish to me, but then I think about its cost and pros/cons and I can't logically justify it vs. other options AND I'm not so emotionally into it that I'll just say "f*ck you brain" and buy it anyway
-- yes PNW does Euclidean AND a 2nd PNW (if needed) might be as good or better an option than dedicated Euclidean items due to price (a little less) and function (a lot more)
-- I don't have a full comprehension of Trigger Riot's possibilities yet, but my current understanding is that a lot of what I might want out of a Euclidean module, I could get that or pretty close to that out of TR
-- I do have other "generalist" sequencing (not shown in the rig above) such as Vector+Expansion so lanes from that could do Euclidean well if I wanted to use them, though it might be rather manual programming
-- basically it comes down to I haven't seen a dedicated or specialist Euclidean module that I saw and thought "I need that" or "I really want that"... I nearly did ad ECv2 but then a rare bit of musical sobriety kicked in and I thought "it can wait till later or never"

Am I missing something about how $#@! awesome some particular Euclidean module is?

And on a partially related topic, I've not looked for a ton of "off-metrical-grid" capability either (e.g. doing multiple unrelated time signatures, multiple unrelated subdivisions, random gates etc.) because to the best of my senses, the popular-ish genres I'm interested in cannot tolerate too many musical events off-grid or off-groove; they can tolerate a little of that but not a ton. This hits what @Gorilla was saying above about "not too much clock complexity."

Anyways, interesting question / suggestion @Ronin1973. If I'm missing the point on Euclidean, or random, or very complex rhythmic systems, I'd be pleased to be better informed on the topic.

EDITED Sep 8th 2021, 22:42

Wow, that's great! Can you say a bit more about how you're using Marbles? It isn't clear to me if it's generating a pattern for the pitches or rhythm or....?

The use of samples or digitally recorded audio in modular is more of an adjunct than a method for sample playback. You'd have less expense and more success using something like an Akai MPC Live MkII. It will allow for you to load libraries of sounds as well as interface with the modular synthesis world.

That looks like an awesome machine, but seems to be more beat oriented? Doesn’t look like it has the exact tools I’m looking for, although would probably be great for sequencing modular etc.

I'm considering getting into Eurorack and I've been experimenting with laying out a rack to see if I could put something together that would be worthwhile. I have the constraint that this rig must fit in 3U of a 19" rack, so I'm limited to the 84hp that will fit in a TipTop Happy Ending kit. I'd like to use it for dreamy ambient and shoegaze. I'd like the rig to include an analog oscillator and an analog filter. I'd like to both play from a midi controller and have a generative module. I'd like to be able to layer a couple of voices.

That's a tall order for only 84hp, but part of the fun for me is to try to build something usable that fits that tight constraint. I realize that there are a lot of tiny knobs in my future :-).

Here's what I have so far.

With my tight constraints, the FH2 for midi input is useful because it can do double duty, supplying envelopes and LFOs in addition to converting from midi. I expect to use midi CC for some modulation, so I'll be getting CV for those from the FH2. TS-L is appealing due to the variety of controllable parameters. The 2hp VCO will be useful for a second voice or for FM to the TS-L (or vice versa). Nanorings rounds out the tone generation section. The knobs on the 2hp VCA seem useful for helping balance the levels of the tone generators.

Ochd and uPeaks are there for modulation and Pachinko for sequencing. For effects, I have uBurst, Doupples, and Milky Way. The filter frequency knob is the one knob that must be a decent size in this rig. Disting EX is there as a wild card to fill in for anything I might need in a patch, for example logical utilities. Con is useful since it has input as well as output, so I could feed line level input to this rig for effects processing.

Any feedback would be appreciated. I understand this is generally considered too small a rig to be useful, but I'm willing to scale back my expectations in order to get something that fits in 84hp.

EDITED Sep 8th 2021, 22:52

yep, really nice.

Just out of curiosity, Liine's Lemur running on an iPad and driving something like a Expert Sleepers FH2... how is this superior?
-- Ronin1973

From a purely technical standpoint this is not limited to the bandwidth of the MIDI and can easily go audio rate and also does not have any limitation that MIDI may impose. This is more like CVTools in Ableton.
I want this to be just l like any other Eurorack sequencers on the market but with a superior interface which can grow to anything.
This is purpose built and designed for Eurorack.

Firstly, thanks to all of you for your input!
Seems like I'm going to go ahead as planned.

Secondly I did record my most recent patch with the Weasel, it's kind of an ambient thing - so not really a good example of what this thing was originally intended to do - but I guess it somewhat demonstrates what the Voice CAN do. Anyhow I enjoyed it somewhat, so I figured I might as well fire up Pro Tools, hope it's a good enough demonstration for now.

I can see the temptation of another filter here but I'd probably add more modulation or utilities, maybe a Turing Machine, Links or Kinks (even though those two are out of print I guess? what do we recommend now???) or barring that a different end of chain effect, maybe a Beads.
-- troux
well, I'm not really 'adding' another filter...just considering which one to get...planned on Sirius' Veil (which is the same builder as my VCO Gravitational Waves) but now wondering if Neutron Flux makes more sense for my small setup (more $ but 2HP smaller and I think a lot more flexibility). My question is what to fill the remaining 10HP (or 12HP if I go with Neutron Flux) with...thought another VCO since I have Warps and might be a good to have another to use with that and to just have another VCO. The Make Noise Wogglebug has some nice extra features besides being another VCO. Lugia brought up maybe adding Doepfer's A-143-9

Any dedicated Euclidean modules? I know PNW can do that. But if we're talking about a case full of trigger/gate equipment, I think I'd want some dedicated modules to free up PNW and to possibly chain a couple of those together to create some interesting patterns.

Replace the A-118 with an A-118-2. That will save you 4HP, leaving you with 9 HP.

Use that 8HP to put a Disting EX (8HP) in the case and call it good. The EX is a lot more powerful than the MK4 and has an easier to use interface.

Modular gear allows for very detailed levels of control by reducing inputs and outputs to absolutely basic levels of performance.

The use of samples or digitally recorded audio in modular is more of an adjunct than a method for sample playback. You'd have less expense and more success using something like an Akai MPC Live MkII. It will allow for you to load libraries of sounds as well as interface with the modular synthesis world.

I would work from that angle.

Just out of curiosity, Liine's Lemur running on an iPad and driving something like a Expert Sleepers FH2... how is this superior?

Because you have an odd number of hp left, might I recommend the 9hp Patching Panda Punch v3? It’s a super useful and surprisingly inexpensive dual VCA/envelope generator and more. It looked kind of cool so I picked one up and now use it in everything. Definitely worth looking into.

The first track uses my Lorre-Mill Double Knot and CL Plumbutter. The second uses a Bug Brand Board Chirper, Plumbutter, and some geetar.

Cheers!

Edited to add - if anyone is familiar with it, the first tune reminds me in parts of a Peter Sherrer/Arto Lindsay tune called Pretty Ugly.

EDITED Sep 8th 2021, 16:00

Well I have been expanding my rack and loving every minute of it, but could use some suggestions. First thing is I have a Pittsburgh 420 that turns out is actually 423 HP. The bottom row is actually a tiptop happy endings that I have mounted in my studio desk and is completely full, but the top row has 23 HP available.

I am looking for interesting modules to fill out this case.

Current thoughts:

Batumi
Planar
4MS Peg

Let me know what you would add and what makes it an essential component of your kit (I have considered PNW but I have a lot of that covered and not sure I am in love with the menu system for the types of functions it provides)

Here's a twisted idea for #2: instead of going with a VCO, you might find this more useful both as a sine VCO (up to a certain range) AND as a special LFO: Doepfer's A-143-9. Quadrature LFO modulation might sound quite interesting...for example, you could send the four phase-shifted outputs to the Veils' CV ins and get a perfect overlapping "strum" from the VCAs. Other possibilities are there, too...
-- Lugia

Interesting you say that...before I went down the path of just adding another VCO (Richter Wogglebug, MANGROVE, Loquelic Iteritas, Manis Iteritas, Cursus Iteritas were in the HP range I was considering) I did searches on primary=VCO secondary=LFO because I was wondering if I had LFO covered but then remembered I have Maths and Quadrax (I just today got notification that Perfect Circuit has QX Expander in and ordered immediately!!) so figured I had that realm pretty well covered. Is the Doepfer you recommend sort of a 'specialty' VCO/LFO module then? vs like what came up in my search (Dixie II+ and others)

Love it! Well done.

Hi Garfield,

I am not going to Superbooth but I'm sure it will be a super fun experience for you. In addition to all the things on your list of must-do items I'll put in my request. If you can find time or happen to stroll by the Rabid Elephant booth please take a look at their new Portal Drum module (not released yet - been in the works for a few years). They showed an earlier iteration of it in 2019 and it looked fantastic in videos I saw. Let us know what you think if you happen to see it.

All the best.

Thanks guys!

That sounds awesome Lugia - a few questions:
- Pros/Cons to this approach when compared to a daw?
- What main sequencer could I pair with the sampler? Would have to be complex enough to run a large amount of voices, and not be entirely loop based (continue to move to the next sections of the song), jump to certain sections?
- I’m sure the modulation sources would be helpful in making it feel alive - is there some way to play parts in non quantized? A “humanizer” function (could be done within the rack)?
- Is there a possibility for cv controlled sample switching (e.g. different velocities)? Crossfading between sample velocities?

links is still 'in production' - well hasn't been 'discontinued' yet - probably will do sooner or later
kinks is discontinued but last time I looked there were some still available in stores
wmd/ssf toolbox is a good substitute for kinks if you can't find one though

Emilie is discontinuing anything that has the old aesthetic (coloured knob caps) or does not sell well

Hello, here's my latest video. A bit noisy but just enough to make it Lofi..

Thanks everyone, brilliant suggestions and advice. It looks as though I need to take a look over Stages, Maths and Falistri, and then make a choice - or even buy two of those!

Big thanks for the input everyone.

EDITED Sep 8th 2021, 11:13

just bought a twisted electrons octopus cv sequencer(not something i had planned)and dont know if it will be any good for Dark Ambient????
-- Broken-Form

why do you think it may not be any good for dark ambient? sequencers don't care what type of music they are making - they just do what they are told!

-- JimHowell1970

good point

if you don't have much room for other utilities
-- troux

then your case is too small!

I don't find Falistri overcomplicated and cluttered.
-- plragde

good - my impression is just from looking at pictures of it - I'm sure it's a great module, just not for me!

Hi Seanmonaghan,
Oh wow, sounds great your music! Kind of film music with a bit of a touch of a mixture between modern Isao Tomita and Philip Glass. He, he, and you got yourself a cute small mini-Eurorack ;-)
Thank you very much for sharing this with us and kind regards, Garfield.
-- GarfieldModular

Wow, thanks. Very flattered. I feel like such a newbie, but film music is something I do like, especially those albums where people have scored imaginary films. Cheers!

I can see the temptation of another filter here but I'd probably add more modulation or utilities, maybe a Turing Machine, Links or Kinks (even though those two are out of print I guess? what do we recommend now???) or barring that a different end of chain effect, maybe a Beads.

I have a Falistri and a Maths and like them both. Falistri does a ton for 18HP and it does have some really unique features. One thing I will point out that I don't like about it though is that the green and yellow sections are not actually function generators, they're envelope generators which means that some of the cooler things Maths can do Falistri can't. So from my PoV if you're interested in learning some of the basics of analog synthesis, if you value tactile interaction (IMHO Maths is the more ergonomic of the two) and you have other support utilities Maths would be the pick, if you don't have much room for other utilities and you just need a module to get 5/6 different things done pretty well, then Falistri is a solid choice with the bonus that it can also function pretty well as an oscillator.

Good stuff, nicely done both sound & visuals. A pleasure to watch and listen.

I don't find Falistri overcomplicated and cluttered. I chose it over Maths because it seemed more straightforward to me (plus I liked the aesthetics better, a small bonus). The Frap modules have a lot of modulation options with attenuverters, which really helps. Falistri has both bipolar and unipolar outputs. Shape does not affect cycle time, which is important when using it as an oscillator. It tracks V/oct really well. Maths can do some things that Falistri cannot, and vice-versa. I'm pretty happy with it so far.

EDITED Feb 27th 2023, 07:19

Joesh, a few comments:

-- I agree with Lugia, if you have space and $s for a larger case, why not leave yourself some expansion room? That said, Cangore recently put up a very nice small build (https://www.modulargrid.net/e/forum/posts/index/10432); yes it can be done.

-- PNW, Stages, Quad VCA, I have those, those are great. PNW is so good I'd recommend it almost without restriction. Stages is great also BUT since it is so flexible it takes some time and work to understand; I have DATA which helps a lot, I can run Stages into DATA to really see what the envelope is doing as I tweak stages. The Divkid video on Stages is also a big help. I would take Stages over Maths in a smaller build, but that's just me, I use Stages more than Maths. BTW the Loopop video on Maths is excellent, dispels a lot of the "wtf is this" questions. Aside from Maths, you could consider Joranalogue Contour 1.

-- you mentioned you have some external gear (sequencer) etc you would use with the new Modular setup. I would encourage you (if you haven't already) to fully think through how you link and synchronize those. It's very doable; it'll just save you some headaches

-- so much stuff is stocked out lately, I tend to go with options I like that are also in stock vs. waiting forever for a particular module to be available, who knows when it will?

Hope this helps!

Nicholas

This isn't the right approach. For one thing, modular samplers tend to be rather limited (by space, storage, and current draw) when compared to a 15-20 year old Akai. Those work differently; you have multisample capability because the RAM isn't as limited, plus some (the late E-Mu ones) offer some interesting resampling capabilities. Contrast that with something like the 1010 Bitbox, where you basically have sixteen monophonic samplers under a global control set and the sample triggers.

What I would suggest would actually be one of the late E-Mu units (E5000, ESI4K) or later Akai (5000 or, if you can find one with the panel, 6000), then stacking this with as much RAM as it'll handle. Then just leave the sampler's OS on its internal drive, and for all of the sample data, get a Gotek or Nalbantov FD replacer so that you can use large SD cards or thumb drives for your sample files as well as any patch save data. Once you've got, say, 256 GB or more for those with rapid media access speeding up the sample load/save process, you've got a seriously hot-rodded hardware sampler.

Now, here's how you factor the modular back into this...

Instead of creating a build that does ALL of the sampling work, create one that ONLY works as a controller system for the sampler. This would have a sequencer, the usual array of modulation sources and cohort modules...but NO sound generation capabilities. Instead, this build needs to use Silent Way (if on PC), Volta (Mac only) or Ableton Live's CV Tools (either) to translate and/or process the outgoing CV/gate/trig signals from the modular, converts this to the appropriate sysex calls, and sends them back out to the sampler WITH the potential for also adding further complexities via the computer's capabilities. Beefier, more robust, and more open-ended.

Thanks for the suggestions! Haha sorry, I totally missed where you said hardware.

Of your non-modular samplers, is there one that would be able to successfully use orchestral samples? Have you tried something similar/had any success with it?

I’ll check out the module suggestions as well, actually haven’t heard of Rample! Looks like it could helpful in terms of sample grouping…

EDITED Feb 27th 2023, 07:18

Hi Seanmonaghan,

Oh wow, sounds great your music! Kind of film music with a bit of a touch of a mixture between modern Isao Tomita and Philip Glass. He, he, and you got yourself a cute small mini-Eurorack ;-)

Thank you very much for sharing this with us and kind regards, Garfield.

Here's a twisted idea for #2: instead of going with a VCO, you might find this more useful both as a sine VCO (up to a certain range) AND as a special LFO: Doepfer's A-143-9. Quadrature LFO modulation might sound quite interesting...for example, you could send the four phase-shifted outputs to the Veils' CV ins and get a perfect overlapping "strum" from the VCAs. Other possibilities are there, too...

Hi Gabor,

Nice video! Has this been filmed from an AVE train? The train goes even that fast that you go up-side-down ;-)

Video and music goes well together, nice work here :-) Thanks a lot for sharing this with us and kind regards, Garfield.

Almost...you don't need to connect the mixer out to the Rings' CV in...that part of the path is purely audio. You can get the Clouds and Rings to respond to CV by multing one of the CVs coming from the Chips, preferably one controlling a VCO so that it AND the other two modules are responding in heterophony.

I definitely agree that using samples within a daw is the easiest way - I am a film composer and that is how I work daily.

I am wondering what possibilities there are for running a sample based modular rack that incorporates some element of orchestral samples.

Surely there would be greater opportunity for sound design that incorporates the samples, as well as having a new way of approaching writing.

some modules are selling out before the restock emails are sent out - possibly due to pre-orders - the email from Blicken stated that they had received Optomixes, but they had sold out before they sent the mail!!! so if you particularly want something just order it and have patience

EDITED Feb 27th 2023, 07:18

For Soundcloud, the file must be in 44.1 Khz (std in audio).
For YouTube, the file must be in 48 Khz or 96 Khz (std in video).
https://support.google.com/youtube/answer/1722171?hl=en&topic=1728573&hlrm=en-GB&ctx=topic#zippy&zippy=
And, of course, nice modular Buddha Machine :)
-- Jihel

Thanks for that pointer - I'll double check my settings. Pretty sure my audio is right on Soundcloud, but unsure about the video.
Cheers

Thanks a lot farkas and troux! Unfortunately I came too late for the one on Reverb, i will check Wiggle Hunt. Didn't know that page. - It's great!!

Drums and percussion by Disting Ex, lows by Instruo Ts-L, highs by Mangrove.