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Hello, I just realized it's incredible difficult to move 2 and 4 hp modules in the grid. Neved happened before. It's super unconfortable to edit any grid, and I paid this service many years. Is there any trick to move them easily? And I don't mean with the left and right arrow. I think this should be solved fast. The service is not cheap and we pay it yearly. Thanks in advance.

Hi there,

I am planning a new rack that is aimed at minimal, monophonic techno basslines (and maybe leads). A brief disclaime, I know this is a small 62HP setup and there will be folks here that scream go bigger, but thats not the point of this setup. It is not supposed to be a standalone do-it-all solution. I want it to become a piece in my setup that is great a doing good and interesting basslines that I can keep evolving. I want to couple it with an Elektron Syntakt that takes care of all drum/percussion duties and the main clock. I hope you can help me figure out if I am missing a crucial part in this setup or should replace some modules against more versatile modules.

Let me go through my thought process in this setup:
Sequencing: I want to use steppy and mimiteic digitalis since I love what people are doing with the combination, this is what really got me hooked into planning and building my own modular synth in the first place
Clock: I have the Horlogic Solum in here for clocking, wich seems to have nice capabilities of also splitting the clock
LFO: Clep Diaz, but I am not 100% sure about it since the After Later Audio Clone of MI Tides can do LFO duties as well. Maybe you have some suggestions here.
Envelope: After Later Audio Clone of MI Tides
Filter: After Later Audio Clone of MI Ripples
Voice: Noise Engineering AI since I like what people do with it. Still I am not sure if I also should have a second Oscillator in here, maybe a simpler one?
Reverb/Delay/Distortion: Noise Engineering Versio since it is flexible with the Firmware and sounds really cool.

Am I missing something crucial in my setup or do you see any breaking points or parts that do not move together? Any suggestion is welcome! Please keep in mind that I am fully aware of the size limitation but this is also my personal preference and maybe a way of challenging myself.

Thanks a lot! :)

current rack iteration
-- kvnlxm

Looking at this rack, it's clear you have been watching Ihor viddys

Hi there,

actual link to the rack and not just a crappy jpg:

I am planning a new rack that is aimed at minimal, monophonic techno basslines (and maybe leads). A brief disclaime, I know this is a small 62HP setup and there will be folks here that scream go bigger, but thats not the point of this setup. It is not supposed to be a standalone do-it-all solution. I want it to become a piece in my setup that is great a doing good and interesting basslines that I can keep evolving. I want to couple it with an Elektron Syntakt that takes care of all drum/percussion duties and the main clock. I hope you can help me figure out if I am missing a crucial part in this setup or should replace some modules against more versatile modules.

Normally I'd be advocating a much bigger rack, however as you are being mission specific... I'd probably go a bit bigger though! maybe the next size up pallete.. just so you have a bit of space for some utilities... they will add a lot of versatility to your patching for not a lot more cash...

Let me go through my thought process in this setup:
Sequencing: I want to use steppy and mimiteic digitalis since I love what people are doing with the combination, this is what really got me hooked into planning and building my own modular synth in the first place

hmmm - I'm not convinced of these modules... steppy is a trigger sequencer - ie very short pulses - not gates, which is generally what you want for envelopes... (some envelopes will work with triggers - make sure you have an envelope generator that can be triggered and not gated) & mimetic digitalis does not have a quantizer built in - which is fine, if you want to make non-12tet music, or you have an external quantizer, which you don't...

also as you have the midi module - I'd just take clock & pitch/gate sequencing from that - Syntakt can sequence pitch & gate as well as drums can't it??? idk I've never used any elektron gear!

Clock: I have the Horlogic Solum in here for clocking, wich seems to have nice capabilities of also splitting the clock

How are you intending to clock this? & what are you intending to trigger with the divided clock - there's not really enough to warrent it in the rack imo

LFO: Clep Diaz, but I am not 100% sure about it since the After Later Audio Clone of MI Tides can do LFO duties as well. Maybe you have some suggestions here.
Envelope: After Later Audio Clone of MI Tides

I would suggest you need both of these or at least both lfos and an envelope... personally I'd rather have more lfos and a single, simpler, smaller envelope (that can be triggered) - I'd also want attenuverters & offsets for the lfos - but tides can also be used as a vco...

Filter: After Later Audio Clone of MI Ripples

decent choice... if a bit vanilla... a wasp might be a better bet, as it would add grit, but might not fit in the case

Voice: Noise Engineering AI since I like what people do with it. Still I am not sure if I also should have a second Oscillator in here, maybe a simpler one?

maybe, but then you'rre running out of space & you'd need a mixer...

Reverb/Delay/Distortion: Noise Engineering Versio since it is flexible with the Firmware and sounds really cool.

remember you can only do 1 of these at a time... and have to take it out of the case & reflash to swap which sounds like a pain to me... personally I'd want at least 2 of reverb/delay/distortion (if not handled elsewhere)

so yeah.. you're missing some things & duplicating some things... I'd have a serious think about these things before parting with cash, if I were you

Hi there,

I am planning a new rack that is aimed at minimal, monophonic techno basslines (and maybe leads). A brief disclaime, I know this is a small 62HP setup and there will be folks here that scream go bigger, but thats not the point of this setup. It is not supposed to be a standalone do-it-all solution. I want it to become a piece in my setup that is great a doing good and interesting basslines that I can keep evolving. I want to couple it with an Elektron Syntakt that takes care of all drum/percussion duties and the main clock. I hope you can help me figure out if I am missing a crucial part in this setup or should replace some modules against more versatile modules.

Let me go through my thought process in this setup:
Sequencing: I want to use steppy and mimiteic digitalis since I love what people are doing with the combination, this is what really got me hooked into planning and building my own modular synth in the first place
Clock: I have the Horlogic Solum in here for clocking, wich seems to have nice capabilities of also splitting the clock
LFO: Clep Diaz, but I am not 100% sure about it since the After Later Audio Clone of MI Tides can do LFO duties as well. Maybe you have some suggestions here.
Envelope: After Later Audio Clone of MI Tides
Filter: After Later Audio Clone of MI Ripples
Voice: Noise Engineering AI since I like what people do with it. Still I am not sure if I also should have a second Oscillator in here, maybe a simpler one?
Reverb/Delay/Distortion: Noise Engineering Versio since it is flexible with the Firmware and sounds really cool.

Am I missing something crucial in my setup or do you see any breaking points or parts that do not move together? Any suggestion is welcome! Please keep in mind that I am fully aware of the size limitation but this is also my personal preference and maybe a way of challenging myself.

Thanks a lot! :)

current rack iteration

Some tricks and ideas for combining the one-of-a-kind Buchla Music Easel with your Eurorack modular gear.
Detailed patch notes in the video:

have fun, mau5! :^)

Google Chrome will translate the page to English for me. Also Signal Sounds in the UK has it in stock.

EDITED Oct 12th 2023, 22:01

Thank you :)
I am in Spain and have no clue about custom/import tax on ordering from the USA.
Will have a look at it.
Many thanks again for pointing it out.
L

shows as 'In Stock' at Perfect Circuit...

https://www.perfectcircuit.com/hikari-atten-mixer.html

Hi all,
I am trying to source this module from Hikari Instruments: https://www.modulargrid.net/e/hikari-instruments-atten-mixer
Link provided goes to a Japanese website:
1) http://hikari-ins.shop-pro.jp/?pid=111120649
Not so gifted with internet and willing to know if there is a way to trnslate the page or is it a no go.
Any help or guidance very welcome and appreciated, as always.
Best,
Loersatz

Thank you very much for your very detailed listening, Sweelinck. A funny story about the note that you mentioned is that I had problems with the power of the case, and when I arrived at the rehearsal the pitch was extremely unstable. Thanks God I solved it for the concert, but it was really tragic as you can imagine!

Again, thanks for listening, reading and paying so much attention; I feel honored.

Vult will be releasing a Eurorack version of their Caudal VCVRack module soon - it's like a better Triple Sloths and has two S/H outs. O_c has various awesome quantizer features that allows you to scale mask, CV rotate those maskes, linear shift register and CV shifts to other scales. Befaco a*b+c is awesome for 'tuning' your CV, or maybe add some cheap 1u Duatts for the same purpose.

EDITED Oct 12th 2023, 15:46

The 5V power consumption for this module is intense - Had to upgrade my whole system to cope with it...
beware!

As I have already commented elsewhere, this is not only a superb work, it’s also an innovation, a first it seems to me (in any case, I know of no equivalent of such strong association between the universe of the classical orchestra and the world of modular; even less at the concert).

This association is fabulous. As these extraordinary encounters between the classical orchestra and other instrumental universes such as that of the great organs (for example we can listen again to the 3rd symphony by Camille Saint-Saëns).

Listen to this fusion between the timbre of the orchestra’s instruments and the modular synthesizer. Just one example:
After an introduction that develops till a nearly apocalyptic level and ends with two powerful orchestral punctuations (we can listen to them from 5:10), then emerges a very simple and modest note held by the oscillator of a Dixie II+ (note born from the second tutti and revealed around 5:30). This note is joined by the clarinet (at 7:45) then gradually, step by step, developed by other instruments and sections of the orchestra (*).

The modular is an orchestra, the orchestra is a modular!

(*) This passage evokes the famous note held (a B), played by the bassoon and emerging from the final chord of the first movement of Mendelssohn’s violin concerto in E minor, then introducing the second movement by evolving towards a C.

I allow myself to place here the whole video of this performance.

In addition, I encourage everyone to read this very relevant reflection of Luis about the modular synthesizer.
‘We don’t need more synthesizers: we need discipline’ https://coderapuzo.com/synthsanddiscipline/
This will echo many debates here...

Very simple one today, a passive 3 input/output mute. But since I'm committed to building every kit on the planet, nothing gets left out.
Very quick build, vid is only 12 minutes long.
Could be very handy when you want to bring things in and out of a mix without having to mess with (and remember) volume settings or whatever. And very narrow at 2 HP, so an easy fit.
Build

A short documentary about my upcoming ambient LP 'Etudes', recorded with eurorack modular and out in November.
Pre-order: https://yalivec.bandcamp.com/album/etudes

MUR#03 was created in relation to the overture of R. Wagner's opera Das Rheingold, which is performed without interruption immediately afterwards. This aspect reflects the need to conceive the concert not as an arbitrary collection of pieces, but as a global listening process that goes beyond the sum of its parts. MUR#03 is not a rewriting, reinterpretation, or reuse of any motifs or materials from Das Rheingold. The relationship lies simply in the fact that it is intended to be performed before the piece, in the same way a programmer plans the sequence of pieces in a concert. This is by no means a minor relationship.ç

Here is a small excerpt:

Full video on my youtube channel

Nice work.

One module I've had a lot of fun with is the WORNG Vector Space. It acts kind of like a matrix mixer in that it takes three modulation sources and uses them to create a variety of other modulations. It is a big module, though.

Hello, this is a test. Please see the google drive folder & doc for more info on this modular system.
https://drive.google.com/drive/folders/1q8Zd79Hz0tkEOLvNcboOgp0RW5UQJO6O?usp=drive_link
https://docs.google.com/document/d/1hNrk9BDAApzl8hs-AFjV2AvK1UZxxqeT9Fhap5NMcxM/edit?usp=sharing
-jd

An ambientish track made with Reason 12 sequencing RYK Vector Wave, Beanjelly, Instruo Ts-L & Mangrove. Patch details in the video description. Thanks for watching.

(...) triple sloths is good - especially when combined (via a matrix mixer, perhaps) with other modulation sources... a quad lfo (or envelope generator) like batumi or zadar is great (especially with the expanders)...

-- JimHowell1970

To add unpredictability, disturbances, Zadar + Nin is really a good tool. In ‘loop mode’ (‘repeat parameter’ set to infinity), plus the two assignable CVs on some chosen parameters (e.g. Warp, Time), the results are amazing. Here a link to have a look at the Zadar basic envelope shapes: http://xaocdevices.com/manuals/xaoc_zadar_chart_2.0.pdf

qu-bit is releasing a new granular module "Mojave"

It seems to be not a delay and focused on granular live processing.
But it seems to be inspired by beads.

to me it seems very heavy on sound sources and modifiers - light on modulayion sources & utilities...

see my signature for firther details and food for thought!
-- JimHowell1970

Are there any in particular that you'd suggest, looking at my system?
-- SlunkLord

matrix mixers are always great, sequential switches, logic, clock dividers, sample and hold...

triple sloths is good - especially when combined (via a matrix mixer, perhaps) with other modulation sources... a quad lfo (or envelope generator) like batumi or zadar is great (especially with the expanders)...

if you haven't already download the 'maths illustrated supplement' and work your way through it many times - always thinking about what, why & how...

Tides has been great and I am not selling it. For now, it will just go into my 4ms Pod. It was one of the first 3 modules I got. Now I have plenty of other modulation sources that I didn't then.

don't forget tides is also a great sound source!!

tbh - I've sold very few modules - I just add cases!

I'm mostly interested in sound design and having controllable unpredictability. To clarify more on the latter point, I like being able to control sequences and get out what I put in, but I find myself wanting ways to change up patterns and scales, I want to be able to set certain parameters, but still have my modular be able to give me things I don't expect. I suppose something like the Trigger Riot might be more up my alley for that, but I'm just super hesitant at this point.
-- SlunkLord

A module I just got that I am in love with right now is Joranalogue Route 4 which does, in a very simple way, exactly what you want to do here. I have been using it to change up both patterns and scales with the simple flicks of the latching switches. It has the 1V precision add to each of the outputs on the top portion which when you use along with a quantized input (or even combine up to 4) you can make changes super quickly to your original pattern.

Here is a video from Bries actually using it this way. I don't have a Step 8 but I do have a Muxlicer. You don't need either of these modules to make the Route 4 shine either as I've been messing with quite a few different modules with gate, log, eoc, eor, outs.

to me it seems very heavy on sound sources and modifiers - light on modulayion sources & utilities...

see my signature for firther details and food for thought!
-- JimHowell1970

Are there any in particular that you'd suggest, looking at my system?

Agree with Sweelinck, you have a lot covered with your choice of modules. Maybe an O_c to give you some more options on quantizing, sequencing, LFOs? Also maybe replace one of the granulars with an ES-9 and tap into VCVRack and it's endless options. What kind of stuff do you like doing with it?
-- Manbearpignick

I'm mostly interested in sound design and having controllable unpredictability. To clarify more on the latter point, I like being able to control sequences and get out what I put in, but I find myself wanting ways to change up patterns and scales, I want to be able to set certain parameters, but still have my modular be able to give me things I don't expect. I suppose something like the Trigger Riot might be more up my alley for that, but I'm just super hesitant at this point.
One of my eventual goals is to use modular in live performances, although at this point that is far down the road.

Thanks for the reply.

Tides has been great and I am not selling it. For now, it will just go into my 4ms Pod. It was one of the first 3 modules I got. Now I have plenty of other modulation sources that I didn't then. I have really wanted the Waver mixer for wavefolding for a while now but prioritized some other utilities that were more important first. The Ts-L sounds awesome and for such a small footprint it has a lot of wave outputs for just 6hp.

If I get rid of the Tymp Legio, that space would be going to an Intellijel Mixup or Befaco STMix. I am also contemplating using that extra HP, intead of mixer, upgrading to better filter. I am in no rush to fill space either so that can wait. Parting with Tymp Legio is only because those funds can pretty much get me the Waver or Ts-L I know would get more use.

EDITED Oct 10th 2023, 18:59

For a rack not focused on drums and wanting this system to be completely self contained, would you get rid of the Tymp Legio?

probably...

I currently have MI Tides but will be removing that module to make room for the Waver and the Ts-L V2.
-- ShoutingParrot

why? - tides rocks (both versions)

along with what everyone else has said...

for guitar and bass input - most people want envelope following and gate extraction rather than pitch... as this is usually poor... the disting ex is one of the best at it though apparantly - I've not tried any pitch extraction, especially the b-cpompany module - but I do use envelope followerrs and gate extraction...

I have a very strong feeling that the 921B vco needs a 921A to actually work properly - do your research on this...

I never recommend either b-company or synthrotek on ethical grounds - don't support biggots!

strongly agree with the pam's suggestion - and not convinced a clock multiplier is a great thing - better to have a faster clock and divide - than a slower clock and multiply - especially if you want accurate timing (unless you are always going to use a very steady clock)

I'd go for less voices and more utilities - see my signature for hints - more versatility in patching for less expense...

doepfer and ladik are both solid and inexpensive (especially for utilities) and worth supporting as companies...

not convinced you need 2 dual ADSR modules... I'd lose 1 to make room for something more interetsing...

adefinitely a veils clone and a full size plaits clone over the b-company versions - After Later Audio and others make them and are worth supporting!

I'd also start with a minimum viable synth a single sound source, a single sound modifier, a modulation source (I like maths from Make Noise - another company worth supporting), a way to play and a way to listen plus some utilities - a quad cascading vca (veils) can be used as a mono output (& input for that matter - with disting ex for pitch/envelope following & maybe gate extraction - again a company worth supporting)

Check out Intellijels Rainmaker. I have both Beads and Mimeophon, and theyre awesome, but the Rainmaker is on a whole other level. Its a bit pricier than the others but its a super textured delay powerhouse.

-- anelekt

I would love Rainmaker I just don't have the room for it 😭

If you need an accurate and powerful Delay module, I think it’s better to differentiate specialized modules like Dual Looping Delay (https://www.modulargrid.net/e/4ms-company-dual-looping-delay), or Chronoblob2 (https://www.modulargrid.net/e/alright-devices-chronoblob2) for example, and all those whose function allows a mix of sound manipulations including more or less the Delay function (like Beads, excellent module by the way, or Mimeophon).
-- Sweelinck

I hadn't considered that but it makes sense, I think in my case I'm looking for more of the variation and it seems like beads it is for now. Thanks!

It's not as versatile, but especially if you have one that has dedicated knobs for the blend-modes, it may be a cheaper option than the modules mentioned above. Here I can find the After Later Audio Typhoon for 250 euros for example. This way you can easily check if granular/looping delays are something that fits your style.

-- dubstepjoris

Thanks so much for the idea! I'm definitely trying to save some money and this seems like a great option to test stuff out.

At the moment, beads acts in my setup like a data bender for unpredictable random glitches and broken harddisk error- effects

-- MCGM

This seems super promising for what I'm hoping to make, thank you for the input!

Love what my rack can do but not sure if I should keep the Tymp Legio. It is a great kick and the hats I can produce sound good too. The mids and toms sound decent as well but I can't get a snare that sounds good out of it to save my life.

I was able to pick up last month a Sample Drum which is what I originally really wanted but was not going to pay $500 CAD for it but I did get super lucky and find one around my bday for like $325 used in immaculate shape and it does all the inrack drum duties I could want plus cv mixing in sliced samples I create on the fly from my other modules makes for some super creative drums.

For a rack not focused on drums and wanting this system to be completely self contained, would you get rid of the Tymp Legio?

I currently have MI Tides but will be removing that module to make room for the Waver and the Ts-L V2.

If you can get your hands on an inexpensive clouds clone, there's an alternative firmware for it that add several modes besides granular: reverb with pitch-shift, resonator, looping delay and looping delay with pitch-shift. It's from Matthias Puech who also worked on serveral 4MS modules. You can check more on this website https://mqtthiqs.github.io/parasites/clouds.html.

It's not as versatile, but especially if you have one that has dedicated knobs for the blend-modes, it may be a cheaper option than the modules mentioned above. Here I can find the After Later Audio Typhoon for 250 euros for example. This way you can easily check if granular/looping delays are something that fits your style.

Alternatively, if you want to go have a big dedicated module without this alternative firmware stuff, the modules mentioned above seems very interesting and there are some great video's on YouTube on them.

Some thoughts:
- Very nice that you've chosen VCA with independent CV and manual level control. This way, you can use the VCA as an attenuator as well.
- You have quite a few modules that are reasonibly big for what they do, aka they have very specific functionality. For example, Erica Synths Ring Mod, Dreadbox Dystopia, Behringer 305 EQ/Mixer/Output. Behringer Brains and Behringer Perfect Pitch 1 are also a bit wide. This is not a problem per se, just an observation.
- 4Ms Shuffling clock multiplier is nice but for a beginner rack I'd recommend this beside an ALM Pamela's New/Pro workout. This module is a bit more versatile since it can also do euclidean rhythms, LFOs and Quantazation. So the SCM is a nice addition for more experimental or polyrhythms.
- You mention that you use the Keystep 37. This has a sync in/output so you can link it to a clock module. I see there is no reset in/out on the Keystep (meaning that when you stop and start a sequence on the Keystep, it won't restart your divided clock for example). When you start with this rack, I think you can manage to go without a reset, but later on you can use a midi to clock or clock to midi module for this (like the expanders for the Pamela's New/Pro Workout modules)
- Note that the Behringer Perfect Pitch PP1 converts Midi NOTE data and not the clock! You don't really need this part I believe as the Keystep 37 has CV/Gate/Mod output as well. You can still get this module for the instrument interface, but just so you know.
- You got four oscillators and three filters (plus your guitar/bass), this is quite a lot for the size of rack that you have. Especially as you have only one sequencer (your Keystep). I'd advice to drop one or two of these oscillators and add more utilities or a more versatile effects unit. Such as a micro Ornament & Crime or a Disting EX.
- If you want more sequences at the same time, consider upgrading your Keystep 37 to the Keystep Pro. This will give you four melodic sequences or three melodic sequences + a drum sequencer, all via CV or Midi. Also has more versatile sequence management.

If you need an accurate and powerful Delay module, I think it’s better to differentiate specialized modules like Dual Looping Delay (https://www.modulargrid.net/e/4ms-company-dual-looping-delay), or Chronoblob2 (https://www.modulargrid.net/e/alright-devices-chronoblob2) for example, and all those whose function allows a mix of sound manipulations including more or less the Delay function (like Beads, excellent module by the way, or Mimeophon).

Maybe think about, which modules you already have to pair with.

I saw a Morphagene in your rack.
this can also add some tape character and effects, but as far i know without saturation

I like the mimeophon, because its nice to modulate, good to control and very playable.

I grabbed a beads last week. It appears very versatile to me, but right know I dont know how to tame it. I guess you have to know excactly what you are doing to control it. But maybe I just need more time to learn it.

I guess Beads can replace or substitute other modules. For example, I wanted to buy a Qu-bit Data Bender, but I realized that I can do similar effects with beads stutter- / glitch mode.

At the moment, beads acts in my setup like a data bender for unpredictable random glitches and broken harddisk error- effects

Hi,
Oops! it's different from the jpg...well...
For Envelope generator and LFO tasks
https://www.modulargrid.net/e/intellijel-quadrax-
maybe it is a good option, somewhat expensive but worth it.
If not, obviously, Maths,
https://www.modulargrid.net/e/make-noise-maths--
For VCA's any Veil's clone.
For effects, https://www.modulargrid.net/e/happy-nerding-fx-aid-black or if you don't want to have to remember the LED combinations, the XL version https://www.modulargrid.net/e/happy-nerding-fx-aid-xl-black
You would need more utilities, clock divider, attenuverters, logic modules...
Best regards,

Hi,
Link to the rack is better than a jpg, so we can navigate through the modules

Check out Intellijels Rainmaker. I have both Beads and Mimeophon, and theyre awesome, but the Rainmaker is on a whole other level. Its a bit pricier than the others but its a super textured delay powerhouse.

I dont have and havent used Sealegs, but between the other 2 it really depends on what you want from your delay. If youre interested in granular stuff, go with Beads. Otherwise i'd choose Mimeophon, personally. Its defintely a more textured delay. But then again being a delay is not what Beads does best.

I'm really struggling to pick a delay out right now. I want to make super textured sounds so beads seems obvious but sealegs has the tape sound option which is also interesting to me. And then there's also mimeophon, which seems great all around. I like the sound of them all and can see potential benefits in them all, so I'm just looking for any experiences with them or advice that might help me make a conclusion, thanks.

Edit: Also any other ideas I didn't mention

EDITED Oct 10th 2023, 04:10

I'm going to dive into the modular synthesis world and I've been planning this module for a couple of months now, but I'm really clueless if it is "complete" or if I'm missing anything important, or maybe, I have something that would be a waste os HP and money. I'm planing to operate this Eurorack and other devices with an Arturia Keystep pro 37, and I also plan to connect some times electric guitars and basses.
Thanks in advance and don't overroast me please...https://cdn.modulargrid.net/img/racks/modulargrid_2357696.jpg

to me it seems very heavy on sound sources and modifiers - light on modulayion sources & utilities...

see my signature for firther details and food for thought!

Hi,
If you buy them in the exact size you will have the advantage of having the fit for the cable tab.
Ferran.
-- ferranadsr

but only if you buy shrouded headers - which is great if they fit... not so great when they don't!

Update: So I figured a ""workaround"" and that is to delete every module and add them back one by one. Not super ideal but it seems to be stable atm.
-- JFerg

I have seen that you had modules lie on top of each other in your dotcom system. Not sure how that happened, but I guess this was the cause of problems.

Update: So I figured a ""workaround"" and that is to delete every module and add them back one by one. Not super ideal but it seems to be stable atm.

Thanks :)

The BSP is just rested on the modular and is completly in the way at all times, I'm probably going to order some little clip on stands that will hopefully let me stand this right on top of my cases in a fairly upright angle/position.
I prefer the immediacy of controlling drums from the Robaux LL8 than the BSP even if the programing of the BSP is nicer.

I was in Dance-mode in the 90's, I think all things music and design peaked in the 90's and we've never really improved after that.

EDITED Oct 9th 2023, 17:22