Yeah, VnIcursal did look cramped, and given everything you guys mentioned, I think I'll avoid it for now.
Thanks a lot,
Jack

BSPs wouldn't be a bad idea. Or perhaps one of those and a Keystep Pro? That would give you much the same functionality AND also add a proper keyboard controller.

How do you make it portable? Easy-peasy. Go to a sporting goods place that carries more guns and gun supplies than the entirety of Delta Force, and find a suitable gun case. This might sound odd at first, but when you notice that at least one manufacturer of these ALSO makes music cases (ie: SKB), it all gets clearer. Find one that can fit the BSPs...or the BSP + KSP...and then modify the internal foam so that everything fits nice and snugly. In fact, quite a few gun cases have "cubed foam" so that you can modify the interior to your exact liking. Just take your gear measurements with you, do some rooting around, and you should find just the thing you need.

As for FX...you've got a big gap in the tile row. If this is 24 hp or wider, there's your FX module space; Intellijel has a tile that offers stereo reverb, chorus, and delay (https://www.modulargrid.net/e/intellijel-multi-fx-1u)...in short, the basics that are often part of sound design, albeit nothing overly complicated, either to use or in terms of sound. As for anything beyond that, you should do a deep dive on either eBay or Reverb and look at 1980s thru mid-90s rack processors. Back in the day, a Yamaha REV-7 would've set you back a hefty chunk of change...but the two right next to me in the rack only ran me about $350 (yes, together!)because they're "obsolete". They don't SOUND obsolete...they're just not the newer/shiner/faster model of reverb unit, which to me isn't even close to "obsolete".

The ES-8 is basically a multichannel digital audio interface crammed into a small Eurorack module. As such, it should function just like any other interface, save for the fact that it outputs CV and so forth as it's a DC-coupled device. In fact, some of us (myself included) use standalone DC-coupled interfaces from a number of years back. These would normally be considered "obsolete" for audio (except that they still sound fine), but given that some of them can also pass DC, they work great for this purpose. As for your DAW, it has the CV Tools device for using Ableton with something like an ES-8, MOTU 828 mkii (which I use) and such.

FYI, the smarter way to sync the DAW would be to use CV Tools to SEND clock information, since this will have much more stability than most modules offer. Taking your headphone from the mixer is also fine...it should have the same exact result as whatever's going into the ES-8, etc. But always rely on the most stable source for clocking, in this case the computer.

Hi Sacguy71,

Thanks a lot for your comments on complex oscillators, will check out those you mentioned!

Ha, ha, yeah I got a Wogglebug too, funny thing. I love to use it as a random generator ;-)

I think you would love the Sinfonion, it's a powerful beast! Looks like you have some good fun with your Shared System, keep up the good spirit and kind regards, Garfield.

Hi Jtunes_ia,

Good comments by Jim and Mvdirty!

The main reason for me to choose the Veils over the VnIcursal would be the user interface. The Veils has, in my opinion, a better user interface, it looks calmer and I am sure with the Veils one would feel more comfortable in usage rather than the VnIcursal, when fully patched, having 18 cables going to a small 8 HP panel with 6 tiny potentiometers above those 18 cables... mwaaahhh.... Veils is the winner here for me.

Though I have to admit those 8 small potentiometers on the Veils is of a similar problem, at least the sliders make this module a bit more comfy to use though.

Now if you want a serious comfortable module to use, then you might want to look at the dual VCA called Waldorf - DVCA1 (look at my below website for a downloadable report in PDF format about the DVCA1), it's on offer right now and is one of the best (if not the best) VCAs I have come across so far. But... there is always a but... it is 20 HP wide, that's the downside of it; if HP usage is an issue that is.

Good luck with choosing a suitable (quad/dual) VCA and kind regards, Garfield.

Thanks Garfield,

I love the DPO however if I was choosing a new complex oscillator it would not be my top choice. I would consider Frap Tools Brenso, Instruo Saich, Verbos Harmonic Oscillator, or Hexinverter Mindphaser. But it came with Shared System and sounds massive for kicks and so forth. It is a dirty oscillator but can do more mild stuff as well. I will try feeding Morphagene into Mimeophon and see how it sounds. It sounds great thru Erbeverb and Echophon. Wogglebug is fantastic as well. Such a well designed modular system for experimental sound design! I also have an ALM Super Coupe and OP-1 on the way to use with it for my mobile modular rig. Saving for ACL Sinfonion and Assimil8or.

Hi Sacguy71,

Nice to hear the DPO. I am still hesitating about this module, is it really worth it?

Yeah, the Morphagene sounds like good fun. For some more crazy fun you could try to put it in series with Mimeophon that I guess you will have in your Shared System as well, right? Just connect the output of the Morphagene to the input of the Mimeophon and have fun :-) Kind regards, Garfield.

Hey guys, thanks a lot for your replies!

About the case I may add up one more row and go for a 9 or 10u / 104hp to get a bit more space to breath and add some more utility modules. And I think it would still be pretty much movable.

I never thought about a sequencial processor as nickgreenberg suggested but it seems like a great addition to this case, I'm looking that up.

And to answer Lugia I use my 2 Minibrute 2 as sequencers or additional voices when needed but it's definitely not the most portable setup. Actually swapping them for Beatsep Pros may be a pretty good idea.

Also, if I was to add one more row, what would you suggest to complement the actual setup?
I'm mainly thinking about Marbles that I've been looking up for a while. Maybe a second Veils and then some more utilities?
I also have a PEG, a Dual Looping Delay and an Erbe-Verb in my Rackbrute 3u. Should I add some of those in this setup?

With both VnIcursal and Veils 2020 side by side I can perhaps add a bit to Jim's answer above:

• VnIcursal is linear only, requiring lin/exp/adjustable upstream if you want that.
• Where VnIcursal has a seventh mix out, Veils has flexible submix normalling.
• Where Veils is pristine across essentially all ranges of input and control voltage, VnIcursal has some distortion character to it past certain voltages. You may want this. You may not. I like having both options around.
• VnIcursal's trimpot layout is, frankly, error-generating. Very easy to turn the wrong pot.
• And lastly there's the obvious channel count / HP density difference.

Thank you for the feedback everyone :)

So cool! Amazing stuff @aphew_goodman.

I won't sleep tonight now after the sensory deprivation ;-)

Good stuff, interesting stuff, I would love to hear a beat-driven version.

Wow, another nice track with some really well modeled sounds. I'm still finding inspiration from "treno" which you posted a couple months ago.

All the best.

Three things I wanted to address about my rack:

1) VCAs. The more the merrier right? My DIY Dual VCA is doing well, but I often find myself needing more control, both over audio signals and CV. Modules that I've been considering for this are Intellijel Quad VCA and Mutable Instruments Blinds.

Veils over Intellijel quad - veils has more gain (upto +20dB) and sliders + as @Lugia mentioned it;s smaller - which is sometimes a good thing - in this case it is

Blinds is bi-polar - which is useful - but makes it difficult to 0 - so if you want silence from your vcas then not so good

2) Random CV modulation. This is a big one for me. I've been on a quest to create quasi-random CV and LFOs for my ambient generative patches. I've been able to get away with it a bit using Tides and some CV mixing. I love randomly modulating the voices I use! From my research so far, I hear Mutable Instruments Marbles is great for this.

Marbles is like a triple TM with extras - really useful - also has gates and a fully random channel - I really like mine - used in every patch - might want to dump the tm and tune (I've got them too - and these would be the first 2 modules to sell if I decided I needed to)

3) Voices. To me, it seems that I don't have enough voices in this rack. I mostly find myself using Pluck, uPlaits and Rings, but is there another voice that sounds great ambient-wise, especially when passed through Clouds?

in this size case I think 3 voices is more than enough - as there is not enough space left over for the important things in modular

I try to think (very loosely):

sound sources < sound modifiers < modulation sources < utilities

as this way you can get more variety for your money and hp

a single sound source can be processed by multiple sound modifiers etc NB a sound source can be multiple vcos etc hence loosely

things I would think about:

you probably need a bigger case (or maybe just another one) - I use 8 cases the smallest of which is 6u/72hp - most of which are diy - I really like the befaco excalibus for power - it's very quiet and doesn't take up racks space (and there's a diy kit version - which is easy but tedious)

fx aid xl - a great little multi-fx module - loads of algorithms for you to choose from - I particularly like the lofi one (stereo zvex lofi junkie) and a lot of reverbs and delays - I'd probably get a couple

long envelopes: xaoc zadar can do some seriously long and complex envelopes

mixing - you look like you need a stereo mixer (rings, plaits and clouds are all stereo (or dual mono) modules - some stereo spread may be good

a filter might be a good diea!

the obvious answer is to read both manuals...

veils has variable lin/exp, offset (I believe, new version I only have the original) and a lot of gain (which can be useful - definitely enough for line-> modular) and sliders - off the top of my head

no idea about vincursal

Thanks for your feedback, guys! :)

@sacguy71 the OP-1 is connected to an iConnectMIDI2 interface, which is connected to the Mutable Instrument Yarns MIDI-to-CV module. From
Yarns I can go on with pitch CV and gates anywhere. So you’ll
need at least one interface between the OP-1 and your rack (there may be modules with USB MIDI-to-CV capabilities) but possibly two, like in my case. I normally use the OP-1 as the master clock source. Hope this helps.

Hi, folks.

Through one of Lugia's rack reduxes, I was recently introduced to the Zlob Vnicursal VCA, which packs 6 VCAs into 8hp. I have it in all my rack designs, but I'm starting to second-guess myself, since many people here use MI Veils instead.

Are there reasons for choosing Veils over Vnicursal?

Thanks,
Jack

Houston, we have a problem....

And more interestingly what are the kick ass must have cool beep boop phantasmagorifiers that I should chuck in this rack?

-- padmasan

OK, hold up a second. Technically, there is NO SUCH THING as some sort of special uber global "phantasmagorifiers" in modular. OK, there's Maths, but...anyway, starting from this supposition is a microwave-quick recipe for an expensive disaster. We see lots of that, we point it out on here, then of course someone will, for I suppose contrarian reasons, deliberately avoid the Forum's suggestions...and then you hear from them several months later when they sell off the modu-mess they'd created.

Instead of proceeding this way, I would suggest looking for modules to create a build that's useful for the styles of music you create. For example: you mentioned Industrial...so I would naturally suggest a look at Schlappi's modules. But as excellent as Schlappi Engineering's sound-shredding circuits are, if you were doing some Newage sort of gig, that would be a waste of space in all likelihood. Without that MUSICAL aspect focused, the likelihood is that you'll end up with a box that does lots of things...but none of them really well.

The other danger there is that proceeding recklessly and chucking modules into the cab indiscriminately WITHOUT considering what attendant modules those would require to be at their best...well, this will do pretty much the same thing as far as your build is concerned.

What I would suggest is to stop considering this until you've gotten a much clearer idea of how modular works. And fortunately, there's a simple way to do that: VCV Rack. At https://vcvrack.com/ , you'll be able to snag a massive and FREE modular emulator that contains everything you need for the basics...and a LOT more for stepping beyond that. But also, this will give you a better idea of what's necessary in a proper build, as you can test the capabilities of your MG builds by replicating them as close as possible in VCV. If something isn't going to work in hardware, it won't work in software (as a rule), either.

Also, consider getting a B.2600. The ARP 2600, from experience, has to be the best "teaching synth" of all time, and since Uli's slavishly reproduced it (even with a few improvements), you can have one and use it as a "system core" device...with complete interconnectivity between it and Eurorack modules. I've had and used ARP 2600s an uncountable amount from 1980-2018, including every iteration except for the original (and very awful) "Blue Meanie", the first and rather buggy and hated iteration. Most people know 2600s from the big Tolexed case devices, and think the earliest of those is "v.1". Truth is, it's v.2, and as far as I'm concerned, the B.2600 is the REAL v.5...instead of vaporware and crippleware from a certain other manufacturer. And it doesn't cost $4000 or $1800...just a mere $650.

Also, instead of the Intellijel Quad VCA, I'd recommend the current iteration of Mutable's Veils. That frees up 2 hp, which might sound miniscule, but sometimes an extra 2 hp somewhere means you can fit another module into the cab somewhere else. And given that this is a rather small cab, you're going to need enough space (within reason...you don't want to build a "cactus" of tiny knobs and plugs that's not easily controllable) to get a better complement of utilities in there.

Also, don't underestimate what outboard sequencers can do for your modular build. Case in point: I did a live work a few years ago where I needed several unmatched tempi from a pair of Beatstep Pros. And that was super-easy. Since I was doing this with a digital synth via MIDI (Kawai K5m), I needed the BSPs and a MIDI merger. But the BSP allows you to uncouple its master clock from the different sequencer lanes, so I could easily set all four of the sequencer lines to the different tempi I'd envisioned. Pretty much the same thing will work with them in CV/gate territory, since they have two channels of that for the pitch sequencers.

Also, since they have that third "drum" lane...which is nothing but clock pulses...you can feed that rhythmic sequencer to some Boolean logic, and get even more crazy crossrhythmic action.

Hi there,
That is a very cool jam and setup! I subbed to your YT channel. Love the setup with Rene and the OP-1.
One question: how are you clocking the modular from the OP-1 synthesizer? The reason for my question is that I have an OP-1 on order to use with modular and portable jams. Like how to clock modular in sync with the OP-1? I have wanted an OP-1 for a long time since NIN and Depeche Mode use them and they also have tons of modular and synths plus runs batteries and portable.

EDITED Nov 16th 2021, 02:17

Some fun with Make Noise Morphagene

Good kick bass with DPO, hi hats/snare/clap from Erbeverb and madness with Morphagene.

Hi Gabor,

Great experimental track with a lovely ping-pong sound just before 1 minute that kicks in :-)

After all these years it's still a pleasure to see your setup together with the OP-1, nice set that is together! It's amazing what one can do with the OP-1.

Thank you very much for sharing this with us and kind regards, Garfield.

Thanks you two, and yes @TumeniKnobs, track 1 is pretty rad :)

This is pure suspense and noir. I loved it a lot.

In this patch all the 6 identity ouputs of Just Friends are connected to the Matrix Mixer running on Disting Ex, then routed on to various destinations. Beats by Plonk. Some
more info in the video description.

Nicely done. Congrats! I am partial to track 1, but maybe I am slightly biased there. :-)

Hmmm... that's a shame. I've had nothing but good luck with AJH modules.
Looks like you may have found your answer in that MW thread. Reach out to AJH and see if they can offer you some guidance.
Good luck.

I've been looking at the ES-8 as a replacement for my Focusrite, it seems more convenient to have the audio interface in the rack to save some space on the desk and move easily from one place to another, also sending CV from the computer to the modular would be a plus. However, I'm not sure how this module would work.

What I need is a way to sync and multi-track both external and modular gear with Ableton Live. Right now I'm doing that with a Focusrite audio interface, I just connect the external gear and the modular to the Focusrite inputs, connect it to the computer via USB and listen the main output with the Focusrite headphones or monitor outputs.

As I understand, the ES-8 could be connected to the computer via usb and that would allow me to sync the clock and multi-track from the 4 inputs. What I don't know is if I could use the ES-8 inputs for external gear too or if it works at modular levels only. Also, I'm not sure how I would listen to the main output, can a couple of the outputs on the ES-8 be used for that purpose? can the monitors be connected directly to that outputs? otherwise I could send the main lines to the MakeNoise XOH and use the headphones / line out from there, but I'm not sure if that would work.

Hi,

Bought an AJH Synth VCO here in MG and when it arrived i noticed a strange behavior. The VCO was completely unstable in terms of pitch.
I've started to make some test plugging it into different cases (doepfer psu3 and erica synth). Nothing changed. I've tried to send CV from different sources (3 or 4 sequencers), same story.

I've come across this last night, it's exactly my case: https://modwiggler.com/forum/viewtopic.php?t=220598

Anyone had the same issue?

I think this module is defected.

Thanks

Sweelinck, thanks for the thoughtful description.

I am enjoying working through your Soundcloud page, lots of nice discoveries there.

Congratulations on the album! Nicely done.

Alright so I've had a go at filling out the rest of my system for future expansion, taking inspiration from @Lugia and @greenfly's builds:

Would love some feedback on this as a potential end-game system. Have I missed anything obvious?

Edits: Removed Braids, Kith Runin
Added: 4TTEN, A-132-3
move a few modules around

Thank you

EDITED Nov 15th 2021, 06:44

Hello Guru's

I've decided to start a eurorack build which I'd like to be part of my existing set up. My biggest obstacle is Wifey who wants to see a clear out of gear before anything new comes in. So far it's been a one way street of new in nothing out but that's not a sustainable situation ;)

Ok so I've ordered a Mantis and I've also picked up the included modules in a sale.

I currently own the digitakt and digitone. Also have the behringer neutron and 303, korg monologue, kawaii r100 drum machine and a boutique tr808.

I'm keeping the elektrons, the neutron and the Kawaii and I want to my rack to compliment and add stuff that these toys cannot do.

I like to make weird arpeggiated beats with atmospheric sound scapes (stuff to play to my mushrooms while they grow) and I love kick ass drum sounds. The R100 is sentimental to me but I own cause I'm a huge industrial music fan.

I'm interested to hear opinions on what the essentials are.
Do I need extra power?
Midi/CV inputs/outputs or will the Neutron cover this?
Amplifiers?

And more interestingly what are the kick ass must have cool beep boop phantasmagorifiers that I should chuck in this rack?

I look forward to your kind responses

Much love

Intellijel Quad VCA is great. I’m happy with it.
For random voltage take a look at Mutable Instruments Marbles and Make Noise Wogglebug. Both are fantastic but different approaches to generating randomness. Wogglebug can do some Buchla Richter type random voltage or work like an additional oscillator or random noise generator. Marbles has the ability to do Turing machine randomness which is fun. I have and like them both.

I have been experimenting with Morphagene and Erbeverb from Make Noise and can get some interesting textures. Same with Make Noise Mimeophon.

Soooooooo...where are the attenuverters? Yeah, I know...attenuators and the like are dull and boring and they've not got all the blinky lights and crap, but try using the "big stuff" without them and you'll discover the exercise in frustration that's waiting for you here.
-- Lugia

To be fair, Maths can serve as attenuverters, though you then get into the whole "but now you can't use all the neat functions Maths can do" argument. I always recommend the Happy Nerding 3xMIA for any and all racks regardless of size. Such a handy module.
Warm Star's The Bends is also a handy but overlooked module for CV controlled attenuverting and matrix mixing.

EDITED Nov 14th 2021, 12:20

Thanks for your lengthy reply.. there is definitely a sense of "kludged" going here..

I'm a synth nerd and I guess I have attempted to treat modular in the same linear vain.. Ocs, filter, VAC, ENV, LFO way..

And as a newbie to the unbound do what you like world of eurorack I just have jumped in eyes close and bought all the modules that tickled my fancy..

I agree.. about the percussion.. I just chucked in grids and tiptop hats for good measure.. my A4, MD, OT, RD-8, RD-6, Volca Drum, and my other Noise Engineering BIA, BI rack have drums well covered.. one of my original rules was not to do drums in eurorack.. it's expensive and better sourced else where..that said the nerdseq has dirty 8bit samples, 2hp has a perc Chan, and disting has two... so with samples chugging around I figure I could use this racks for all in one..

still need to mod the RD8\6 for trigs.... nerdseq can handle a lot of outs with the expanders..

but being modular.. I kinda wanted to keep it all faithful..

With regards to the VCA linear exponential situation, definitely that need to be experimented with..

that said.. Im probably looking for choppy gated tunes.. and hence sort trig spikes into sources may work out ok..

Note.. this is a real rig.. all modules exist.. and the HP limited for space and logistic reasons...

I really am happy I posted this question as I have no one to bounce ideas of.. other than YouTube examples.... but I do live in the same town as nonlinear circuits..

OK, now...a simple question: If I were using this system and I wanted to invert, say, an envelope. Not an uncommon thing; you see this quite a bit with EGs for VCFs, like on my Jupe-6. Soooooooo...where are the attenuverters? Yeah, I know...attenuators and the like are dull and boring and they've not got all the blinky lights and crap, but try using the "big stuff" without them and you'll discover the exercise in frustration that's waiting for you here.

Also, the idea of having SIX voices AND percussion in a system this small is...uhm...ambitious, but in a build this size, that's a REALLY BAD idea, since you're either going to have to cut corners (and this is where a lot of new users majorly screw up) and remove important things, or do the sensible thing and realize that you simply shouldn't try to put that much in just 352 hp.

I would suggest losing ALL percussion in here, because it's far cheaper and, in truth, less frustrating to simply use a standalone drum machine that's locked to a central clock. That'll open some space. Then I think you might want to swear off that six-voice architecture; sure, you COULD do that, but your likely results will either result in six badly-implemented voices, or...well, something like this, where there's very few "helper" modules even though the voices are well done. You're simply going to have to scale this back. Also...

"I have purposely built separate voices to keep me disciplined somewhat, so that I stick to certain voice structures and combinations.. at least until I get familiar with everything.."

A better method to learn your system would be to put it together gradually...after, of course, correcting what's here already. By slowly building up from a very basic module set to the intended goal, you'll gain a much better appreciation for the instrument and also, you'll realize that there's not exactly such a thing as a "voice" in modular in the first place. It's not fixed in that way...but it's very open-ended, so if you wanted it to all be ONE "voice", you could do that. Moreso, you can have different "voices" interacting and affecting each other, as you'd find in generative works.

One last thing about VCAs, also...there's TWO types. The ones you usually see as "add-ons" in modules tend to be basic linear VCAs...but we don't perceive apparent loudness as a linear function. The decibel scale is actually logarithmic...works in powers of 10 so that +10dB is a doubling of the apparent loudness, which is how you get to the Threshold of Pain so quickly. Anyway, those linear VCAs don't work like our hearing apparatus, but EXPONENTIAL ones actually do behave in ways that our hearing recognizes as changes in amplitude that one would find with acoustic instruments. Hence the little per-channel "shape" knobs on Intellijel's and Mutable's quad VCA modules, as well as any other derivation of Mutable's Veils. If you're using the VCA for modulation or early in the signal path, you'd turn that to linear. But for audio, you've got the exponential VCAs, so you turn that "shape" knob to the other setting. But the real fun is in the fact that you can change their behavior to cause the VCA to do something that shouldn't happen in acoustic instruments, or you can have one of those VCAs handling modulation (linear) and right next to it, two handling a stereo audio feed (exponential). And sure, you could get some module that has all sorts of extras in them like that...but can you REALLY control all parts of it, or has something been "kludged" so that you can't...but it makes things "simpler" (and ultimately, it doesn't). Keep this in mind when reworking this.

Thanks for the words.. actually maybe I thin on VCAs... I was intending to use plaits and braids internal VCA, as with the airstreamer milky way, Javelin, Mogue, carbon which leaves the quad vca available for everything else.

I have purposely built separate voices to keep me disciplined somewhat, so that I stick to certain voice structures and combinations.. at least until I get familiar with everything..

I also had to move modular around as the two arturia PSUs are limited.. this arrangement does balance the loads so no individual bus is running at more than 80%..

The two rack brutes mounted together does leave a handy gap between the top and bottom sections where I can route cables from the lower deck around the back to the top sections..

I think i bought to much to be honest so I may test this out and in future reduce the HP count..

Thanks again..

Unicorn rack limit increased to 100

On popular request rack limit for Unicorn accounts was raised from 60 to 100.
-- modulargrid

Hi Modulargrid,

I only now see your change log for this. I would like to thank you very much for that update, very much appreciated. I am now less worried to reach that limit for a while :-)

Have a nice day and kind regards, Garfield.

Nickgreenberg: Ha, ha, thanks Nicolas ;-)

JB: I gave it another though my above suggestion, instead of that last "filter-n+1" you could use an effects module, might be more useful. Up to you of course.

Kind regards, Garfield.

yes! sounds great through Bastl Cinnamon w/ FM input

Thanks Garfield!

Yeah the Make Noise Shared System is wild fun and makes Doepfer look tame in comparison but I like both Make Noise and Doepfer modules. It is good to have reference point to compare the Make Noise Shared System to compare to the Doepfer A100 Basic System that started my journey down the rabbit hole of modular synthesizers. Lately I am exploring envelope generators and been learning Radar with Blip to spice up patches.

I could listen to this all day. It's great.

I think you've already pinpointed the concern I would have with this rack: the layout and cable management.
I would probably group this by function, i.e. all oscillators/sound modules together at the top, then filters and effects, then modulation, and all sequencing and mixing at the bottom, with sub-mixers and mults interspersed throughout.
Your rack may be a little voice heavy, but unless you feel like you could use more VCAs or a 3xMIA or something like that, I don't see much trouble with your module choices.
Have fun and good luck!

Hi, I'm leaning towards melodic ambient electro. I have a RD-8 close by and a lot of other synths, but I'm trying to keep the modular isolated as a standalone multi voice instrument..

outboard mixing and effects are patched so modular voices can sent to their own own channels outside of the rack. with sends to a timefactor and space, with a analog heat on the master bus..

Nerdseq handles voicing and clock source. when I say handle I mean I'm still new to the nerdseq.. 😂

Hi Radar. What kind of music are you doing? Do you have any external gear?

Edit: Here's a link to the rack instead of a pic.

EDITED Nov 13th 2021, 17:10

Any suggestion for layout here or missing vidal modules.. I've layed it out into 6 voices and drums with modulation close by.. cable management seems to be an issue.

Thanks in advance
Radar

EDITED Nov 13th 2021, 17:34