This creates a great mood. Excellent work.
I visited my friends in Leipzig a few years ago, and I could sense the "Ostalgie". In fact, I brought home a poster celebrating the beauty of industrial design in the DDR.
Just listened through some of your excellent soundscapes. Nice work.
Yes, Clouds is another module that I have found to be less useful than its reputation suggests. I still have one but it's on my chopping block. I'm anxious to see if the new version fits my needs.
Not sure if I have much more to add beyond the-erc and Lugia, but my experience was that I mostly had to dedicate myself to the modular format. Aside from a few specific external hardware pieces (one polysynth and a drum machine), I got rid of just about every other piece of hardware that didn't interface well with my rack. And I didn't feel like I could quite accomplish what I was trying to do until I had about 9u/104hp full, but that's just me. I especially second the-erc's suggestion to avoid your computer for a while. I also agree with Lugia that Maths probably isn't the best option here. Maths can do a lot, and it has many disciples, but it's not the best option for every circumstance regardless of the hushed tones and legendary status it encourages. For your style of music, I would probably be more likely to recommend Zadar or Octasource and a bunch of utilities (aka "boring modules," switches, sample and hold, 3xMIA, Disting, etc.) to get the most out of what you do have.
Dedicate time to learning what your modular can and can't do, and invest wisely in expanding its capabilities. Sometimes the format just isn't a good fit so don't throw more money at it if it's not working for your workflow. Above all, have fun with it.
Thorough reviews in a written format is an excellent idea @GarfieldModular. Just looking over your Waldorf review (wow!), I can see that this is a labor of love. I have always been an avid reader, and as much as I love DivKid and some of the other reviewers, I process things much differently when they are in-depth and written.
Thanks for doing this. Please share each new review.
I enjoy the X0X sequencing style, so if this was my system I would hold on to the TR09 at least. I take a hybrid approach to drums with a combination of euro and an RD8. The monosynth sounds are easier to replace in the rack, but something about the ease of sequencing with a hardware drum machine works for me.
But, I am of the opinion that it’s best to part with any gear you aren’t using. I don’t get sentimental about gear anymore. I know others here take a different approach. I figure you can always replace it if you feel like you made a mistake by selling it.
Thanks Garfield. Android-jazz is my favorite interstellar travel music. :)
Thanks @troux. I’d be happy with a live show in Ithaca at this point. Lol.
Thanks @the-erc. Gotta be honest, I have no clue how I would get a good overhead shot with the limited camera equipment I have. I’m 6’5”, so the tripod I have wouldn’t even get close if I’m standing instead of sitting. Haha
Thanks for taking the ride with me @zuggamasta. And, thanks for the kind words.
One of our supportive members here suggested I should do a live streamed set, so I did a little practice session. This is fully 100% improvised from a completely random starting point so I could practice digging myself out of a hole in a live situation if necessary. I just went with whatever was already patched. I got into some groovy places via some abstract noisy backroads. The distortion/noise about midway through is intentional. I was trying out drums through the Moffenmix cranked into the Erica Black mixer for some disgusting overdrive.
I definitely need new headphones because I was not getting an accurate picture of the volume of some elements (headphone recommendations welcome!). Mistakes and glitches are an honest part of the process, I guess.
I guess it's post-minimal, post-electro, post-techno, post-industrial, android jazz. It was a fun learning exercise. Thought some of you might enjoy it.
Yeah, they make some cool stuff for what seems to be a very fair price. Was kind of curious about them, so I may take a chance on ordering something soon. That mixer would be a good candidate.
Two-Oh-Eight is Enough!
This sounds really nice. Hypnagogic and dreamy.
Good luck!
(Also, you're probably going to want a bunch of VCAs)
Wow, this brings back memories of my first planned case. My first plan had many of these modules included. Let me just start by saying that you will almost certainly end up with a MUCH different collection and arrangement of modules than you have assembled here.
You are on the right track as far as case size if you really are committed long-term to putting a versatile rack together, but many of your modules have overlap (Shifty and uO_C, Branches and Marbles, for example), and some you have probably chosen because you see them in a lot of other racks. Maths is cool for its versatility and as a learning tool, but it's not always intuitive, and the same goes for Rampage. Could you get dedicated modules that achieve the specific functions you want? Or is the exploration more fun for you? You will probably want modules that have a wide range of patch points so you can modulate as many parameters as possible (i.e. "modulate the modulators").
You'll probably want to invest in Pamela's New Workout and the upcoming Clouds update instead of the older discontinued versions. Mults will be mega-useful, but try to keep them outside of the rack with those little in-line star-shaped splitter thingies so you don't take up limited rack space.
First and foremost, invest in a big case but only a few must-have modules. As soon as you start patching those first few modules, you will quickly realize what is missing for the sound you are trying to create. If you find yourself reaching for something that isn't there, that's the next module you should invest in. Do a LOT of research to avoid buying something that isn't going to do what you want. Wishful thinking will not make it fit into your sound and workflow. The more research you do, the fewer duds you will waste money and time on.
All of us here would likely recommend very different modules for generative patching, but the concepts of generative patching transcend specific modules or manufacturers. Check out mylarmelodies excellent video about generative patching ideas:
Go slow. This is a big investment, but above all, have fun!
I'm enjoying this. It's sparse and quiet in the best possible way. Great job.
Marbles looks so fun. The ergonomics are much better than the 2hp stuff, I'm sure.
I tend to sell things off pretty quick when I'm not using them, or when I add a module that does a specific function "better". For the most part I don't have any regrets (though I kinda miss the Schlappi Interstellar Radio). I'm actually considering parting with Maths since I've added more specialized, though less flexible, modules.
Can't wait to hear your Marbles in action.
I was listening through headphones because my wife is sleeping, but found myself strangely compelled to crank up #3 on the stereo. I don't want to incur her wrath this early in the morning, so I will revisit that one later today. Haha. Sounds great, man.
Also, that overdrive on #2 is gnarly! I love the balance between the distorted line and the cleaner line. How did you achieve that?
Awesome work as always @troux.
Thank you Garfield. The AJH MiniMod has a little magic in it. :)
Thanks @troux. If I were to do it again, I would have spiced up the drums, but I was grooving on the simplicity at the time.
Here's a little live lo-fi trip-hop jam I put together this morning featuring some glitch vocals from my friend Elizabeth in Leipzig, Germany. I'm in the U.S., so this is as close as we could get to a trans-Atlantic partnership in the time of COVID.
AJH MiniMod - bass
Plaits - Chord stuff
Blck_Noir and Buck Modular DrumF*ck - drums
Sample Drum - glitchy vocals
As always, thank you for offering a few minutes of your time. Hope someone might enjoy.
https://ciernyvlk.bandcamp.com/track/presentation-3-invert
Coincidentally, I just saw that Michigan Synth Works released an updated Pique and expander for CV to each parameter of the ADSR (plus many other functions) in 6hp total.
Yes, if you click on the picture of Lugia’s rack, you should be able to select edit/duplicate rack in the top left of your screen.
I would highly recommend QPAS. It’s really just an unbelievable filter. The stereo applications seem tailor made for your purposes.
Absolutely! Why, when I moved into this house in 2012, I had an upstairs room that was 17 x 24. And now it's full of gear. Should've started with a larger studio...
-- Lugia
Yeah, much to my wife's dismay, my record collection has its own bedroom. I may have mentioned before that I sold off all my old synths and gear many years back. I was paralyzed by options and just gave up. Modular brought me back to the dark side.
The Bastl Grandpa granular sampler and Spa expander are an interesting, quirky, 10hp, lo-fi combo. I've been eyeing it for a while myself. Seems like a deceptively powerful texture generator.
Oh, wow. I'm listening now. The progression and development of this one is fantastic.
Great job!
Yes, the question of cable management has to be front of mind! In fact, that's a big reason that I felt the need to rearrange everything. It wasn't so annoying when I was just tinkering around, but as I develop a more performance-oriented approach, I found that the typical signal flow layout made less sense to me. Thanks for bringing this up, the-erc.
Welcome Wonderof42!
If you are concerned about wasting money, do NOT put the Neutron and Subharmonicon in a eurorack case. They already have cases and power supplies attached. Don't pay extra to rack them twice. They are SEMI-modular synths, that will be fun to integrate with the rack, but it's definitely a waste of money and space to rack them twice. They're still portable and easy to incorporate as-is.
What kind of music are you making?
Thoughtful responses senor-bling, Lugia, troux, and GarfieldModular. As often as we recommend that beginners start with a bigger rack, that same advice applies to those of us with larger setups. I definitely wish I had invested considerably more in extra rack space to begin with, even though my original plan was fairly large. When I was first starting to build my modular, I didn't like seeing empty space between the modules. Unfortunately that led to a few impulse purchases that didn't work out for me. As we all know, impulse eurorack purchases can be expensive and a waste of time (I'm looking at you, Loquelic Iteritas Percido...). I probably should have invested in more empty rack space instead of more modules.
As far as mission-specific rack builds, I have thought about putting together a 104hp live skiff (inspired by @troux). That would be a fun and difficult exercise. I've also considered a small skiff of modules that I want to spend more time learning. For instance, I have kept Phonogene and Clouds in my rack because I see their value, but I rarely patch anything into them and haven't discovered their subtleties yet.
I remember Mowse's excellent layout post. Great advice on module grouping. As the rack continues to grow, it will be important to keep those grouping and signal-flow ideas in mind in the planning stages, while still taking into account our personal preferences and evolving music and individual workflows.
Thanks for the responses!
Thanks for the responses. I can't remember seeing a thread specifically about module arrangement and maintenance, so I figured it might be a good discussion/thought exercise. This is a craft that revolves around long term gear acquisition in a way, and with that comes some occasional headaches.
Lugia, that's definitely similar to the signal/work flow idea I initially started with (and looks like a fun rack). Now that I've expanded to near my limit, added a few hardware pieces, and developed my personal preferences, I had to upset the apple cart. Spent all afternoon re-racking everything (God bless threaded rails, and screw some sliding nuts. Ugh!) after realizing that I preferred some modules in close reach regardless of how illogical their placement might seem to someone else. I'm thinking the new layout should keep me focused on creativity for a while. I may add a Low Gain Short Bus and a Knob Farm Ooots eventually, but I can't think of anything else I need to add for a while.
Would love to hear anyone else's approach to this minor tedious aspect of modular.
Just noticed that it has been exactly one year to the day since I ordered my first modules. However mediocre and intolerable the sonic outcome of my creative endeavors, the fun, creativity, process, and community has made the last year a great experience, all things considered. :)
In the time since, I've put together a pretty nice instrument for myself. Adding cases and modules regularly to fill needs and wants, plugging holes in my racks, adding additional functionality, etc. I've tried to adjust the layout a bit at a time to accommodate new acquisitions, but the time has come to rearrange just about everything. I'm learning my own work and signal flow preferences, and trying to incorporate a more "performance oriented" layout.
Just curious how often you all rearrange your racks, if at all? At some point, a studio rack sort of takes on a life of its own. Do you all consistently rearrange modules to maintain your evolving workflow, or have you stopped trying to contain the beast? I'd much rather be experimenting and making some noise than unscrewing modules, so it would be cool to hear any insight into how you all approach this side of modular.
Thanks, and have a great day.
*Edit: Additional question, I have always started with a completely un-patched blank slate every day, but I'm moving towards leaving some module combos consistently patched. How often do you completely pull every patch cable and start over? What module combos do you leave plugged in long term?
Yes, Disting is one of the best bang-for-the-buck utilities in the modular world. It can do everything, though only one function at a time, to help you decide when you it's time to invest in a dedicated module to perform a specific function. I bought one early on as I was building my rack, and it helped me fill in what I was missing. Now I mainly use it as a tuner, but every now and then I will dial in one of the other algorithms.
Have fun and good luck.
Well, the uO_C has analog shift register, chord sequencing, quantizing, envelopes, and more in a very small package so you would need to substitute a large range of modules to do what it does. The only problem is that it requires patience and is not so quick and easy to use. You really need to spend time getting to know it. For something more immediate, Marbles may be fun but much more limited.
I would definitely look into more modulation sources and utilities. How about something like Ochd, Mixwitch, and Pico RND? Or maybe a uO_C and Disting MkIV if you don't mind menu-diving?
As long as the VCA fully closes, you should be able to do what you want to do. There are small mute modules that may make this task simpler, but you can modulate VCAs for more interesting patches. Check out this video from mylarmelodies for some VCA ideas.
@troux This may be worth a look for you.
https://www.modulargrid.net/e/g-storm-electro-infusor-x
Garfield, Sisters of Mercy might be it. It definitely reminded me of something from the early industrial, post-punk, or goth era. Good ear.
Welcome brunomolteni!
This is awesome. You have a great handle on melody and song development. Your song reminds me of something from the late 70s or early 80s but I can't quite put my finger on which artist. Keep up the great work.
@Lugia, I'm listening to "Beneath Puget" now. This totally captures the atmosphere of the PNW. Excellent work.
I also see that one of your recommended albums on Bandcamp is "Black One" by Sunn 0))). Underrated album! I love "Kannon" as well.
Thanks gang! I enjoyed making it.
@troux, Yes, this was played and mixed almost completely live in the rack. I use a Focusrite Scarlett interface into Garageband as a glorified tape recorder, and the Toppobrillo Stereomix and a Moffenzeef Moffenmix in the rack. I'm about to add an Erica Fusion Mixer v3 as a second submixer too. I ran the Crucible to a different input on my interface and adjusted the volume in Garageband because I can never get hi-hats/cymbals to sit in a mix on first try. I didn't do any sort of mastering or EQ in Garageband.
Only the Prophet 80s synths were overdubbed, though still run through the rack. If I remember correctly, I just went from the Doepfer A119 to the FX Aid XL (for a tiny bit of reverb) to the Toppobrillo. You might laugh, but ever since I was a kid, I've been obsessed with the synth sounds in Billy Idol's song "Eyes Without a Face." Hahaha. So, almost anything I come up with on the Prophet ends up having an 80s vibe like that.
Thanks again for listening.
Yeeeaaaahhhhh!!! Where's my glow stick?
Sounds great. I sort of regret selling the Chainsaw, but I needed to fund a keyboard. I'm glad to hear it in action here.
Keep sharing the acid.
It doesn't meet the required 17 minute drone threshold for you folks, so I guess it's just a dark ambient track? :)
I was trying an exercise in restraint and tension. Sound sources are MiniMod VCOs, Recombination Engine, E352, QPAS, Crucible, and a Prophet Rev2. Hope someone might enjoy it. As always, thank you for your time.
Sounds great. I'm impressed with the Minibrute 2s bassline!
I actually just had to unplug my TD3 and hide it because I couldn't stop making acid tracks. Haha
I really enjoyed your track on the best of MG compilation that @troux put together. Well done.
