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I am French. I have a deep love for French culture and language.
But I try to translate my posts into English as a courtesy to others.
-- Sweelinck

This user has been using public forums as his personal comment section for about a year, I don't think courtesy or even just interest to contribute to a community has ever been part of that user's strategy on this website and the absence of reactions from other users until now certainly didn't help in teaching them what's what...

EDITED May 15th 2023, 16:38

I probably wouldn't like to do live mixing with those sliders as I do with the 531, but have often though I'd like a second 531. This could be a nice alternative to use as a submixer for the price.

Have you checked out Error Instruments? I've got his Tele Blender (red version) and I'm still trying to figure out what it is supposed to be precisely.

A 4 LFO module from NOH Modular. Actually 8, since each LFO set outputs a triangle and a square wave (why no sine?) at the same time. Also, you can mix two LFOs together, creating interesting waveforms, and their’s a DAC to sum out on/off signals based on the edge state of the 4 LFOs.

Simple build, all SMD already installed. Would be a good first build.

Build

Ethics? It's in the first place a legal discussion.

Modular Grid Terms & Conditions (Translated from German):

§5 Obligations of the user regarding posted content
5.1 The user must ensure that by posting content (text, images, photos, videos, names, trademarks, etc.) they do not infringe any third-party rights (e.g. infringement of copyrights, violations of personal rights, violations of competition).

5.2 The user indemnifies the provider against all claims by third parties that they assert against the provider in relation to an infringement of rights committed by him and for which he is responsible. The user assumes all necessary costs of legal defense in this regard.

5.3 The provider is entitled to delete or deactivate the content posted by the user if it infringes the rights of third parties or third parties assert claims due to an infringement, the merits of which cannot obviously be ruled out.

5.4 If the provider becomes aware of a possible violation of rights by the user's content, he will notify the user of this immediately in text form.

If ModularGrid admins want to play the ethics card, please think again or support manufacturers’ questionable business ethics. [2]
-- izzot

If ModularGrid admins want to play the ethics card, please think again or support manufacturers’ questionable business ethics. [2]

I am French. I have a deep love for French culture and language.
But I try to translate my posts into English as a courtesy to others.
-- Sweelinck
Hi, it's Spanish, but well, courtesy also applies to Spanish people...hehe

I am French. I have a deep love for French culture and language.
But I try to translate my posts into English as a courtesy to others.

Copied from YT description
I recently got @PnPModular to build me a Non-Linearcircuits @cirtcele Sloths, so I have this modulating the @paultasbeeb Indian Resonator. The Crackly noise is coming via noise fed to a VCA to lower the aplitude to the point where it turns into crackle, this crackle is fed into the @addacsystem6002 VCT-Networks 104 (I own 2x T-networks, the other non-CV is on more percussion duties), everything goes into the @AISynthesis Matrix Mixer before heading into either Monsoon Clouds (Reverb) or MakeNoise Mimeophon subtly tweaked by Sloths too.
There is a little bit of Sample action from the Radio Music Installed Prok Drum module too.

transferxl tends to work well for me

la dfam iría por fuera de la case, en su propia case

el resto falta por organizarlo

uno de los mixer doepfer, podría ser sustituido por pico mix (y así no lo he de sacar de la case tekno, para ponerlo en la case laberinttto)

Los 55 hp que sobran arriba a la derecha, van destinados (muy justitos) para kinematic y zoom ms70, que irían dentro de la case.

KINEMATIC (30 hp de lado) iría dentro de la case
la circuit envía uno de sus canales, y coseguimos punch en el bombo

quizas ZOOM MS70 (24 hp, con unos cables acodados)
dentro de la case
un patch: "noise gate"

LA VOZ: micro --> pico input1 --> zoom --> mixer doepfer

FILTRO: la salida fx de mixer doepfer va para aquí. Pasamos DX y SH. Sale directamente para circuit

DFAM: con bajo volumen (mediante no subir mucho los volumenes de los steps) sale para fx aid --> doepfer mixer --> salida clean

MALEKKO:
- lfo para dfam (moviendo osc1 pitch)
-lfo para filtro
-trig para dfam
-trig ??

MIXER DOEPFER:
-voz (que sale clean)
-dfam (que sale clean)
-SH (que sale mezclada clean + fx (filtro))
-DX (que sale mezclada clean + fx (filtro))
Salida clean --> circuit
Salida fx (filtro) --> pico input2 --> filtro --> circuit (para un poco de reverb)

SH: en la case

DX: fuera de la case

CIRCUIT:
sus percs: bombo, caja, plato y 2 opciones en directo: a) semicorcheas b) sonidos radio
(en directo voy cambiando el compas de esta pista)

EDITED May 14th 2023, 16:24

Yes it worked for me. Not sure how i could send it to you, theres probably lots of upload spaces, i currently am not up to date about that. You could pm me if you have an idea how i could send it.

EDITED May 14th 2023, 10:25

Wow... Nice headphones. Planar tech is neat stuff. May have to find a vendor locally just to give them a listen. Big thanks everyone!

If I understand what you mean by 'opinionated design', Data Bender seems to fit. It is a module that can be very soft or very hard, but its opinions are always very personal :)

I could send them to you even if they are. 120 MB zip file. Got them the same way.
They can be played in a standard TipTop One but seem to be somehow protected so you can't play them anywhere else at least i have not found out how.
For that reason they have not been of much use to me, hoped i could load them into some sample drum machine or DAW.
-- znort101
.

Hey. Thanks for your answer. I would appreciate it, really. And yes what you mentioned is kind of sad. Must be a similar scheme that protects samples from Ableton packs to be used anywhere else
But has it actually been tested that they work with the standard ONE from Tiptop?
A look into the ONE manual which features a section about the TG edition.

TG ONE features a custom firmware designed to work closely with the sounds on the two
included cards. Tiptop Audio worked with Chris Carter to create options that enhance the
Throbbing Gristle aesthetic.

Thanks again. S.

EDITED May 14th 2023, 09:11

I could send them to you even if they are. 120 MB zip file. Got them the same way.
They can be played in a standard TipTop One but seem to be somehow protected so you can't play them anywhere else at least i have not found out how.
For that reason they have not been of much use to me, hoped i could load them into some sample drum machine or DAW.

EDITED May 14th 2023, 08:17

Would it be possible to add "display prices in £" and to show dates in the format "day/month/year" for UK users?
It's not a big issue so if it can't be implemented, no problem. It's just something I personally wish I could do.
Thanks.

I wondering if the sounds provided with those are under a kind of copyright control.
Otherwise it would just need a friendly owner who would provide them and we would be able to fire them up in the standard ONE or any other sampler...

For me, it's Nonlinear Circuits by a landslide. Many of Andrew's designs can be operated within a certain range to perform the way you'd expect, but are completely wild once you leave that territory. Sometimes, this is to the point that you might not even recognize what underlying principal or function they're based on. Some of his modules are tamer than others until you push them, but those seem to be far outnumbered by the absolutely buck wild ones.

EDITED May 13th 2023, 23:09

I started with a Beyerdynamic Lagoon that I got for my train commutes. It was pretty good cabled, far better than wireless. When it broke (crappy plastic construction) I looked at the typical Beyers for production. Very good cans. But I happened to audition an Audeze LCD-2 closed back and fell completely in love. It's big, heavy, comes with a crazy big flight case and I don't care because it's extremely transparent and does incredibly accurate stereo imaging. It's less neutral than my monitor speakers so it's a good double validation.

Thanks for the feedback. I may have to look at AKG... Can test a few here locally which is pretty important. I don't have any experience with them. Not my favorite flavor... But, I have a soft spot for Sony dj cans... A bit bright with a boomy low-end if memory serves... But the memories... And their great design. I also see a lot of relative new comers to the game... Any other suggestions?

Wow thanks so much for taking the time to respond to my post.

No problem!

part of me thinks I should start very small so that I can learn my modules and figure out what I need

Yes and no. Yes - start with a small number of modules that will work together to give you a chance to learn how they interact. No - don't use a small starter case. Really, you'll be kicking yourself in a year (or sooner) if you start with a tiny case.

One other option I forgot to mention is that you'll get a lot of bang for your buck with a multi-utility or multi-function tool like Maths (worth the hp for all the versatility it brings), uOrnament and Crime, or Disting EX. The last two are a little menu-divey, but either will give you access to a large number of utilities and will allow you to figure out which ones you actually use.

Good luck!

AKG K371. I love them. I had seen some good reviews and found a fair deal on them. I needed something to replace a well worn pair of Sennheiser HD280 that I was accustomed to for years. The AKGs are so much more accurate. I'll probably stick with them going forward.

Sony MDR-7506 headphones are my primary headphones when recording and checking mixes, but I also use a cheap pair of Creative HQ-1450 headphones as well, the idea being that they're closer to what the average person is likely to be listening on.

Nice setup. Lots of wiggling opportunities here... With on the fly field recordings... I imagine it becomes pretty awesome. Enjoy the trip.

Wow thanks so much for taking the time to respond to my post. For some musical background I was a vinyl turntablist for many years. i moved to a new space and didn't have room for my equipment for many years, now I have room again. I am just happy to be on the path of making music again. One of my friends has a modular setup and it really caught my interest. I am aware that easier more efficient ways to make hip hop are out there. I just am super excited to learn something new and different. I am fairly committed to going down the modular path.

So it sounds like I was a bit filter heavy for the HP. The case is filling up fast. I might need to do a slightly larger case for the long run. Maybe a 9u 84hp or even 104hp. My goal is to have a system that I can take with my and play my music. I have my eye on a case from Case from Lake.

I took some of your suggestions and did an updated case

part of me thinks I should start very small so that I can learn my modules and figure out what I need
something like this

I think in the long run having Morphagene or one of the competitors makes a lot of sense to me.

I really appreciate you taking the time to respond.

EDITED May 12th 2023, 22:28

Just curious. I've always been a big fan of sennheiser (crisp mids, solid lows, little fatigue on long sessions.. For me at least) and prefer over the ear cans... Although recently I've been using some pretty respectable pods... But... What are you using and why?
https://www.modulargrid.net/e/modulaire-maritime-victor-alpha-2 (recommended) is my output so... Bluetooth works as well.

Hey, good luck with the journey. It's fun, and the rabbit hole of searching for interesting modules is addictive.

Out of curiosity, how are you planning to use modular in your music? If you just want to build a sequence and have drums, it's way cheaper to go the route of drum machines and sequencers. Sound mangling is cool, but again, probably cheaper off rack. Of course they can't do what modular does, but you could buy a lot of instruments for the price of a full rack that can do many of the same functions as modular.

That out of the way, two things jump out at me about your racks:

1) VCOs and VCFs combine for 56 hp of space for just two independent voices. That's a whole lot of real estate for a case that's only 104hp. As cool as those oscillators are, maybe find smaller versions, or dual oscillators or filters? If you like Instruo, their Ts-L has a voltage controlled wavefolder and is only 6hp. Klavis Twin Waves Mk II is huge sounding in 8 hp, and itself is a dual VCO. If you want to keep it analogue, Make Noise has STO. Shakmat Modular's Dual Dagger is a dual VCF in 6 hp. Right there you have 2 to 3 independent voices in 16-18 hp. That gives you a lot of space back to work with. Particularly, since you'll want to use it for....

2) Utilities. You need more utilities, in particular for clocking and triggering. Yes, you have a monster sequencer, but adding something like a Pam's would give you a lot more options and flexibility. Things like clock divider or multipliers will give you access to a lot more rhythmic options. Logic modules allow for more interesting combinations and trigger sequencers. I see you're planning on getting the Compare 2, which has some logic built in. Great module. Personally, I LOVE sample/track and hold, and they are super cool to use as modulators, and can be used to build melodies from the LFOs you have (which, you could also get more of).

Utilities are useful because they are just so damn versatile. For example, how about more attenuators or attenuverters to subtly affect signals, or even invert them? Or, another example of the utility of utilities, you could build a step sequencer with just a clock, a sequential switch and a matrix mixer, and suddenly with three utility modules you have a sequence. Add something that can quantize, and suddenly you have a melody you can control with a mixer, all from utilities and a clock. Routing is important too. Spreading that signal around with Link 2 is great (personally I love Joranalogue), but how about adding Doepfer's Switch Multiple that gives you mults and the ability to route signals. Joranalogue just announced a new routing module that looks sick, so maybe think about that, too.

Anyways, I'm sure someone with more experience can give you more focused advice specific to hip hop, but my general thoughts are stay away from big sound making modules, and stick close to the smaller, cheaper, utilities.

Good luck!

EDITED May 12th 2023, 19:44

Hello all,

I am just now planning my first eurorack system. I am hoping for a bit of advice. Currently I own two modules Stolperbeats and a modbap trinity. I am planning to mainly make hip hop with this setup. I have not purchased a case yet but, I think it makes sense to start with a 6u 104hp case. I plan to only fill it about half way to start, so as I learn more I can make more informed purchases. Any and all suggestions are welcome, I just want to know if I am on the right track. Do I have enough utilities? And glaring omissions?

I will try to post a link to my current planned start and then a link to where I see it possibly ending up.

Thank you for any help with this!

here is the starter
https://cdn.modulargrid.net/img/racks/modulargrid_2247500.jpg

and here is where I think i could end up
https://cdn.modulargrid.net/img/racks/modulargrid_2251497.jpg

Nice :)

High quality delay. Freshly baked, and placed in a boxe designed to keep the audio signal safe and warm... Nessun problema, signore!

Lately I am using either my 7u or 4u portable rack that has a sequencer, utilities, drum voice, fx and so forth with my Roland SP 404 MK2. Loads of fun to sample the modular and replay warped with the tools of the Roland 404 SP MK2 and still a light rig. I had great results using my TX-6 mixer/recorder for the travel setup and as a bonus can even record live jams easily.

Beware:

@Zbigniew

is not shipping my module or returning the money I sent.
He is is not responding to questions.
But he is updating his inventory.
Better stay away.
-- Pegnitzsurfer

Hi
I think you have mistaken the thread. this is the one of good traders.

Beware:

@Zbigniew

is not shipping my module or returning the money I sent.
He is is not responding to questions.
But he is updating his inventory.
Better stay away.

Hi,
IMHO.
I'm far from a fan of B, but I think it's difficult today to launch a mixer module and be innovative and groundbreaking. A mixer, with faders, pan potentiometers, and mutes, doesn't give much room for innovation.
In this case, at least they have added the SOLO function. In my opinion, a very good feature.
I think this case is quite different from Abacus or Brains.

EDITED Aug 26th 2023, 07:28

Thanks for the insight.

np

Can you elaborate a bit on "very synthesis with modules, as opposed to modular synthesis"?

what I mean by that is using fewer more complex multi-function modules - often things like full voices or things like zoia where the modules could be seen as complete synthesizers in their own right and to some extent this can tend towards being the antithesis of modular synthesis - ie someone else's idea of a synth (synthesis with modules) compared to more simple functional building block modules (modular synthesis) - there's no right answer - most people are somewhere in the middle, including me, but I prefer closer to modular synthesis, myself

What are some of your favorites?

matrix mixers, clock dividers, logic, switches

EDITED May 10th 2023, 22:23

Basically the Make Noise Tape and Microsound Music Machine with some swaps, bells, and whistles drawn from my module library. Idea is to make something travelworthy without buying anything new. I plan on hauling this thing along on a road trip into the mountains and making music with field recordings and whatever samples I can save onto my phone. If you're reading this, I hope it inspires you or helps settle your mind on whatever decision you're trying to make. I've been playing with this specific arrangement of modules for a bit now and I'm happy with them so far. Cheers!

EDITED May 10th 2023, 22:11

VOLCA DRUM (40hp)- dentro de la case (arriba a la derecha) con esto tengo mi maquina de caos, (como una dfam) ajustable en directo y creando fx... quizás la paso por un pico dsp --> pico mix --> pico input2--> filtro --> circuit

VOZ: va a pico input --> fx aid --> circuit (para más fx y volumen)

SH. está en la case, sale su entrada para pico mix--> pico input2 --> filtro --> circuit para un poco de fx
PICO MIX. entran volca drum (que ha pasado por pico dsp) y entra SH. Ambas van --> pico input2 --> filtro --> circuit (para un poco más de fx)
CIRCUIT: saca uno de sus canales para kinematic, para conseguir punch en el bombo

Se alimenta con el de Eowave mini case...

A parte llevo otro SYNTH, que podría ser yamaha dx, o el korg monologue (podría ir a filtro, podría ir a circuit (para fx) en vez de la voz...)

EDITED May 10th 2023, 22:15

I turned myself into a blind panel Morty!!!

Hey everyone! Over the last year, my interest in Eurorack has very much changed from preferring unopinionated designs to being much more inspired by the opposite.

With unopinionated designs, I refer to modules that perform their function 'to spec' with the parameters you'd expect to have available (Think Doepfer).

With opinionated designs, I refer to modules where the functionality follows a certain vision of the designer, maybe hiding some parameters, focusing heavily on a subset, or even exposing parameters that you would never consider for that type of module (Think Make Noise).

With that said, I wanted to ask: What are your favorite opinionated modules? What modules change the way you approach your system?

Thanks for the insight.

Can you elaborate a bit on "very synthesis with modules, as opposed to modular synthesis"?

Well, remember that i do use the utilities in the matriarch in conjunction with this. That being said, I can see what you mean. When designing ZOIA patches, I always use a ton of utility.

What are some of your favorites?

Worth it... Super useful and fun when paired with a mic or other signals.
Book... Is not too bad... Kinda nice to have a hardcopy of something around the hobby that you can hand to friends when they ask "what's that thing blinking over there and where is that noise coming from?"

It would pair nicely with 4 Pints of Beer and a Kebab ;-)

I'd personally say get a good Reverb, I find the Mimeophon's reverb to be a bit Flanger/Phaser-like its just not as clean as it should be.
I've been hankering after a Happy Nerding FX Aid for a while, though the new Error Instruments / TINRS 'Rabbit Hole' looks interesting for some freaky weirdness. Clouds for Reverb is always pretty lush.

for me:

very synthesis with modules, as opposed to modular synthesis

too many sequencers - even if 2 are 'random' - I'd probably lose 1 or add another case

not enough utility modules - these massively increase the patching possibilities in the rack

might be worth spending some time thinking about the contents of my signature

Anyone has one against new €€s ?

Hi,

I need some advice on what to pair with my Mimeophon in order to get an effect chain as good as possible.

No need to suggest any specific modules (if you dont't want to). I want/need eihter a reverb or a delay to kind of choose direction since the Mimeo does both in a way. So what would you say is the best fit?

Two specific modules i'm considering is echophon or erbe-verb.

EDITED May 10th 2023, 12:13

Hi,

https://cdn.modulargrid.net/img/racks/modulargrid_2221796.jpg

Got some new modules coming in. Using this next to my Matriarch most of the time. So I do have a great filter and some extra modulations, attenuverters, oscillators etc available pretty close by.

The uo_c just bumped my Doepfer A-119 out, my mantis case filled quicker than i expected. I realise i have a lot of sequencers, but they all bring something different to the table, so at least right now i'm not quite ready to get rid of any of them.

A-119 is my envelope follower from guitar. I will experiement with doing that from my ZOIA and then routing that either via its CTRL out or midi through hermod.

I fell in love with the rainmaker in videos. So it's on the way and I hope it's as cool as i expect. If it is, it'll be worth the HP.

What do you think? Any obvious idiocy going on here?

EDITED May 10th 2023, 11:29