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No list suggestions, but one technical one: try and keep things dealing with audio away from the power supply. That area is fine for modulation sources, CVs, etc, but if there's a bit of noise on your DC that creeps into the P/S, it can also sneak into the audio paths. The MScale, buffered mult, and MIDI interface are fine, but you might want a little more distance for the In/Out and the A-119, especially since both have preamps that can boost low-level audio. Otherwise, this is looking pretty damn good!
If you can handle the small knobs --- the Złob is treating me well.
Lots of vca in a small package.
-- wiggler55550
The Zlob is very tempting indeed, especially since my system is very small(3u 104hp). I was thinking I could 3D print some knobs to place over the stock ones to make them a little bigger. I did this with my Korg Volcas for volume, filter cutoff and few other controls I wanted a little bigger and it made a huge difference in usage. There looks to be a lot of room on the panel to allow for this on the Zlob.
It's getting there, yep...I still think the Maths would be preferable to just the single VC Slope of the Contour because of all of the internal routings you can do with it to reconfigure it in some very complex ways. Why not pull the Contour in favor of a Doepfer A-140-2 or an A-141-4 for some additional "proper" ADSR EGs? Also, you might consider a comparator or two, since adding those plus a Maths would give you a decent compliment of modulation sources on which you could use the comparator(s) to fire gates when the modulation curves pass given voltage points. Put this together with some logic to work with the Varigate, and you'll have lots of rhythmic mayhem possibilities.
-- Lugia
Thank you very much Lugia for taking the time to provide, from the beginning of this thread, all your detailed and expert advices.
You convinced me about Maths, and I adopted your suggestions about the A-140-2, the comparator (I was totally unaware of that kind of module), and a logic to work with the Varigate.
All your comments have been a valuable input for me in this phase of discovery and understanding. I'm not completely a newbie in synthesizers (I began with an Arp Axxe in the 70's...) but the modular word is a lot different, and there are so many devices and options.
So thanks again.
A last question if it doesn't bother you. I already bought the RackBrute but I'am planning to order the modules in two steps for reasons of budget. If you have any suggestion, two lists, it will be very welcome.
Here is Francois from Shakmat writing - if you have problems with your build, you can contact us at support@shakmatmodular.com. We can also try to resolve the problem here ! Your problem seems quite strange did you check if the biggest chip at the back of the module is correctly inserted ?
Yes, a lot of spam was captured, sadly some valid posts, too. Today I have deployed a new update which hopefully improves the situation a bit more. I don't let the spammers win!
what would you add to this case ?
I make ambient/droney/melodic music.
I use external gear, MN 0 Coast, Strymon and Eventide reverbs, and the Analog Heat for drive/distorsion/filtering purposes.
And the Keystep for sequencing/arpeggios/play...
I record mostly in Protools, multitracking with light editing and some plugins for compression.
I guess I need some VCA's ...
What do you think ?
Cheers !
Yeah, if you're a routine user of Scala, you'll really like the FH-2. Plus, since it understands USB hubs, you can have both a controller and computer connected via that so that you can have your performance setup intact without having to yank everything to "blow" new Scala tables into the FH-2. And since you're going bigger, you might also look at Expert Sleepers' Disting...sort of a Swiss army knife of DSP-type functions hiding behind a 4 hp faceplate.
Haha yes I was trying to cram in all the bare essentials, much to my own detriment in terms of space for future modules/upgrades. I checked out the FH-2, seems perfect for my needs as I use scala a lot! Plus you're right, having the 1U intellijel format is a idea so ill go for the 4U x 104 hp cab. Thanks for all the help!
Actually, you managed to nail the architecture as best as you could in this tiny a space, which is pretty impressive. However, if you plan to use this with a Beatstep, you might also look at Expert Sleepers' FH-2. This will need a 4 hp expander for 5-pin MIDI use...but if you went with a Beatstep Pro, then you could directly link to the FH-2 via USB, freeing up 4 hp for other uses. The FH-2 uses standard Scala format scale tables for microtunings, and offers a bit more freedom in configuration as the eight outputs are user-configurable. Plus, since it has four inputs for CV or gate, you can get the modular to "talk back" to the BSP depending on how the FH-2's been configured.
A better idea, though, would not only be to use the FH-2 instead of the Yarns, but to move up a bit more in size. An Intellijel 4U x 104 hp cab would not only let you use more than double the present 3U space for standard modules, you'd also have the 1U Intellijel-format tile row in which some other basic functions can be placed, such as I/O, a basic mixer, noise + S&H, mults and so on. The form factor would work nicely with the BSP if you went that route, also. Plus, you can put a 1U Zeroscope in that row, which has a tuner that displays in Hz...which, if you're doing tuning-critical stuff, would be majorly useful!
It did slow them way down, though. I saw this after they apparently gave up last night, and they'd been reduced from several posts per minute to about one per minute, and when I hit the site they'd seemingly given up about ten minutes previously. So, it might not be blocking them but it appears to be discouraging their efforts.
Just looking for a small eurorack modular to hook up with my microbrute as well as my beatstep. I Chose the yards module for its ability to use alternative tunings, translating the beatstep's midi notes to new (user) tuned CV. I have a fairly good grasp on synthesis but have never actually built a modular. Should I just buy a proper semi-modular (as opposed to the lacking microbrute matrix) or just get my feet wet with this basic set-up? Thats if I a have done it correctly? As microtonality and retuning is important to me could I just buy the yards module and possibly maybe a mother-32 (instead of plaits + VCA's, filters, lfo etc.) to get the same functionality and for a lesser price?
Thanks
Thanks Lugia! I see you posting in tons of threads, was hoping you would make a suggestion! I agree I need more modulation, and that ring mod looks cool in only 2hp.
I'd yank the USB power ports, for starters. In a small rig like this, anything you can do outboard needs to be done outboard. This would give 15 hp, so...Xaoc Batumi + Poti = 13 hp, and a Circuit Abbey Twiggy dual ringmod/quadrant multiplier to use both for ring modulation or as a spare VCA or polarizer. That's where I'd go, fwiw...
No, cases aren't usually included with proper modulars. While the complement above isn't bad, what I'd suggest is to perhaps look at something along the lines of a patchable synth first to get your feet wet and get some understanding about how synthesis architecture works first. By doing that, you'd have a firmer grasp on what needs to be in a proper system and you'd have the system's fundamental building blocks in the form of the patchable, onto which you can expand as needs be. Something like a Moog Mother32/DFAM pair, Soundmachines Modulor114, Plankton Ants!, Kilpatrick Phenol, Pittsburgh Microvolt or Blackbox, or Arturia MiniBrute2 and 2s pair might make a lot more sense from a learning standpoint for right now than trying to build up a complete system.
It's getting there, yep...I still think the Maths would be preferable to just the single VC Slope of the Contour because of all of the internal routings you can do with it to reconfigure it in some very complex ways. Why not pull the Contour in favor of a Doepfer A-140-2 or an A-141-4 for some additional "proper" ADSR EGs? Also, you might consider a comparator or two, since adding those plus a Maths would give you a decent compliment of modulation sources on which you could use the comparator(s) to fire gates when the modulation curves pass given voltage points. Put this together with some logic to work with the Varigate, and you'll have lots of rhythmic mayhem possibilities.
Would anyone suggest a module or three to fill my remaining 12hp in this tight setup? Externally I'm using an Arturia Keystep for melodies/bass lines & an Arturia Beatstep Pro for general sequencing.. Thats a small plaits on the left and a small clouds on the right next to the pico dsp effects (delay/reverb)
Another voice maybe? VCO like the mangrove? I have some analysis paralysis.
Well, well... Things are moving. A RackBrute 6U has been ordered this week.
Starting from a first approach and your expert advices, then after watching some Youtube videos (as you guess... ;-) I have led with this set (to be linked with Mother-32, DFAM, 0-Coast, System-1m, KeyStep, BeatStep pro, SQ-1).
Shout out to @STB86 for making my purchase of an ATC and a PEG super-smooth and hassle-free. Great communication and both modules well packed before being shipped swiftly. Nice action, I thank you, sir! (and, dang, these units are both FANTASTIC!)
Hello long time lurker and complete modular newbie here.
This is my idea for my 1st rack. https://cdn.modulargrid.net/img/racks/modulargrid_889836.jpg
I'm looking to experiment with a semi controlled self generating sound to add to my Elektron Analog 4.
I've based it around the Lifeforms Blackbox as it is a complete voice that I can take it out and use it stand alone to free up space if required later.
Rings and Tides are in because i love playing with them together in VCV Racks and i think they could add a lot to the Lifeforms.
The Disting is there as a swiss army module that I feel will become more and more useful as my experience with modular develops.
Links is in for routing handiness.
I'm wondering if i should replace the Disting with another VCA, to compliment the SV-1's VCA as I read that "you can never have to many VCA's" a lot in various forums.
I'll be using the Analog 4 for sequencing via its cv outs and additional filtering etc.
Have I made any glaring omissions or could this all be to much to soon for a 1st rack.
Ladik C-041? Hey...why settle for two when four in the same space is even better! Or you can do one of those and still have room for one of their variations on ADSRs.
anyone familiar enough with the circuit available to troubleshoot this build? the two gate outputs are reversed, and the length/shift CV inputs seem to be swapped as well. will pay for shipping + time (assuming it's repaired).
There. Moved some stuff around and added a dual AD envelope. While I think Noise Reap has stopped making those, I am sure I can find others in the same size or smaller.
Thanks Lugia, that makes sense. I had thought of contouring if it was audio info but had not thought of it for CV signals. I can likely pull the 4hp mult and replace with a dual AR generator.
Some of my experiments with Telharmonic as main voice.
The patch was inspired by atonal music theory and classical vocalise examples by Rachmaninoff, Fauré and Medtner.
Vocal is recorded on a tape and processed by Clouds.
More explanations below the video on YouTube.
Because of the recent spam attacks we now have a reCAPTCHA on the most important sections. I hope it is working and unobtrusive enough. Report if you are wrongly flagged as a bot ...
i feel it's a silly question but i can't find the seach bar or buttonon the marketplace i only have the list of the item which is of course too large to find anything...
-- spyinzedark
In the normal module browser is a selectbox Available in Marketplace. Select a region and use all the search options like name, manufacturer etc. The results are modules available to buy in the marketplace.
i feel it's a silly question but i can't find the seach bar or buttonon the marketplace i only have the list of the item which is of course too large to find anything...
On that last bit: in theory, you can do that with the RCD, but your VCA envelope will simply be on/off, no contouring. To make that work optimally, find a couple of smallish EGs (two-stage would be just fine, IMHO) and trigger those with RCD clocks, then send the envelopes to the VCAs as control signals. You can lose the mult as well...I find them to be impractical in a small build like this, with inline mults and/or stackcables being preferable to losing 4 hp to a dedicated mult module where something active would make more sense.
Neither. If budget is a concern and you want maximum function, AUX send/returns, and an output, check out Ladik's M-175 mixer and M-053 AUX Mixer. With these, you get it all in 20 hp, for $147-ish + shipping. This gives you three mono AUX sends, four pannable mono mixer channels, plus two more stereo mixer channels suitable for AUX returns. And the mixer has dual 1/4" TRS outputs with a master level control. For this sort of thing on a budget, it doesn't get much better.
Ronin's got it...yeah, try and squish everything as much as you can if you intend to stay in this small a cab. You need to use both sizable modules that're jam-packed with functions like the Hermod or Toolbox, or try and shrink down your basics to as small as you can get while still keeping user interface functionality.
Yuppers...definitely bots. When you're refreshing the Forums window every 15 seconds and 2-3 more pop up, and the bandwidth of the site is so choked that it's halfway to being like a DDos, that's the only possible conclusion. Captcha time, I think...
Looking for tweaks or hacks on the rack above, which is my medium range plan.
I currently have: The uZues, Mother 32, Doepfer ADSR, MA VCA, Mult, Mino VCO, Clouds, and Tides.
I know I can take the M32 out of the eurorack case for more room but I like it being self-contained and more portable. I'd probably get a bigger case if this all went beyond 6U 84P, and that is ok. I already have outboard reverb and delays that don't live in the rack. As far as the purpose or goal off this rack - I generally like making interesting lead and fx sounds, definitely on the more ambient / softer edged spectrum. Sometimes when using it as part of a larger music project, I am sending Midi from my DAW to the M32, other times when exploring I use the M32's sequencer or even just play the small rubber keys. I might add a Keystep at some point though.
The Music Thing Turing appeals to me for the knob per function usability, and while random, it repeats phrases with the degree of change over time being controllable, and very easily. I like that, since I envision it mostly running into the TUNE quantizer for scale based melody generation.
Instead of adding a second random source to modulate parameters on Clouds (and eventually Rings), my thought was using existing LFO outputs from the Mother 32 into the 2HP dual Sample and Hold to create random CV, fed thru attenuator, achieving seeming randomness that is not so different as adding a Wogglebug, etc
I'm pretty fuzzy on clock dividers / multipliers, but I am assuming I can use the 4ms divider to open the x3 VCA at determined intervals to control modulations of other modules and help create patches that softly glitch or evolve over time.
I have really tried to avoid modules with menu diving. The MI stuff with push buttons to change modes is about as complex it gets, and that is intentional. I feel a bit over my head though.
ModularGrid is targeted by a bot network. Hold tight, we are working on an improvement to the situation.
Until then I recommend to not buy the advertised forged passports. The won't get you into Berghain either.
hello
starting my 1st rack. Tight budget so starting small. One question I do have though is whether I need a dedicated output straight away? I like the idea of the Rosie for the send and return feature which I guess would work well with the pico dsp or other fx. or could I get away with using the Alm Hpo?
any advice welcome.