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Thank you very much for your kind words. Ha, ha, and interesting remark about twin peaks :-)
Well you kind of invited me and encouraged me to publish something, well, voila ;-)
Ha, ha, well the next thing to share might take yet another year, at least a track from an album that is. Perhaps if I got an interesting patch that's so funny or interesting that I might share it, let's see. For the moment I have other stuff in mind to do with my modular rack, not 100% sure about that though. Once I made up my mind about that, I will let everyone know here about it, but that's rather (far) future stuff, at least till it makes sense in practical terms, but let's see.
I also want to work on my percussion with my rack, I am waiting for a decent sequencer to be released (aiming at the Endorphin.es - Ground Control), then need to build up experience with that, so before any music, ehm sorry, any noise comes out of my rack, a year is a quite good estimate I think. While I am waiting for that Ground Control to be released I try to work on that above mentioned idea.
Thank you and kind regards, Garfield.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
It's here, yep...although, the final design is dependent on a couple of modules that AE hasn't put out just yet. Which is fine, as the studio is also still not 100%, either. With luck, I'll hit both marks at the same time...
I almost bought the AJH Gemini 2412 a few months ago, but ended up just getting their ladder filter for now. The Gemini is a killer filter and I may still get one at some point.
Today 29.06 ModularGrid will move to a new server. I set the site to "read only mode" so people can read data but not write into the database to prevent any data corruption during migration.
IP address will change so it might take up to a day depending on DNS cache to see the new site.
I try my best to not screw it up. Wish us all luck.
The Phenol looks pretty cool @Lugia, I'll have to dig in and watch some videos. BTW, did you ever get that monster box you'd ordered? I wanna hear some tunes \m/,(> .
Well, before pulling the trigger on some of RS's stuff, you might consider snagging a Kilpatrick Phenol. Less expensive, to start with...plus the working paradigm there is right out of the Serge playbook: all bananas, no separate signal paths, and it'll connect perfectly to actual Serge, RS, Elby, etc, in addition to Eurorack provided you use an adapter module/box and establish that ground. Bananaland is a bit of a different take from "typical" modular, and the Phenol would be a perfect intro...plus it's got plenty of useful features that'll play nice with any Serge-ish additions.
Only yuppies pay $16 to fill a 18hp void
-- superunfrontable
Just realized that modular grid has user ratings. I don't use this site for buying or selling but apparently I have 1 "thumbs down" from a supermanchild [edit: for the record he changed his name to HersheyHighway after saying I was "emotional". lol.] I apologize that my comment made you soil yourself and you had to retaliate with a game changing thumbs-down. My life will never be the same after this.
User reviews and user rating systems on the Internet are all fairly useless because of people like you.
I would also really like to be able to exclude clones from searches. Mutable Instruments is the most common, but there are others like Ornament and Crime.
Being able to exclude specific manufacturers would also be useful. There are some manufacturers I’m simply not interested in seeing, it would be useful to keep them out of my search results.
Wow, yes! Amazing, no agenda and then this kind of demo :-) Ha, ha, that LFO-Filter kind of duo (I guess that's what it is) starting at 0:50 is a nice starter but then talking about transitions ;-) At 1:03 adding that sound there, yes, nice! And that naughty bass that's kicking in at 1:27, wow, ha, ha, yeah, impressive I would say. At 2:27 another nice sounds kicks in (what sound & effect is that?), I love those kind of moments, that are the nice surprises for the listeners! You practically keep doing that over the entire track, so well done :-)
You think that a DFAM would be a nice way to tie off your Moog rack, well yes, I guess so. Then again, I am not worried at all, I think anyone (or yourself) can give you whatever module, it doesn't really matter what module and I am certain and very confident that you will make something fantastic out of that! So don't worry about that, follow your guts, and if that's to add a DFAM, then that's it, just do it, I am sure you will come up with something good out of that :-)
I can't wait for your next demo (while listening yet another time to this demo), kind regards, Garfield.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
Thank you all for your kind words, that's really comforting me :-)
Troux: Ha, ha, interesting to read that you feel bits of 20th century classical at times, didn't expect that but on the other hand I have been grown up in the 20th century, so that might explain :-) As you noticed, I love to use the frozen-reverb of the Ventris of Audio Source, I just couldn't stop using it, it gives kind of ambient accents to the whole thing. Perhaps I used it a bit too much that frozen option?
Mowse: Thanks a lot for the details on your focus on transition and progression. At 03:45 the arpeggio of the Sinfonion kicks in, the voice of that arpeggio is done by the STO of Make Noise (using the Ventris reverb effect pedal). At 07:45 or just before you hear the effects of the Erica Synth - Black Hole DSP2, around 07:45 I kind of "cut off" that effect at 07:42 the first "cut off" and at 07:47 the second "cut off", by just reducing those effects parameter knobs on the Black Hole DSP2. The voice used there is the Intellijel - Rubicon2. Before 11:20 that cloudy-voice is the E330 (voices 11 & 12), after 11:20 mixture of sounds of voices 1, 2 & 3.
Farkas: Thank you for pointing out the room each sound has to breath, I actually hadn't really thought about that until you pointed that out here, so thanks a lot for that marker point :-) Yes, ACL modules are nice. In this track you can here the Sinfonion at full action at certain times. The voices 9 up till 12 went through the ACL - Audio Interface (via the Grand Canyon effects pedal) to the external mixer. The big con of ACL are their prices :-( So there are still plenty of ACL modules on my wish list ;-)
Thank you all and kind regards, Garfield.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
Let me show you this acrylic modular case build. If you have any question about, let me know! Enjoy.
This is the first part of some other videos will be publish soon. Stay tuned on my Youtube page.
Awesome. I like how every sound has room to breathe. That's something I am trying to work on in my music, but I have a tendency to always add more and more until all of the space is gone. You have given each instrument plenty of space.
I need to invest in some of the ACL modules. I'm always impressed with them.
Thanks for sharing!
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
Nice to see you share some work @GarfieldModular! I really appreciate the density and voice breadth here (well explained by your patch notes), and the ebb and flow from clusters of notes to reverb-y sustain. It feels a bit 20th century classical at times, and at others the modular part of synthesis really comes through. Well done on an interesting and varied piece ᕕ(⌐■_■)ᕗ ♪♬
Sat down this evening for a little jam on my Mother 32's. No agenda. Just started poking and patching. Found myself here. I'm thinking that a DFAM would be a nice way to tie off this little Moog rack that lives next to the modular system.
A little kick from BIA and light reverb from Clouds.
After a lot of doubt and still not sure ;-) I kind of decided to publish one track of my test album "Netherlands - A", the last track called Azewijn (Conclusion). It's a kind of a "small" summary of the rest of the album.
I have been for more than one year now member of this forum and I have now almost exactly one year my modular system but so far never published here anything, so let this be the first publication ;-)
This kind of test album I did, was for me a test to see how difficult it is to create an album, pretty difficult I would say, especially then when you like to have it all perfect like me, being a perfectionist, realising that it's no-way near any kind of perfection, far from it, I would say :-) But it was good that I did it, I guess. Most of it is really just test material but this track above here is the one I would like to share with you.
I would appreciate your feedback on it, especially if you see (rather hear) which parts I could improve to increase the quality of: recording, mastering, stereo effects, well and whatever you can come with and I have no clue about ;-)
I have to apologise to everyone I have commented about the stereo effects I was mentioning in my feedbacks over the last half year or so. When I did record this album, only then I realised how difficult it is to get some decent stereo effects in your tracks. It's so difficult to get that properly done, so my huge respect to those who are able to do so! As well as a lesson learnt for myself...
The track has no percussion at all other than the Tea Kick from Bastl Instruments. I had the percussion parts not really ready within my rack and still wanted to record something. So one of the reasons why my track is rather boring, it's the lacking of percussion.
Since I am always begging you for details on how you did create that sound or that track, etcetera, I can't withhold such information for my own publication I guess ;-) So here are the details on this track, it exists of 12 voices:
Beside the above voices of course used several other modules, the main central component for most of the sounds (not all though) is the ACL - Sinfonion.
I didn't use any input device for playing tones or something, my name is still Garfield, hence lazy, hence not putting any notes into the system ;-) So everything was produced somehow by the modules themselves.
All the "noise" has been produced by my modular system with the exception of two effect pedals: the Ventris Dual Reverb from Source Audio (beautiful reverb effects pedal) and the Grand Canyon from Electro-Harmonix. Other than these two components, everything else was done by modular. Other effects, i.e. by modular, were: Erica Synths - Black Hole DSP2 and Intellijel - Springray2.
Recording was done with the Zoom - H5 recorder at 24 bit/96 kHz, reduced it here for publication to MPG3, sorry about that...
Thank you very much in advance for listening, have a nice Sunday and kind regards, Garfield.
Edit: Removed typo.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
I've been thinking to get a Rings but I just dropped literally a zillion dollars on Random*Source Serge, so maybe not lol. I should move it up the list though.
Thanks as always for checking it out!
Just about anything I share here is just a single live take with only my modular setup. I rarely do any overdubs and usually just use GarageBand as a tape recorder with very little post-processing. I'm not averse to doing things more professionally, but I'm just having fun with this limited lo-fi approach right now as a way to challenge myself and learn.
It seems Ochd is turning out to be one of those "must-have" modules. In some way or another, it has made its way into every patch I've done since I got it. Best $190 I've spent in a long time.
Oh yes! After Troux (see his post here in the You section as well) let me travel with "my spaceship" (I wish that was true) into space at an undefined destination. I was just about to arrive at my space-destination when Troux album was finished. Luckily I took your track with me on this space journey as well. So I hit the button and wow, I am now beyond our galaxy, not really knowing where I am to be honest, but enjoying your music while travelling here in the dark with here and there a star-light at the horizon ;-)
At about 3:00 you kind of hyper-spaced me even further, that hand-clap rhythm is nicely done! And further down the track that's getting nicer and nicer.
You bring me so far into the outer space that the Internet connection is getting weak here, so I must hurry sending this post before you even hyper-space me where no longer Internet is possible ;-)
Thanks a lot for sharing this, enjoying this a lot and kind regards, Garfield.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
Wow that's impressive, all modular :-) Interesting how you "processed" the vocals with Plaits and via the Ochd. Looks like this Ochd I am going to put that module on my wish list :-)
Thanks a lot for sharing the details and kind regards, Garfield.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
Hi Garfield. Yes, all modular. The glitchy vocals were actually from the speech algorithm on Plaits with modulation from Ochd. No samples on this one.
Have a great weekend.
Yeah! Nice long tracks, if you let your mind go, I could imagine being in a spaceship (not too big one) with glass all around looking at the "space" passing by, while listening at your music.
Not just one track, no-ooh, a complete album! :-)
So I continue listening at your music and once I arrived at my destination in space and if I got Internet there too, I will let you know ;-)
Well done, thanks a lot for sharing and kind regards, Garfield.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
Lots of helpful info there @Lugia, thanks for sharing. I'm pretty sure I'm going to go with a couple RS panels and see how that turns out, no magic expected per se but I'd like to supplement my excessively digital main rack with something a little more old school and that rewards reflection and understanding of synthesis.
Nothing new about Elby/Ken Stone. Ken's been a module designer for decades now, and has a history of adapting Serge circuitry for Eurorack purposes, as well as Elby's own "Euroserge" variants. Even other manufacturers use Ken's designs, such as Doepfer on their A-171-2.
FYI, if you expect to get Serge results out of 3.5mm jacked Eurorack, you're likely to be underwhelmed. Part of the Serge's appeal was the ability to branch signals off of a single patchpoint, because all points were banana jacks and therefore stackable. Typical Serge patches would sometimes output the same signal to several different destinations, which contributed to the "magic" of the format. As for interconnecting Serge with Eurorack, this is really simple, as Eurorack offers numerous banana-to-3.5mm adapter modules, plus there's standalone adapter boxes for this. But...VERY important...you have to establish a common groundplane between the Eurorack and "proper" Serge format gear, since the Serge relies on its own internal groundplane, and the patchpoints only connect "hot" input and outputs over a single conductor. It's easy enough...but necessary, as the two formats don't play nice with each other UNLESS they have a common ground.
I've been Tap-clocking the Pittsburgh Microsequence to use as my main clock source, this isn't ideal and I'd like to get something like Pam's Workout to have as a main clock. In the meantime I thought I should try using the TR-09 as main clock then into the Divider and divide down to slow-clock the MicroSequence for some longer gate times.
Kinda just fooling with the TR-09 played in live varying the patterns on the fly.
Cheers for listening.
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
Here is the newest installment of my ongoing glitchy lo-fi modular synth and dual VHS project. This one turned out kind of trippy (flashing light warning).
Thank you for taking an interest. I've only recently returned to making music and so the stuff I have put on Bandcamp is just rough sketches at this point. I'm mostly just recording lo-fi live jams and experimenting with different styles at this point, but I am planning to work on some more structured and polished songs soon.
This ADX-1 sounds great. Thanks for the heads up!
Thanks for checking it out Garfield and Sweelinck. Vorwerk Chicken is definitely a cousin of my track!
This one was made using the Moffenzeef Mito to sequence a Buck Modular DrumF*ck and the Loquelic Iteritas Percido (which is too quiet here). I was just messing around and it sounded cool, so I recorded part of it.
I just finished a new video that I may share later.
Thanks again and take care!
Using Mutable Instruments Marbles as a sample source, playing Plaits and DPO with DivKid's awesome RND STEP S&H. After a several seconds of listening to what Marbles decided to make, I play over the two VCO's with Rossum Electro-Music Trident. Make Noise QPAS, Clouds and Eventide Space for lush, modulated reverb.
A little more noise than desired from M.I. Clouds. Texture modulation too wide. Sorry about that.
Anyhow, enjoy this nice, evolving ambient track and some footage of yesterday's evening paragliding session.
