User Posts

I hear that the Morphagene can be a bit noisy, a bit like the Mineophon which I have though it sort of depends on the settings whether the feedback develops into annoying noise.

I literally had loose nuts on the Ochd module I bought.
I've personally only had problems with 2 of my modules, a Second-hand Erica Pico DSP (mode button and/or LED flickers about but it still works), and my DIY build of a Robaux LL8 which occasionally fails to rejister a button press (still very usable).

Looks like a lot of fun :)

Maybe the 1 post about Ochd was actually enough, and whats with all the forum spam?
Post a Rack in 1 thread and then tell everyone about how you liked each module in one post.

I had some loose nuts on my Ochd, I tightened them, brilliant LFO module that has worked perfecty for me and is almost always part of my patching.

Maybe people gravitate to modular from certain music styles they enjoy, though the entire point of it is experimentation to me.
I'm quite prodedure lead as a person and its always been an important part of all my work from mechanical Engineering, to Print Finishing & Graphic Design then onto Brewing, so experimenting with different procedures to make sound is about all I need. I'm sure I tend to make "techno or pinged etheral ambience" ;-) plus experimented with more Drum & Bass and Noise patching.
@Farkas is right, dive back in and patch something up differently, do something you don't normally do.

Nice work :)

Nice track :)

I melted just about every power header on my first few Befaco builds, always tight builds.
Though my soldering skills have improved now.

I'm brutal with my tidying, racks never private.

Copied from YT description
I recently got @PnPModular to build me a Non-Linearcircuits @cirtcele Sloths, so I have this modulating the @paultasbeeb Indian Resonator. The Crackly noise is coming via noise fed to a VCA to lower the aplitude to the point where it turns into crackle, this crackle is fed into the @addacsystem6002 VCT-Networks 104 (I own 2x T-networks, the other non-CV is on more percussion duties), everything goes into the @AISynthesis Matrix Mixer before heading into either Monsoon Clouds (Reverb) or MakeNoise Mimeophon subtly tweaked by Sloths too.
There is a little bit of Sample action from the Radio Music Installed Prok Drum module too.

Nice :)

It would pair nicely with 4 Pints of Beer and a Kebab ;-)

I'd personally say get a good Reverb, I find the Mimeophon's reverb to be a bit Flanger/Phaser-like its just not as clean as it should be.
I've been hankering after a Happy Nerding FX Aid for a while, though the new Error Instruments / TINRS 'Rabbit Hole' looks interesting for some freaky weirdness. Clouds for Reverb is always pretty lush.

Kind of an ALM fetish you've got going on there haha.
I was going to sell one of my PipSlope's but I've just started using it as an LFO on looping mode.

Both good :)

I'll check it out this evening. It definitely got me to get some new sounds out of my modular.

proper relaxing, I should have been listening to that after my weekend Yoga session :)

Yeah, I guess its way cheaper than a a Mordax Data.

Can you get a Korg NTS-2 without the book?

The Korg NTS-2 looks nice but I simply don't want the book.
I'm sure the book is lovely and I'd recommend everyone read it.

Sensibly most people suggest to get an external Drum Machine. I'd quite fancy a Drum Brute Impact myself.

I've got a few small sequencers, DNIPRO DOT and Robaux LL8, both very capable, but I've just gone and got a Arturia Beatstep Pro as its way more user-friendly than the LL8 (though Muting isn't quite as easy) its good for other stuff too. The DOT is good for little fills and the in-between percussion bits that can be made to float along as poly-rhythms etc from the 3 channels that have different step counts giving you interesting variety that you don't always need to control.

Personally I'd use Pam's clocks for other stuff rather than trying to sequence Drums & percussion with it.

EDITED Apr 16th 2023, 17:54

Nice work there :)

I'll give it a go, though I normally have both A-138s taken over by Percussion mixing duties.

A-138s are handy but only input mono signals, though i guess you could use 2 channels panned left & right then the Volume of each channel as Pan.

Interesting :)

Someone somewhere will make a Stereo one at some point.

There's a few here - https://www.thonk.co.uk/product-category/hp-size/0hp/
And here - https://pushermanproductions.com/?s=workmate&post_type=product

But nothing Stereo.

Exactly like that. @modular01
And I guess I could use 2x Attenuators per Stereo Pair to adjust, but isn't there something called Panning Law https://samplecraze.com/tutorials/the-pan-law/ and the way Panning should work versus just attenuating a split Stereo signal.

From what I can see, there's not really a cost effective module out there to handle the panning.
Though if someone made a 4-6hp module with 3-4 Stereo Panning channels it would be pretty handy.

EDITED Apr 9th 2023, 08:36

Thanks Garfield, I'll shame some Dreamies next time.

I'm a regular viewer / listener :)

I've got a few mixers now, I've got CV-able Mono mixing that I can pan with voltage and mono-to-stereo panning mixers, and I've got Stereo mixers.
What I always want to do with stereo sources is to Pan the stereo slightly and it seems to me there are a bunch of No-hp modules around but what I want is a Zero HP Passive Stereo Panner to connect between a Stereo source and my main mixing.

I don't know if this is even possible.

Thoughts???

It was too early for cat modular, they chill out at the start of the mornings. Cheers

After watching the RedMeansRecording and then doing the walk-thru from MoltenMusicTech I had a go at creating a Krell Patch on the eurorack.
Not strictly self-playing as I'm shooting the Input of the Befaco VC ADSR a trigger from Mutable Instruments Marbles, Marbles is mainly used as a modulation source. The Gate-out of the Sustain stage on the Befaco Triggers the Sample & Hold and changes the Oscillator pitch. Lots of modulation from Ochd, Clep Diaz, Marbles & the 2hp RND.

You can ignore all the wires, I have 2 patches going on here, and I ease in a patch built around the Error Instruments Indian Resonator about half way through, the Indian Resonator works great when you combine it with a Sine wave and stick it through a Wavefolder so there are 2 parts that come from that.

hey, good stuff, I'm enjoying the samples in there.

Haha

I find mine really useful, great for little Acid lines when you get the envelop-out so you can tweak the filter along with adding an Accent pattern, works from triggers or CV as a standard VCA too.

Not quite Javelin, but check Patching Panda's Punch.

Don't do it! it took me a year or more to realise that its more sensible (Cheaper and more feature-packed) to use an external sequencer so I bought a second hand Beatstep Pro.
Its an easy way to add structure and repetition to my mostly generative rack and is so much easier than programming drums on my Robaux LL8, though they are cracking little drum sequencers.

Open a Commenting system on people's votes so manufacturers can have a say or question a voter's stance.

Don't btw. We deal with a whole host of numpties on a similar system for beers https://untappd.com/WishboneBrewery

Subscribed ;-)

Understood.

But Yeah, I'm not sure that helps or maybe it means I'm actually calibrated alright.
Testing the Beatstep Pro on a regular Oscillator gives me the whole keyboard range without problems.

I've just tried a re-calibrate with the Frequency knob set to 12 o'clock and its made no difference, the notes are all the same from G upwards though going down the octaves is totally fine.

EDITED Mar 5th 2023, 13:57

I soldered all the bits on a kit from Pusherman https://pushermanproductions.com/product/full-kit-mutated-rings-w-black-aluminium-antumbra-panel-smd-pre-soldered-pcb/ last weekend, followed the calibration procedure and all looked to calibrate ok.
But I notice when playing notes on the Beatstep Pro that the upper keyboard ranges seem to all be the same note passed a certain point which makes me wonder if the Pot positions should be centered or something versus all set at zero prior to calibration.

Any thoughts??

Thanks

There we go then, so its the BD-Z's fault then ;-)

Interestingly I get one heck of a good Kick out of the Befaco ADSR (all sliders down)
Whereas the ALM PipSlope won't even fire a kick off!
The WMD/SSF ADSRVCA will trigger a kick in one mode with the Decay turned up only.

@zuggamasta

Having just soldered up a kit, I can confirm that the https://www.modulargrid.net/e/addac-system-addac217 does not improve the triggers from the DOT or the LL8 for triggering a Kick drum. What I do know is the the Arturia Beatstep Pro gives good triggers and makes the Kick drums nice and punchy.

Anyone need a Addac217? Pretty annoying that I just spent half an hour shuffling sliding nuts to get it into my percussion case!

I'm with you on this one. I think the patchwork aesthetic suits the modular philosophy

-- padmasan

Nicely put.

I'm going to order a Matt Black Vinyl wrap for my Toilet!

Yeah, you guys are weird hahaha
I mean, my own cases are slowly turning quite black but its not by choice.

This seems strange to me, Why do people have an obsession with Black panels?
I'm enjoying the eclectic and wish those Red ADDAC modules were still a common thing, I don't want everything to be black, it can't just be me can it?

Had a listen last night, really nice work.

All on the market place?I shouldn't even be asking, I'm spent up right now!