I bought a module from @igrok and everything was fine - good price and top communication - can only recommend!
Right now I'm only planning haven't started yet but you made things simple when you mentioned that but right now I'm using the Novation circuit mono for sequencing
This is my final build. I am VERY happy with this monster of a synth!!
How are you sequencing your other stuff? If your setup has a clock/sync output or CV/Gate outputs, this may be enough to just run them side by side.
I am quite happy with the After Later Bartender. The four stereo channels are enough for now and the send/return loops are very handy. expansion modules are available as the rack grows
I have used 2hp modules before. I still have the Mix. Frankly, though, for this amount of money, I would say to not put a bunch of them in. They wiggle even if they're built rock solid, amd the knobs are not fun. If you decide later you need some function they provide and have to have it in 2hp, then go for it.
2hp Hat - You can probably skip this. You have noise in your setup. Patch the noise to a VCA/low pass gate/filter and ping the CV input/send it short envelopes. This is also sort of my advice about the Queen of Pentacles. If you try it and like it, then go with it (the filter and effects alone might bw able to help the modulation problem and give it some life). Whether you like the Queen of Pentacles or not, however, modular presents a great opportunity to synthesize unique percussion using the exact same tools you make synths with, as well as an opportunity to blur the lines between melody and percussion. The more you play with this system, the further away you'll get from assigning things standard roles like "drum/bass/lead".
2hp Euclid: Pam's has you covered here, I think. Plus the Oxi One.
2hp Arp: Another one where your sequencing hardware has you covered, but you've also got those quantizers to turn any modulation into an arp. A quantizer is almost always better for in-rack than an arpeggiator.
2hp TM: If you can make room for it I would 100% recommend the After Later Audio Alan instead.
Once you have a Rample and a 2hp Play, I can't help but think you should just try a Bitbox or a Squid Salmple - especially if you're also worried about the Queen of Pentacles and the SD card on the back. Maybe that's just me. Vocal one shots and all that can also be a 505 thing, but I'll leave that up to you. You can also look into CV to MIDI converters like the Befaco CV Thing or the Sweet 16 faderbank (a great multi-function module in general, albeit a big one) to allow you to send modular signals to non-modular gear like samplers and control their MIDI ccs for that modular sampling vibe. Sampling in Eurorack can be great, but this process will definitely help you decide what you want to do in rack or out of rack and where each task suits your needs, and you may find one of these options more suitable. I wanted to make a Eurorack sampler for a long time until I thought about it and realized that my Polyend Tracker and SP404 would let me put a sample anywhere I wanted in most ways I would want, and that unique but purposeful sample placement was easier to do there anyway.
The 2hp Pluck is admittedly hard to replace this way. There's always Rings or the QuBit Surface, but those are definitely bigger. People do like the Pluck.
There is one kind of 2hp module that I always suggest to people: passive low pass gates. I have the Takaab and Meng Qi brand ones and they are great for setting up quick and simple percussion out of any sound you throw at them, or just having extra signal paths for your oscillators that give them a unique character.
Overall, this seems pretty balanced. Usually imagined systems this big are a bit of a mess. More modulation is nice, so if you expand, definitely look there first.
The Dual Dagger I will have to revisit...
I wish I had a good video to reference; but I love it. Its just a super good-sounding stereo filter in a very reasonable amount of HP.
is there anything glaringly wrong here. I wanted to make sure I had my basics covered.
I wouldn't say glaring. Both the great and not-so-great thing about modular is that its.. well.. modular. You won't know what you're missing until you do. Emphasis on the 'you', as everyone will want / 'need' something slightly different.
Having everyone choosing different modules is a great aspect. Something like Maths I can see the versatility of and understand why so many people use it. Though something like Plaits, I can see the versatility, but I don't share the appeal for it as most people do. (Something it seems you might relate to?)
I have two Maths - one Plaits (and actually two Braids -- Pre-Plaits Plaits -- but not really). The possibilities of Plaits and (x2)Braids with the firmwares is actually kind of wonderful tbh. I have a Rings too, it does its thing, but stylistically, I don't tend to reach for it that often. Its a very nice module though.
I would say that the main things I'm on the fence about are the midi modules and my ability to get everything connected. The other man thing would be the Queen of Pent and the analogue drum aspect. ... Where as something like DFAM seems good, I think that perhaps individual modules might be a better fit.
-- TheLooseNut
MIDI isn't all that bad, just kind of tedious. Look into something like the IConnectivity Midi4+. They have a more expensive one out now, its probably very nice, but maybe grab an old one off someone who fell for... I mean, upgraded. There are also boxes like MIDI Solutions Quadra-Thru; but just know that midi does 'deteriorate' the more its chained. I don't really have a good rule of thumb -- you'll just have to experiment... Also, you can clock things without having EVERYTHING connected via MIDI. Maybe look into PPQ24 (or PPQ48) if you aren't familiar with the term(s). That said, if you have a more specific question about connection issues. Throw it out and someone will probably have 'an' answer.
I tend to not do drums in modular. I just couldn't find any great combination or reason to justify essentially doubling the footprint. Some purist (no shade) will definitely have a different take. If I were to go full/more modular for drums, I'd probably start with a Doepfer A-157 as it seems intuitive for the classic X0X-style drums. 'What you see is what you get' triggers... That said, I have no serious complaints rocking an EP-133, Drumbrute Impacts, DFAM, and Airbase 99. If there was a fire and I could only take one... the EP-133.
DFAM... oh and Qu-Bit from the other post... (sigh)... I like Data Bender... Maybe start a new thread for each convo :D
GateKeeper, thanks for the response, lots of good thoughts in there!
I deliberately tried to get a mix of straight forward vs complex modules. I wanted some that were a no-brainer and that I could immediately dive right in with. However I also wanted many that would take quite a bit of time to explore the nuances and possibilities of. I love to learn almost to the point of compulsion. (I can devour logic puzzle books faster than they can print them. lol) As much as this new hobby will be for making music (or even just noise and soundscapes), I enjoy deep learning about things that are of interest to me, and I find that just as entertaining as the creative aspects. Anyone that didn't love the learning aspect, I would say should likely not be looking into starting off with something of this scale. So while that is a great recommendation to point out, I am actually looking for something to study and make my brain work as I devour it.
I've used complex 3D modeling and animation programs for many many years, and programs like After Effects or 3D Max are extremely menu driven. My eyes need a break from it and on a monitor, its bad enough, but on a module with a micro LED screen... well, I just don't want to have to pull out glasses or a magnifying glass every time I want to change a value of something. Something basic and straight forward with minimal layers, I could live with. But some modules look great and do everything under the sun, but I'm wanting to step away from the computer, and deep menus, while I'm comfortable using them, simply is counter to what I'm looking to do.
As for the visual aspect, mostly the issue is following the signal path (which on my Rev2 is all behind the scenes). As long as there is a visual representation (without menu diving), I'm happy. For instance, the Quadrax will display a different LED color depending on the mode. That is enough for me to be comfortable with. But being able to follow the course of patch cords to visually see the signal path will make all the difference in the world compared to internal routing. I also included a Mordax DATA so that I could pass signals through just to see the waveform as I twisted knobs to get a much better understanding of whats being changed and how (as opposed to drying to decipher it just by listening).
Desmodus: Yes, I really dig this. (The company seems great too, and I really like their way of letting you swap firmware)
Bloom: I seem to hear more positive comments about the company than about their modules. But this was the one particular one I could envision many uses for. I read the manual (a couple times) and watched quite a few videos and it seemed that for the price and hp that it had a lot of uses. I do think there is quite a bit of behind the scenes stuff that will make it a little harder to learn the nuances of it, and that was definately a consideration on this module. I think what persuaded to to include it was that it gave me a good module to spend time learning on that filled a its role nicely. While getting it to do something specific that I wanted was not something that would be happening quickly, but simply twisting knobs and stumbling across something randomly that sounded intriguing and fun seemed like it would be fairly easy. (I'm wondering, would you say that is accurate?) I had looked ad various Turing Machine versions and they seemed more complicated and I would end up wanting several add ons to get the most use from it, So it seemed that would be a more expensive route and take up more hp. What would you say are the main benefits of a TM as opposed to the Bloom?
Queen of Pent: One reason I selected it is because it was a module I could jump right in with. But, that aspect also makes it limited in ability to modulate So I have been somewhat torn on this module for that reason. (The rear sd card access is something that obviously no one is a fan of.) The idea on what to switch it with is some good info. I did like the flexibility of the Basimilus (and do like the company as I stated earlier). I'm not as familiar with the Tymp Legio, but will definitely look into it.
Pico Dsp: I originally had selected quite a few Picos, but the DSP is the only one that I didn't ultimately decide to rule out. It seemed to have great review and was fairly popular, so that helped play a part in including it. I thought that it a good range of "set it and forget it" abilities and most of them were things I would actually use. I figured that since one of my cases would be set up to be disconnected from everything and be a stand alone travel rack, that would be were the smaller modules would all end up. Though I do think I would like it more if it was 4hp.
As for the MIDI, I have a lot of other gear the couple take use of MIDI connectability later on down the line. But the things I listed were the main things I was wanting to connect. I plan to do a lot of multi tasking, such as Playing the bass or guitar while using the bass MIDI keyboard with my feet and being able to reach over and play a riff on a keyboard at the same time. The Beatstep pro will would be used for drum stuff mostly, and the OxyOne would be more for keyboard sequencing, so some MIDI functionality will be necessary. However, since one of the cases will be a travel stand alone case, I was planning to keep that one MIDI-free and not even have a keyboard so I could focus soley on patching with that one. That way I would have the best of both worlds.
I always appreciate anyone's 2 cents (Or even 3-4 cents! lol). And as for having fun... of course! That's why I listed that as my #1 objective for the rack :)
Traxam, thanks, I'm actually glad you made this comment about the Octalinks as I did look at every option I could find. I REALLY wanted a cleaner option, and did want to stick with CAT cables. I just REALLY wish that these cases had jacks on it for internal wiring of it. (For the price of them, they should. Or at least have a popout panel for people who want to mod them.)
With simply a hole in the back or top, it makes it difficult to just detach the cable (but obviously solves the cleanness aspect). So I figured my only option would be to cut a hole and mount a face plate that I could install a pair of RJ45 keystone coupler jacks on. That way with a 6 inch cable from the module to the jack, I could have the optimal output jacks on the case itself. The cases are expensive and that makes me hesitant, but having it just how I want it would seem to make it worth the effort. I figured I'd need to get my hands on the cases first though to be able to determine how much effort it would take and the ease of doing the modification. Wood cases would be simple, though the 104 7U IntJ cases would be a much greater endeavor.
So if I don't find the case to be easily modifiable, I figured I could have the Octalinks in the center and be able to wrap each wire around the case handle before inserting it and that should help keep it a little cleaner than just dangling and being in the way.
Jopair, thanks for the response! I really do like the Atlas, it does have several qualities that I found quite appealing. When I first looked at it, I think that it was the HP that I thought was a bit large. Though since I'm thinking I might need to have more filtering, coupled that with the fact that it being 4 channels really does justify the size, It's definitely worth another look!
The Dual Dagger I will have to revisit, as I recall, the videos I had come across last time I looked into it, I found difficult for me to distinguish what was the module vs what was the other 20 modules patched into it for the demonstration video. I'll have a look again and see if I can find some other videos about that that I might have overlooked. I do appreciate the module suggestions!
I totally get the dislike (that many seem to share) for the 2hp sized modules. I do wish they were 3-4 hp each. Generally speaking, I do prefer ease-of-use as opposed to a micro form factor that emphasizes on space saving. For the most part, I figured those modules would end up being set up and used it for aspects that I wouldn't be changing often. Though I would be happy to be able to swap them out for something with the same functions that is in a slightly bigger form factor. Also, since I was planning to have one of the cases be a detachable stand-alone mobile rig, I figured the 2hps would end up in that case just to cram in a little more options in that travel rig.
You did answer my main question (is there anything glaringly wrong here). I wanted to make sure I had my basics covered. I have seen lots of posts like mine with responses such as: You don't have enough VCAs, why no mults, or that you have nothing to output such-n-such to. So I just wanted to make sure there wasn't something I overlooked or missed where some aspect of my rack is missing another module or aspect that is needed for basic functionality, or a module that people feel is almost a compulsory addon.
Having everyone choosing different modules is a great aspect. Something like Maths I can see the versatility of and understand why so many people use it. Though something like Plaits, I can see the versatility, but I don't share the appeal for it as most people do. (Something it seems you might relate to?)
I would say that the main things I'm on the fence about are the midi modules and my ability to get everything connected. The other man thing would be the Queen of Pent and the analogue drum aspect. While I think the Rample module will be good for samples of actual drums (which I have a large library of), I'm not the biggest fan of 808 style drums. I do like 909 style better, but generally the sort of music I will mainly be making would be making use of more actual drum sounds. I do want to include some drums of a 909ish style or something similar, but I would like to be able to sculpt the sounds a little more than the QoP might be capable of. Many drum modules have the ability to go WAY out of actual "drum sounds" and that is appealing though I have a few worries. One being that modules with a lot of range might be harder to get dialed in to something more traditional sounding perhaps? Also multiple modules can be more expensive as well as take up more space. Where as something like DFAM seems good, I think that perhaps individual modules might be a better fit. I had originally picked QoP because it seemed to be a very straightforward module, but that seems to come at the expense of versatility and range.
Ooo, yeah, nice work.
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
i want it as a backup mainly sequencing and psy trance i have other synths to do lead with so the modular can go automatically
Sweet tune, great layering and really nice how everything fits together. Well done!
my tunes: https://stevehand.bandcamp.com/
Basic 3 voice patch w/ pulse delay processor from Maths. Modulation not shown in sketch, but will be coming from PAMS and OCHD.
Depends on what you want to do.
But definitely optional (to answer the question).
Do i have to have a midi module or is that optional
Hello!
Given that you don't want to go slow. I would suggest focusing on straightforward playable modules rather than modules with a steep learning curve. Otherwise you'll end up spending hours learning how modules work rather than actually making music.
As you dislike menu diving, and you are Visual, there is a chance you won't like complex modules with lots of combos. You should consider prioritizing playable modules with one function per knob. That way you can approach each module like a little instrument.
In that perspective and based on the modules I know (only 4 in your racks!)
One last comment. Given that you'd have 3 cases full of modules. I would suggest keeping it all in there. No midi, no external gear. That way you can really focus on your setup, patches etc.
Hey, just my 2 cents :)
Have fun!
“Life is what happens to you while making other plans” A quote from Allen Saunders made famous by John Lennon
And in the case of this video totally true. I was preparing to record a patch,I had programmed it earlier this week and was patching up my synth. While patching I noticed my beautiful new Passive operator box by Error Instruments.
I did not use it for this current patch for it is new, amazing but also wild! (It’s Error instruments ;)) But somehow I thought, let’s patch PO through a filter and play with it! It totally surprised me, PO was not wild but started making sounds that were in between r2d2, birds and crickets Very organic, yet electronic exactly what I love! Like being in a forest in Star Wars. I started changing the patch into this lush ambient outer space forest. Inspired by my Passive operator. Totally unexpected but I love the odd turn this patch took. I hope you do too! Enjoy the music. :D
Raaf
Small comment...
Instead of the Octalink there's other versions of these where the CAT cable connects from the back.
I use these as it keeps things cleaner out front.
Of course you'll need holes at back of your cases....
This would be a fun rack to play on. Since we are ignoring the 'start' slow advice... how about looking to getting a Vostek Atlas and/or a Dual Dagger ;)
I personally dislike 2hp (width, not the company specifically) devices. Just don't like the clutter... and as you said, those gaps will go away with the purchase of a module or two.
I think in general if you asked a more specific question, you'd get more specific answers. I can't say anything is wrong with 'your' setup... but I definitely have chosen very different modules than you.. Since you aren't wanting to start slow... what other modules have you considered? What are you on the fence about?
This module is garbage. It sounds awful, clock cv doesn't work, the flutter and wow sound awful and don't work well. The s/r seems to be backwards on my module. Not to mention it's mono, which to be fair I knew going into it. But there isn't a single redeaming thing about this. Worst module I own hands down.
Velours - Anomalie / Drum Cover - Tunç Çakır
Just a modest take in an apartment with a gentle touch and three microphones. Enjoy listening.
Drums performed, recorded, and mixed by Tunç Çakır
Youtube Link:
Thanks for getting that fixed, I thought I was losing my mind. It was frustrating trying to make my post and not being able to figure out why it wasn't working as it seemed it should. Just my luck to find a bug my first time posting. I appreciate your quick attention in fixing the issue.
You have found a bug.
Replace .com with .net in the URL and it should work. Will fix soon.
Edit: fixed
Beep, Bopp, Bleep: info@modulargrid.net
I tend to stick with Elevator Sounds patch cables but their own brand ones only go up to 2m https://www.elevatorsound.com/product/elevator-sound-green-200cm-eurorack-cable/
Everything I can find simply says to "cut/paste the link to the rack into the post editor", but that only creates a clickable link in my post rather than showing the actual rack in the post. I can't see anything I am doing wrong or any reason it should not work... what gives? What is the precise method/format of making this actually work? What the hell am I doing wrong????
This is the format I'm useing (that just yields a link):
https:// modulargrid.com/e/racks/view/2546918
Edit: Now that the bug is fixed, I added a space in the above link so that the link would show instead of the rack so what I was doing would be viewable.
Settings
Shapeshifter Preset: 4 (Sol 2)
* Pitch 1 (V/oct) & BM (Gate) in comes from Keystep pro *
Quadrax - CVA: x Rise: RED, CVB: x Rise: PURPLE, CVC: x Rise: GREEN
Beads - All Fx Selected for fx modulation
ooh thats interesting, it would be very nice to be able to do something similar for the marketplace ...
is Magerit still active? I tried to contact them for a repair but got no answer
So I guess this is the common "Hey I'm new, looking for opinions on my rack" post. I know this is a long post and the rack is a lot to digest, but I would be most appreciative of anyone who had the time/desire to look through it.
Here's the breakdown of what I own, what I'm looking to get, and what I'm looking to do with it:
Gear I already own:
Prophet REV2 synth
Maschine mk2 and S88 keyboard (extensive NI Komplete suite)
Various guitar pedals
Various rackmount FX and utilities
Keith McMillen 12 Step2 MIDI Bass Pedal Foot Controller
TASCAM 24chan Mixer/Recording Console
Gear I'm planning to get:
All the modules shown in the 3 racks
3 Intellijel 7U 104HP cases
Boss 505 mk2 desktop looper
Beatstep Pro
OXI One MIDI/CV Sequencer
Wasp desktop synth
The obvious thing to tell someone new is to "start slow, learn and build gradually", and I do understand the merits of this and completely agree with it. However as much as I would like to be able to do it that way... I will simply (and vaguely) say that I do have some very compelling reasons not to follow this sound advice (and leave it at that).
Here is what I'm looking to accomplish with my rack:
1) Be able to have fun/entertain myself.
2) Create Ambient/generative scoundscapes as well as melodic tracks, scores, songs, and pieces. (Sometimes played live, sometimes sequenced)
3) Create tracks you can zone out to, meditate to, dance to, and even tracks you can stagedive to.
4) I want to have enough real estate that I can work on a "main patch" and still have room/modules to create something totally separate without having to unpatch something else to do it. (Partly to just experiment with layers to add into the main patch, but also to be able to "take a break" from the main patch and spend time doing some exploring or deep dives in learning and exploring the nuances of other modules before returning to the main patch I was working on.)
5) I plan to create self generative tracks as well as play the rack live. It will also be used to compliment other aspects of my music projects outside of the rack.
While I grew up on old school arcade sounds and C64 games, I'm looking to mainly create stuff that is more of "a song" rather than something that sounds like an Atari 2600 game soundtrack. So I'm assuming I need to look into filtering a bit more because I'm not really looking to make "beeps and blips" sort of tracks. Also, I'm not into techno style stuff, but it's hard to describe the vision in my head because I've never heard anyone else make music in the main style I'm looking to create. (Picture Frank Zappa, The Beach Boys, Black Flag, Vangellis, Rush, The Dead Milkmen, Kraftwork, Black Sabbath, Devo, Yes, and the Ramones all mixed into one.)
I'm new to modular, but not new to creating music. My Rev2 synth is great and I've had it for several years now, but the problem has always been that the "patching is hidden", and I tend to work MUCH better visually. If I can't see the pathways, I don't always get a clear grasp of the signal flow or what is going on, leaving me to generally not stray far from the presets. (Also there's a bit too much menu diving on it for my taste.) I will say that I do love the feel of the keybed on this piece of gear.
Being new at modular, I'm sure there's things I'm overlooking or perhaps even misunderstanding. However, for the most part, if I know what it is that I don't adequately understand, I typically try to research it and get a better grasp. (For instance, I have already read the manuals for all of the modules in the rack). But my problem is likely this: "I don't know what I don't know". (That makes it impossible to research without it being pointed out to me. So that is part of the reason for this post.)
Here's some thoughts behind what I have in mind:
For cases, I picked three Intj 7u 104hp cases each outfitted with a pair of 1U Octalinks to route each case to the others. That way I can just pull the 3 CAT cables off to be able to put the case lids on without having to unpatch everything. The 3 cases will normally be set next to each other, but one will eventually be configured as a traveling case (That's one of the reasons for some of the redundancy in module selection).
For outputs, I have 3 Intj stereo outputs to go to the mixer/recorder console. The Xchangr module also gives me a stereo FX loop (or 2 mono ones). Plus an additional stereo output for a tuner and vocoder pedal. (So in total, I would have the ability to output 6-10 channels to the recording console simultaneously)
The 1U Flips seem quite useful and I can see multiple ways I'll use them throughout most of my patches.
I will also make good use of quantizer and arpeggiators as I am looking to do mostly melodic stuff. (I am feeling like another quantizer might be a good idea, but I figured I'd wait and see, and then I'd have a better idea what I like/need after putting in some time on the rack.)
I have a strong dislike for small displays, non-full sized keyboard keys, and menu diving.
I have zero interest in VCVRack, I've stared at computer monitors since the early BBS days and now my sore eyes require time away from a screen.
I'd like to do most of the mixing onboard, but everything will be outputted to my 24 track console where any final tweaks can be made.
I plan to use a Boss 505mk2 to add vocals and for some basic sampling duties. (Though I'm not set on the best way to integrate it into the rack to get maximum functionality from it.) The Rample sampler would be used for traditional drum samples, the Queen of Pent for 909 style, and the 2hp Play for vocal oneshots, callouts, and FX.
As for MIDI, since I plan on being able to split the rack to have part of it be a traveling rig, I went with multiple MIDI modules (and to take advantage of the built-in jacks in the cases). I've never been a huge fan of MIDI and always thought it felt "a little clumsy". While I have had "use for" it over the years, I simply never had a "definitive need" for it, so I have mostly avoided using it in the past. However today is a different story... the MIDI devices I would using with the rack are:
Beatstep Pro
OXI One MIDI/CV Sequencer
Wasp desktop synth
Boss 505 mk2 desktop looper
K.M. 12 Step2 MIDI Bass Pedal
I also will possibly be getting a basic MIDI keyboard as well. Would a 5th or 6th MIDI device mean I would need another MIDI module? Or only if I was trying to use them all at the same time? I'm wanting to hook everything up at once and not have to constantly unplug stuff when I want to use something. I'm not sure that the modules I have selected are adequate for what I'm looking to connect MIDI-wise. Any advice in this area would be helpful.
Once I get a better grasp of everything and get enough playtime under my belt, I will be looking into heading into a quadraphonic direction (and eventually possibly into octaphonic territory) I already have seen a few modules that would compliment that aspect, though I'm not worried about addressing any of that at this point in time as that's far down the road at this point, but figured it was worth mentioning.
The racks are not currently laid out exactly how I would position all of the modules (obviously that is a constant changing work in progress for most people). I'll need to get a better idea of what I use the most and which modules work well or compliment each other before I have a better idea of the flow and layout I want. Though I'll likely end up positioning modules more for accessibility reasons more so than a left to right signal flow layout. I did intentionally leave some spaces between many modules for ease of finger access (until at some point new acquisitions gobble that space up).
So is there anything obvious (or not so obvious) that I have overlooked? Utility modules? Basic functionality modules? Ease of use stuff? Something missing? Something that's exceedingly overkill? Any (helpful) thoughts, opinions, suggestions, questions, or comments would be welcome.
Look into the Instruo Carn (or two since you need more than 4 channels). Won't do 'everything' but having 2 myself... its a wonderful setup.
The SSF Vortices isn't bad, CV and manual Panning of mono signals.
I also have a DPW M1 mixer which lets me pan my Stereo sources.
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
A word in favor of the PM Okapi -- I have a stereo setup, with two stereo Okapis run through an Erica Synths Black Stereo mixer.
That gives me 8 inputs (4 per Okapi) so that each one's 4 inputs go into a left and right channel, taking up two of the four stereo pairs on the ES mixer (between them is a Xer Dualis for another 8 input stereo pair in the ES mixer, and a 2hp VCA gives me the final stereo pair). So basically I can have 18 inputs into the ES mixer, nine inputs per left or right channel (!).
What really rocks about the Okapi, however, are the light indicators! Just glance down and if you see red, turn that input down a bit (and vice-versa). It is very helpful to have visuals in mixing! Something to think about long-term if you want to expand to stereo. This is sort of hard to explain, so here's the setup (a 6U Doepfer L-base and a separate 6U standing on it).
Juno maybe? https://www.juno.co.uk/products/nazca-noodles-blue-300cm-premium-3-5mm-ts/872298-01/?currency=GBP&flt=1&cq_src=google_ads&cq_cmp=1838759436&cq_con=72327549089&cq_term=&cq_med=pla&cq_plac=&cq_net=g&cq_pos=&cq_plt=gp&gad_source=1&gclid=CjwKCAjw59q2BhBOEiwAKc0ijdooeDrGPPt_ERDZAuI0IRLeQSSRS4fdWBcM6RspnVXYheixyIhUExoC9IcQAvD_BwE
Or pick a smaller more indie Synth shop
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
Ann Southam’s minimalist piano pieces contain lots of ideas that could be applied to a modular system. This video is also a tribute to a composer who should be a household name like Steve Reich, Philip Glass, and Terry Riley.
Detailed patch notes included:
Hi, can anyone share where they buy patch leads, as in, the best value supplier?
I will definitely need some quite long ones, 2.5M or 3M because of the way I lay out my various machines.
I've bought a few from Amazon but the long ones there seem pricey.
I'm based in UK
Thanks for any help
T
i think that a mixer with the features that you are describing in 10hp simply does not exist.
Cosmotronic has some feature packed mixeres in reasonable hp
i'm really not willing to induce any gas. but i would not try to fit more voices and add a mixer in your case. you certainly don't want to remove utilities to add voices.
maybe it's time to think of expanding the hps ?
or maybe get a 1010 bluebox desktop ?
VoltRatio
The VoltRatio 1V/OCT CV input allows you to quickly and easily switch through exactly 6 harmonic degrees. Additionally, this module enables you to obtain both a copy of the fundamental frequency's voltage and a frequency one octave below simultaneously, allowing you to comfortably control up to 3 oscillators at once. Furthermore, designed as a precision multiple, this module offers precise and professional calibration options, helping your system stay in accurate tuning and advancing both you and your system.
The frequency ratio system, which can also be found in the first digital examples of Thru Zero Frequency Modulation and allows easy adjustment of harmonic degrees in all operator oscillators according to the fundamental frequency, is crucial for maintaining musical and tonal compatibility. This system greatly simplifies programming in complex FM patches. With the three separate outputs designed as Vaemi, which replicate the 1V/OCT CV input like a precision multiple and provide different degrees, you can use all analog thru zero or standard voltage-controlled oscillators. Quickly navigating between harmonic degrees during recording or live performances will provide significant musical and practical advantages. The output providing harmonic degrees (Ratios) includes 2 buffered outputs, making a total of 4 CV outputs on the module.
You can adjust the desired voltage and harmonic degrees between 0-6V according to your preferences and needs using the trimpots on the back of the module. Additionally, you can set the -1 OCT output to the desired negative level using the trimpots on the back.
All inputs and outputs of the module are DC coupled. Essentially, the module adds or subtracts an offset voltage to the voltage entered into the 1V/OCT CV input. We can think of it as a precision CV adder-subtractor. The sum of the entered and added voltages is what comes out of the outputs. In short, you can also use this module to shift the offset, process signals like envelopes or LFOs, and more. (Note about the module: one of the most important points is that it has both positive and negative outputs and precise calibrations for offset and CV scale. So, it’s not just about adding offset voltage to the voltage.)
You can read which channel you are on from the top of the module or easily determine it with the help of LEDs. The module is 10HP wide.
Etsy:
https://vaemisynth.etsy.com/listing/1787486561
Reverb.com:
https://reverb.com/item/84455925
ModularGrid:
https://modulargrid.net/e/vaemi-voltratio
wow- incredible website!
just what I needed, thank you!
Is there an API that will allow me to return my owned module collection as a list of JSON objects
-- out_of_band
This should work but can change anytime.
https://modulargrid.net/e/modules/find.json?SearchSet=my
Beep, Bopp, Bleep: info@modulargrid.net
5 Oscillators: Pittsburgh Modular Generation X, Waldorf NW1, TipTop Z3000, Bastl Grandpa + Spa, Antumbra Knit running through 7 clocking modules, a sequencer, 2 chaos machines, 8 LFOs, 4 VCAs, 4 EGs, 3 filters, a BBD delay, Sub Rings, and a bit crusher. Mixer can handle 10 audio feeds.
Doctor Synth
www.doctorsynth.com
www.soundcloud.com/badsamaritan
Metropolix & Rene v1 sequencing Rubicon & DPO with Maths, 4 VCAs, 4 LFOs, 3 MS-20 filters, Dirt filter, Phaser, Delay, Expanded Clouds,and a reverb for good measure.
Doctor Synth
www.doctorsynth.com
www.soundcloud.com/badsamaritan
Brains & Odessa Harmonic Oscillators controlled by Euclidian Circles & Moskwa sequencers, offset by a Source of Uncertainty & Miso. Polyvoks and Belgrad filters, with reverb, phaser, Phonogene sampling delay and Bad Comrade glitches 7 VCAs, 9 LFOs, 3 EGs. Odessa Expander provides 5 harmonic outputs while .COM adds additional Sub-Octaves. BRST + 2CK give multiple clocks to the sequencers.
Doctor Synth
www.doctorsynth.com
www.soundcloud.com/badsamaritan
I have been looking forward to play with my new Moog DFAM. I had a few short sessions to play with it before today but today during lunch it broke it out and pluged it in with the rest of my modular setup.
Video shows me playing it. Descriptions list modules used.
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I do stuff and things and whatnot...
Also have:
- Mystic Circuits 0HP Blinkus
- 2x ST Modular Workmate 0hp Attenuator
- Life is Unfair Potential - Dual CV Joystick Controller
- Korg SQ-1
Another interesting module from Djupviks. A CV mixer with a chaos core to add some interesting spice to your CV signals.
Really simple build, mostly surface mount already installed, a single-session kit.
And very interesting output. Adds some chaos to mod signals, and I actually tried it with a drum module (see demo section) to get some interesting patterns.
If you’re looking to add some random creativity to your mix, give this a try.
Hi,
I am having issues with the MIDI ports on the Poly2 and ableton.
The poly2 is connected to a midi mac via USB. Ableton sees the Poly2 and i can send MIDI message to it and play external gears via cv/gate. However, Ableton completely ignore the incoming MIDI i am sending from my keystep into the Poly2 MIDI IN (e.g. i can't record any MIDI)
Everything looks fine in Abeleton and indeed if i swap to another interface (e.g. expert sleepes ES9) keeping the same configuration, everything works fine.
I am wondering if someone had the same experience. I wrote and email to Polyend but no luck so asking here.
Thanks in advance,
Regards,
Mat