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I use a dual comparator to convert the sine and saw out from a VCO into two kinds of square. Vary the threshold and it varies the pulse-width. Sum several squares with different pulse-width and you get a super-saw thing. Really nice effect to convert a 'plain' sound source into a complex one.
So you did check the module alone in a rack without all the other modules and it still doesn't work?
Not very likely but if your rack is pretty full with modules you might have reached the maximum power consumption, in that case pull out a few power hungry modules and try again
You did check the power cable connections on both sides (at the PCB of the module and at the bus board of your rack)? Careful please, it looks like the Plonk doesn't have a boxed pin header so make sure indeed the -12 V (red line) is connect to the PCB where also that white line has been indicated and -12 V has been written. Same goes for the bus board connection
If that all still doesn't work, try to use a 10-pole power cable from one of your modules you are 100% sure it works and check again
Now test the other way around, take one of the modules you are 100% sure of that it works, test that module, remember at which bus board header you connected it, does this module indeed work well? It should, right? Okay now remember to take this same bus board header again and now connect your troubled-Plonk module exactly at that bus header, does it work now?
Still not? Did you try to install the latest firmware? (Again? Perhaps previously went something wrong?)
Still not? Well there is a change that you got a dead-on-arrival module, contact Intellijel, perhaps they have a few more ideas of troubleshooting before sending the module back to your dealer
Good luck with the troubleshooting, please keep us updated and kind regards, Garfield.
Edit: Removed typo.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
Thanks a lot for the extra background info :-) That StarLab module sounds like a fantastic module too! It's not available here (Germany) yet but I have put that on my wish list as well, my wish list is huge... ;-(
I am glad that you like the Iridium so much :-) The price here has gone up quite a bit for the Iridium... I need to wait for a special offer, though some shops do have some Black Friday offers, looks like the music industry here doesn't really seriously follow up on that, hence no real interesting offers...
Till there is a good offer, I am afraid I have to ask you to come up regularly with great tracks were the Iridium (and the StarLab) shines through :-) Thank you very much for this great experience and kind regards, Garfield.
For review reports of Eurorack modules, please refer to https://garfieldmodular.net/ for PDF formatted downloads
Gotcha well I’m good on buying direct. I did that last year with Mordax Data as they were the only place that had that particular module in stock. Same with Noise Engineering for an LIP and 2hp for their catnip modules. Those sold out quickly too. Sorry to hear about your shipping nightmare Lugia.
Because Ladik has a pretty small operation, for one. Plus, by direct sales, Ladik doesn't need to do any markup for distribution and the like, so the module prices come out as low as they do by avoiding that. Given the choice between a direct order and going through the erratic shipping channels right now, I'd take the former.
And yeah, shipping is SCREWED at present, and it ain't about those ships off LA. I ordered some 25' snakes and Sweetwater said they'd be here today. Are they? No. Currently, they're stuck at FedEx's Indy facility, and have been since Saturday. And this has happened before this year with Sweetwater shipments.
Definitely the 1u modules get far more powerful at an affordable price point. Love that since I can make a powerful mobile setup. BTW Lugia, I did order the Ladik dual delay trigger module today you advised and I had to buy directly order from Ladik in Europe they are in the Czech Republic I believe since NOT ONE single USA shop sells these modules, why?
The strategy that seems to work best is to put up the highest price (assembled, in other words), but list the modules as both kit and assembled, then the majority of MG users will get that the stated price is for the prebuild. You never want to pay MORE money...but paying LESS? That's a different story!
My big take on them is that, now that we've got proper basic modules turning up as tiles, you could cram multiple VCOs into a space meant for one...or you can pile up a few of Pulplogic's Cyclic Skews, even cascade those via the EOR patchpoint. $200-ish for a triple LFO/EG/slew limiter? Yes, please!
I'm adding some new modules I have for sale as PCB sets or kits or assembled. Of course that's three very different prices. Not sure which one to be listing on the database.
I started filling out the PCB/Panel price because theyre the most popular, but it's misleading to show something so much different from a non-diy item.
looks f'ing awful to me - too much crammed into to small a space (even thought he space is ok)
less is more - maybe 2-3 voices would be better suited in a case this size
go back to the real mutable modules if you like them and thank Emilie for creating them rather than getting micro versions which are un-ergonomic
-- JimHowell1970
ok do all the other modules work perfectly in the same case at the same time? are you sure the power cable i in correctly - red stripe corresponds with marker on module pcb and bus board? if keyed headers - is the cable correct? red stripe is left when key is facing you (lines up with a tiny, almost invisible triangle) on both ends
-- JimHowell1970
thank you Jim for your attention ..yes .. all these procedures I've already checked! and i even disassembled the entire rack, I tried to turn it on only, and it has the same condition (all lights are on, and the front panel is off).
ok do all the other modules work perfectly in the same case at the same time? are you sure the power cable i in correctly - red stripe corresponds with marker on module pcb and bus board? if keyed headers - is the cable correct? red stripe is left when key is facing you (lines up with a tiny, almost invisible triangle) on both ends
"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia
Utility modules are the dull polish that makes the shiny modules actually shine!!!
I don't think the plonk will make any sound unless it is triggered!
what other modules do you have? the only rack you have made here is a single small row of 1u which is empty!
-- JimHowell1970
did not turn on the front panel! I have a beatsteppro, other modules too... that's not the problem...
the situation with the plonk that is my doubt. all the lights turn on, but the front panel doesn't, the button that would trigger the trigger doesn't either. when I send trigger, or cv, it also has no reaction.
ps. I'm going to build my case here at MG haha
Lugia and Jim offer great advice and really guided me when I started down the modular Eurorack journey last year.
I can say that the support and utility modules really help especially as you develop skills and build larger more complex patches.
I am using a lot of these now like matrix mixer, logic, attenuators (especially for drums!), VCAs/envelopes and more. My new Palette build has more of these since I will need to fill in the gaps missing in prebuilt modular portable systems like Endorphin.es Shuttle System and so forth. These portable systems do have support modules like the clever tools in ALM Super Coupe but I run out of them fast especially modulation sources. Besides VCV Rack, I recommend the book Patch & Tweak and Chris Meyer's Learning Modular Channel. Divkid is good as well but he tends to rush through explanations as he wants you to pay a fee to join his Patreon channel to get his patchbook guides.
Indeed the XODES is an exciting development that will greatly enhance eurorack setups. I should get my new gear this week and designed the new Palette case to be stand alone as well as support other modular. I did add a triple Sloths module for future consideration to create slowly evolving random generation as well as the new Acid Rain Chainsaw polyphonic supersaw voice module to play with the drums for creating house and trance beats and a Doepfer Wasp filter. That way it can supplement the Furthrrr Generator in the Shuttle System or be a self contained beat making box much like what I have in my ALM Busy Circuits Super Coupe system that is a great system as well.
So I revised over my previous build (Beep Boop Complete)
I decided that I really like mutable instruments because I wanted more functionality. However, the space available with MI modules is very limited. Luckily CalSynth exists. over all, I think this is a pretty good build. Plenty of experimentation as well as basic synth building. Little digital here, some analog there, a nice balance of control as well. It will be epic.
hello friends, i bought an intellijel plonk, and when i turned it on for the first time, all the lights went on, and the front panel doesn't... and also doesn't make any sound. Does anyone know what this is and how to solve it?
Thanks Garfield and CMB for the very kind comments. Much appreciated.
@Garfield - Yes, this was most definitely not "generative" (which implies a mostly set-it-and-forget-it type of thing). It was a very hands-on "performance" of the patch. I was constantly making changes and I'm actually amazed I managed not to hit one wrong note on the Keystep. ;-)
That specific part you called out at 16:14 was one of the sections with just the M32 and the Starlab, and the resonance was being modulated by Sloths which just happened to peak along with the Cutoff, which was being modulated by Maths which was patched to itself to be pretty unpredictable. A nice happy accident.
I am loving the Iridium. It's great out of the box, but it's also very easy to do sound designing - especially for dynamic ambient sounds. The Mod Matrix is the best I have seen. Once you spend a few hours with the UI you'll love it.
Big thanks to everyone for the comprehensive replies! Much appreciated.
plaits with steppy?
tiny case:
-- JimHowell1970
Thanks for the heads up on steppy. Will have to do more research on the sequencer. Maybe a Scales would do the trick?
Re tiny case: I get what you're saying but desktop space is a concern for me. I think I'd rather be swapping out modules than having most of my desk taken over by a half-empty behemoth of a case. I'm sure there's a solution somewhere between the two - will have to keep looking.
@kossu did you buy any chance get inspired by one (or more) minimalist setup videos from Rick Tinez ?
-- toodee
Mostly by a guy named Ihor, although I'm familiar with your reference. And the answer is yes, I have been inspired by the minimalist setup videos :)
Consider a Behringer 2600, also.
Another learning tool: VCV Rack.
-- Lugia
Excellent suggestions, especially the VCV Rack is exactly what I need. Thanks.
More general takeaways from here: do more research, look into a slightly bigger case (but not much, for aforementioned reasons) and try to better match the comparative sizes of the modules. Less fx, more utilities (that one I kind of figured out already :)
Great discussion. I love modular drums but they are very expensive! I have ten drum modules and they are cool but I’m way more productive using a dedicated drum machine or sampler if I’m in a hurry to whip out techno or play live. Case in point: a fellow synth buddy kindly loaned me his Elektron Rytm MK2 drum synthesizer. I was able to build a compelling techno set in minutes. Plus can save and use presets. Now to do the same in modular requires way more effort, time, and cost. I usually just patch a kick, clap and hi hat into my Euclidean Circles sequencer and get a fun tribal drum beat going. But using Metron or Eloquencer to sequence is more involved and tricky.
The Rytm costs under 2k new, comes with what you need and is portable. Same modular easy 5-10k. I’m experimenting with a small techno setup soon once Queen of Pentacles arrives with Ground Control.
USB tends to have better transmission rates when sending MIDI over that, as opposed to the much narrower bandwidth of MIDI. One or two synths, doesn't matter. But in THIS environment, anything that can do MIDI over USB is getting connected to the USB. It reduces the piles of cables needed, plus it's a little easier to get things sent/received from USB piped to the right destination, and no meaningful latency "gagging" from overtaxing the MIDI signal.
@Lugia - for your BSPs, do you have them all set up with USB into DAW? or do you use CV Tools clock? I am using USB currently and then have the MIDI from BSP to my Hydrasynth (which in turn clocks out to my Rackbrute 6U modules. I have used the MIDI thru to also run out to my iPad (via Korg plugKEY)...finding a bit of latency when I route through Hydrasynth as it tries to 'figure out' the bpm from BSP...I've seen a video where someone recommends counting in 1 bar first so it can 'catch up' but I'm wondering if there are any better solutions to getting accurate clock through everything. I also picked up a Roland TR-8S (USB into Ableton) and have to set about 20ms clock sync delay even though going through USB. Is it better to use straight MIDI in/out? Unfortunately the MOTU 828 doesn't do MIDI...I suppose I could use my old Focusrite 2i4 as a MIDI interface only.
Took me some time but I have everything set up so I can have BSP start/stop everything (Ext set in Ableton)...seems to work decent overall, just wondering if I should consider something else for keeping everything in sync.
Yep. The setup I have actually makes the ergonomics work, too. I'll show you how...
There are two 8U slanted carpeted racks at the rear of this part of the "modular sandbox". One contains the B.2600. The other contains the MOTU 828 mkii, Korg SDD 3300, Zoom 9120, a quad Symetrix gate, and two 1/4" patchbays. Then on top of those is the 22sp Digisound 80, with my two MS-20 Minis on stands for a forward tilt at the very top.
And as for the racks, I endorse the HELL out of these: https://prospeakerparts.com/collections/rack-cases-carpet-covered-2f Direct to the customer sales, great shipping and turnaround, and these are built like the proverbial brick shithouse. They ain't no joke! Plus, when you compare the prices with similar Middle Atlantic or Raxxess/Chief models, you make out like a bandit with these guys.
Yuppers. And I should also note that these machines (in my case, a 909 and two 606es) were crazy-useful LIVE, no DAW...in the mid-1990s. The ability to send triggers to various other devices and even mess with the timing/rhythm of those in real time was very freeing. And then, of course, the bass channel of the 909 also provided a good source for the building-damaging CZ-101. I actually used that same configuration for a number of live sets in the 90s.
Yep! Those XODES tile carriers are a great idea done really well. You can even get them with BOTH tile formats in one carrier! And since tiles are now appearing with deeper functionality, these should hopefully see some action.
Thanks Lugia, good to know. I hope the replacement does what it's supposed to.
-- Mazz
It probably should. This brings up the point that if something electronic is going to fail, those failures tend to happen at or within a few days of initial power-up. I recall getting a HUGE (21" monochrome) CRT monitor for my first serious machine (Mac IIcx), plugging it in to check it with the computer, then I went downstairs in the grad housing to check on laundry.
When I got back, there was this humming noise. Smelled like ozone in there, too. And the monitor was off...? No, it was NOT off, and when I looked through the grille on the case, I could see various sparks popping around. Immediately unplugged its power, then disconnected it from the Mac. But that happened within the first hour of power-up, necessitated an immediate replacement.
Squid Salmple is fun and really awesome groove box with filters and lots of sound shaping features. I am still trying to figure out how to sample external audio to it. May need to open support ticket with ALM to get that resolved just like sampling external audio was a pain on the Morphagene until I got it right.
Thanks for the comments guys. Glad to know there are good options that won't involve buying loads more modules!
If there was a Keystep Pro 49 or 61 key that would be a great fit for my setup... the longer Keylabs look like a departure from the CV oriented Keysteps. No tight fit solution yet : (
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
sliced amens on morphagene organized with mucorder (cvlization) enriched with some randomness from pamela.. morphagenes' env follower patched to maths for an eoc trigger to another env, which changes mother pattern on zularic repetitor.. zularic childs are patched to plaits (snare), manis (kick), 100 grit (beep).. branches mixes a static clock to play morphagene and opening 100 grit / plaits with another env.. bass line comes from melodicer + befaco even + fold 6.. beads spicing things up with some grains
Had fun last nite getting experimental with my new ALM Busy Circuits Super Coupe system
This is really such a well thought out little modular system with all the bits and pieces one would need like clock, sequencer, envelopes, attenuators, mults and so forth in a portable format.
Yeah the 4ms VCAMatrix is super fun and useful. The smaller knobs are a little tricky to manage if you do a lot of patch modulation in the main matrix but the cool mute buttons work well. Great module and having 16 VCAs that can be patched and modulated is a real powerhouse. I like this and the new Livestock Electronics Maze in my other case quite a bit to do fade in/out, transitions, mute duty and other useful tasks in a larger modular system.