This one really takes me to a certain time and place. You’ve definitely captured the vibe of the rave era. Well done as always.
It’s really interesting to watch the progression of your rack as well. You get a lot out of your well curated choice of modules.
That’s usually how I use it. I suppose you could tune to your preferred pitch on the center setting and have one octave up and one octave down for four different voices.
I use Noise Engineering’s Quant Gemi for octave switching. Handy little module.
I do still find that my hands are the best CV control I've got...
-- ModLifeCrisis
Had to look up your “Perfect CV Controller” video on YouTube, and couldn’t agree more. I was just trying to explore this idea in a different thread. Personally, I think the human side is where modular artists find their own artistic voice. I know this is a gear forum, so any discussion of style, artistry, or philosophy is quickly shut down in favor of, “Just buy XYZ module.” I thought your video was an important consideration of something that new modular enthusiasts should ponder just as much as case size, budget, voices, and utilities. Thanks for exploring that idea. Just subscribed to your channel. :)
Also, good luck with your Skylab build.
hmmm - does it really matter?
I tend to use modulation instead of wiggling knobs myself, I only have 2 hands and at the end of the day it really just comes down to taste, doesn't it? - I want to move this knob 30 degrees and back every 10 seconds - just plug in an attenuated lfo - does exactly the same thing
-- JimHowell1970
I think it matters. The amount of error in a hand-tweaked knob will vary over time while a decent LFO will be relatively stable over time. I think we can sense that error (if not hear it), and that error is what I think contributes to interesting sound/music. They say guitar playing is all in the fingers. Keith Richards' feel will never be as precise as Steve Vai, but I know who I'd rather listen to. Of course no one else cares, but that's what makes something interesting to me.
Barring random and chaos modules, which can be unmusical in some uses, If we all have the same precise utilities, the same LFOs, Maths, Kinks, etc., there are only so many original combinations to make an interesting sound. What ultimately differentiates any of this music then? I would say the human error is what differentiates it all. Separating into utilities-are-more-important-than-oscillators (or vice versa) "camps" sort of takes away from the OP's fun thought exercise.
I don’t think I’ve claimed a “camp” as far as oscillators vs. utilities or anything like that. Or at least I didn’t intend to. Just responding to the OP on what I like as far as sound sources. A Dixie or Minimod analog oscillator is not going to give you the same sound or experience as an E352 or Akemie’s Castle. What comes further down the audio or cv chain is definitely where the interesting stuff is, for sure, but having a good understanding of exactly what sound will come out if I turn a knob is an important choice in choosing sound sources. What may come out of the Recombination Engine on its own or with a broad array of utilities may be interesting, but unintentional.
Something that is of interest to me in this discussion is the amount of cv vs. hands-on control that modules have. Is the machine doing the tweaking or is the human doing the tweaking when it comes to getting a great sound?
Using a standalone hardware sampler that lends itself to modular is going to work a lot better than sampler purpose built for modular.
-- Ronin1973
+1
Yeah, my aim was to create a more non-subtractive modular groovebox-style synth and supplement it with a Sequential Prophet Rev2 for poly stuff. I found myself wanting some Moog-ish sounds somewhere along the way, and now those are my go-to modules. Really impressed by them.
The new update to the E352 added some great options to an already great wavetable module, and the Recombination Engine is fun and slightly unpredictable (I still haven't wrapped my head around the wave splicing without an oscilloscope). I mostly use the Panharmonium for rhythmic drum resynthesis and as a vocal effect.
*edit Check out the AJH Sonic XV filter for something that is not strictly Moog-ish (even though it was inspired by a Musonics/Moog design).
Having a lot of interesting options is a fun part of this whole hobby. I think we are all building our own individual "dream voicing rig," so the answers you get here will probably be all over the place. In the search for my own perfect voicing I've tried a bit of everything. Had a Furthrrr Generator, still have the Recombination Engine, E352, and Panharmonium, tried a fair amount of the Mutable stuff, some of the Schlappi stuff, some Make Noise and Noise Engineering, etc.
The truth is my favorite sounding and playing modules are the AJH Synth stuff. They sound perfect to my ears. They are well-built. The envelopes, oscillators, filters, and VCAs react exactly as I expect. Just perfect. Traditional subtractive synthesis may seem a little "boring" or not taking advantage of all modular has to offer, but I'm extremely happy with my choice to add their stuff to my rack. In fact, I'm going to pick up a few more to expand my AJH stable (the 2412 filter, another VCO and Contour Generator, the Dual LFO/VCA, and the Wave Swarm for sure). Highly recommended for excellent high-quality subtractive voicing.
A module that I was pleasantly surprised by is Mutable Instruments Warps. I've struggled to connect with most of my MI modules (sold Plaits and Clouds is sitting in a box in a closet), but Warps with the Parasites firmware instantly clicked for me. I may just have weird taste, but I think it's pretty underrated for a multi-function waveshaper/ring mod/crossfader etc. etc. etc.
Because you have an odd number of hp left, might I recommend the 9hp Patching Panda Punch v3? It’s a super useful and surprisingly inexpensive dual VCA/envelope generator and more. It looked kind of cool so I picked one up and now use it in everything. Definitely worth looking into.
One just popped up for sale on Reverb in the last hour. Hope you can grab it!
My favorites that aren't already included here are the Noise Engineering Zularic Repetitor for some off-time/"polymetric" gates and the Low Gain Electronics Short Bus v3 for manual control of fills and gate sequence switching between different sound sources. NE also has the interesting but discontinued Confundo Funkitis that I have thought about tracking down.
Yes, the Quad VCA is a good choice. It has both linear and exponential response curves (for cv and audio, respectively). A lot of folks here like MI Veils for a quad VCA. Similar module in 10hp.
I can't say I really enjoy using Disting, but it is almost a no-brainer to add a massive amount of functionality in a small footprint. That would probably be near the top of my list for your rack.
Have fun and good luck!
Hi joesh. Post the link to your proposed rack here, so everyone can see it.
Links is definitely one of the handiest modules I own. It was one of the first I purchased, and has survived in my case ever since. As far as LFOs, the DivKid Ochd is popular for a reason, and the same with Maths. Maths can do a bit of everything, and while it's not immediately intuitive it is worth purchasing a well-cared-for used one (or waiting for a new one). PNW is also one of the most important modules in my rack.
I am a fan of the 3xMIA, but I recently discovered the Warm Star Electronics The Bends cv controlled matrix mixer, and would HIGHLY recommend checking it out over the 3xMIA. It can do similar things and more, but with cv control (which the 3xMIA doesn't have). Very cool module and excellent price to hp ratio. A quad or hex VCA should also be one of your earliest investments.
I'm sure others will have some recommendations when we see your rack, but it sounds like you are headed in the right direction with your initial module choices.
Have fun and good luck!
I think something like Plaits would definitely allow you to get rid of the 2hp sound sources. And for that matter, Warps (another Mutable module) with the Parasites firmware might come in handy here as well, allowing you to stretch the VCOs you do have a bit further while adding a limited internal oscillator for ring mod, waveshaping, vocoding, TZFM, frequency shifting, and a bunch of other fun stuff. I didn't recommend any module changes at first because this is your system. You know what you like and don't like about it.
And that sort of leads me to why I'm hesitant to recommend any module changes at all. You're already pretty deep into your modular adventure, and you chose your current modules for a reason. If I was to recommend a bunch of stuff that you don't already have, that would be MY dream system not yours. You already noticed that I proposed a workflow that focuses more on rhythm, which is how I use my own rack. I've watched a lot of your videos, so I know that your approach is much more melodic and sort of "generative-ish" than my focus on repetition and noise. Any module recommendations I make would reflect my own tastes and approach, not yours.
I will say, don't be afraid to sell off the modules that you don't use or that don't fit your developing sound. Just be purposeful in what you add and subtract.
Have fun!
Well, I'm not Lugia, but here's how I would probably set this up to start with. Of course I would tweak it as necessary after experimenting.
I tried to keep the plumbing along the sides and separate the 2hp stuff a little bit for wiggle room. I would probably want all of my clocks/gate sequencers along the bottom with mults above so you could mult gates around the system. Modulation and matrix mixer just above the sequencers. Links at the top left for a buffered mult/adder near your oscillators. Sound sources, filters, drums, FX, and maybe VCAs all grouped together with other mixers and attenuators sprinkled throughout. It's always hard for me to find the right spot for Disting, so the top right of the case seems to work here.
This seems more organized for the way I work, and the way my own rack is set up but obviously this may not be a sensible approach for your workflow. Either way, it was a fun exercise.
*edit: I placed Marbles above the other sequencers due to the jack placements.
Hmmm... I duplicated your rack to have some fun tweaking later today or tomorrow. The number of 2hp/small modules creates an interesting puzzle to solve.
@Farkas - yeah I live in Carmel. Where are you?
-- TumeniKnobs
I’m in Yellow Springs, Ohio, just outside of Dayton.
I would probably arrange it like this, if it were mine. That's sort of how I have my rack anyway.
Sequencing and mixing at the bottom, modulation and FX just above that, then filters and voices on top. I got rid of the 2hp ADSR to fit all of your filters in. You'll just have to experiment with placement to figure out what works best for you.
Have fun and good luck.
What problem are you having now that requires a reorganization?
This is beautiful. Well done. Perfect mix of field and studio.
If you live in Indy, I'm not too far from you. Three cheers for the midwest! :)
Sounds great. There's just something magical about the Moog sound.
Hi Snarky. Considering the Subharmonicon already has a case and power, you could make space for the Morphagene (and more utilities, etc.) by leaving the Moog in its own case. That’s what I would recommend first.
Have fun and good luck!
Nice! That was the exact perfect length to make me want to play it again. Well done.
I'm looking forward to hearing some of your more refined work too 🧐🧐 don't keep us waiting
-- troux
Don't hold your breath. Haha.
If I can stop being lazy and buying modules, maybe I'll finish something more substantial over the winter. I've been working on structure and songwriting, but I don't know that anything will ever see the light of day. :)
As a kind of tangential question to this thread, I wonder what people consider their favorite "budget" VCFs to be, VCFs for under $200 that hit above their pricepoint in your opinion.
-- eexee
I'd say any of the Doepfer filters. I've had so many of them in my shopping cart, but haven't bought any of them yet. They all seem great and I just can't decide. The SEM and Wasp filters get a lot of praise, and the A-106-1 Xtreme filter looks great too.
This might be a contender (though I have personally enjoyed the FX Aid XL)?
https://www.modulargrid.net/e/noise-engineering-desmodus-versio
How can I upload my rack screenshot to this conversation?
-- CostasP
Just copy and paste the URL from your rack page.
Ah, that's nice. It sounds like a conversation between oscillators. :)
Are you sequencing from the Sinfonion? Also, that Ventris reverb sounds incredible. I had never heard of that pedal until now.
Thanks for sharing!
This is a beautiful journey. Well done.
Man, you're going to make me re-buy the Chainsaw eventually. You get great results from it.
Hey, thanks for listening Garfield. Believe it or not, slower styles with a new wave or Boards of Canada feel are what I write more often than anything else. The techno and improv stuff is just quick and fun (for me). I get lazy and don't finish structuring a lot of songs, so these improvisation things force me to put something out in the world while I work on other stuff.
That Nord Drum 3P looks amazing. Unfortunately, no. I don't have one. You'll have to share some of your experiments when you get one. :)
The only issue I can find with the VC340 is that the keys feel kind of cheap, but they still feel better than my old Arp Omni. Just a minor concern. Otherwise, the sound is pretty phenomenal.
Thanks again and have a great weekend.
Went in a different direction with this latest (mostly) improv session. Sort of a mid-tempo synth-pop/new wave/mid-period Depeche Mode kind of sound. Too much going on with the patch to explain everything, but mostly the E352 and AJH Minimod oscillators into an Optomix and Patching Panda Punch v3. A little bit of the 4ms DLD, Milky Way, and Clouds. FSS Makrow doing its thing. I finally broke down and picked up a Behringer VC340 vocoder and threw that in towards the end as well (@GarfieldModular I know you were looking for a vocoder a while back. I can confirm that the VC340 is outstanding).
Thanks for your time and have a great weekend. No worries if this isn't your thing. :)
What started me thinking about this stuff is that I picked up a DFAM for cheap and at present I have just been working some rhythms out on it and running it into an amp and then plugging guitar into another and playing along. Kind of a crude way to use it but it’s still neat. I know nothing about synths but have always been interested in them. I just found a Mother 32 in a 2-tier with an empty case in the other tier so I will have 60 hp to play with when it shows up. At present I will probably mate the 32 and DFAM so I can get some patching 101 done and a better understanding of how it all works. Then I can ask some better informed questions.
Thanks
Mitch
-- OlDefGuy
The Mother 32 is a great intro to synths and modular-land, and with the DFAM is a powerful combo. I would recommend experimenting with those for a few weeks, and when you find that you are unable to do something that you want to do, then start researching modules that will help you solve that problem. When I first started, I bought a few things that I thought I would use but didn't really end up needing so I wasted a little time and money.
Have fun on your synth journey!
@farkas, I saw this today and thought you might want to take a look
https://www.modulargrid.net/e/adventure-audio-merge-white-panel
-- mog00
Whoa! That looks crazy (and useful)! I will definitely look into that. Thanks for the heads up.
That IntrFx looks pretty slick. Thanks for the heads up.
I'm sorry to hear about your A103, Garfield. That has to be a disappointment.
The SEM filter does interest me more than the A103. I can't believe I haven't gotten one yet. I'll look forward to checking out your report.
Have a great week.
Hi Mitch. I have been experimenting a little bit with the Doepfer A119 and Strymon A.A.1 as input/output/effects loop modules. I also have several effects pedals, modules, and filters that have been fun to incorporate, but I haven't done much recording of the outcome yet.
As far as adding rhythm to your guitar stuff, you would likely be best served with a nice external drum machine like the Roland TR8S. The cost/benefit/usability ratio is very high with that one. Check out some demo videos.
The specs on the manufacturer product page say: Multiple - 8 x 3.5 mm TS jack, mono, Arrangement - 2 sets of 4 parallel jacks, passive
might be worth getting a jumble henge to try it out,so my D.O.MIXX would be like a sub-mixer of some sorts?
-- Broken-Form
That's probably how I would use them. I have a few smaller "character" sub-mixers that lead into the Toppobrillo Stereomix, which I like, but I've considered both the Jumble Henge and Soundstage for my end-of-chain mixer. I've also looked at the SSF Vortices for a completely different flavor. I just like to experiment with creative mixing in the rack. Ultimately, you will have way more control with volume, EQ, and panning in your DAW, but these fixed EQ mixers seem like a good solution for live situations and capturing an acceptable quick studio mix.
Looks like the D.O. MIXX has direct outs on each of the five channels, so you could set volume levels there and then send each channel to the Jumble Henge for EQ and panning. The Jumble Henge would allow 11 more inputs and be your main outs at that point. You might be able to do some interesting feedback patching too.
The Worng Soundstage and ALM Jumble Henge mixers seem to solve this problem with EQ and panning pre-set for each input. Every demo I have heard of each sound great for standard usage, and they can be used more creatively too.
I like the Zlob Diode Chaos. It's sort of like 1/3 of a Triple Sloths with a random trigger out at 3hp. I don't typically like odd sized modules but I had a 3hp hole about a year ago, and it was a welcome addition to my rack.
Maybe check this out:
https://www.modulargrid.net/e/joranalogue-audio-design-compare-2
