It's not an "either or" proposition, you can completely open a filter and get brain-rattling PWM, supersaws, and noise to your heart's content. For a noise fan I'm surprised you aren't interested in some of the rowdier screaming filters (ms20 on your radar?). Think of filters like an EQ, because something you're missing is the need to EQ multiple musicians into a cohesive whole. You get VCA comments because modulation is a big part of modular synthesis and they are all but required to provide compelling complexity and are very useful for creating timed events, like notes, percussion, or noise with a defined start and endpoint. Your video example does not reveal what you think it does.
Run a drum machine through a fuzz box, buy a $30 RAT and see if you can't cut several G's off your shopping list. Not gonna comment on you hiring performers to tweak these knobs for you, but maybe you should be looking at a really nice sampler with character in the sound or a clipping-friendly mixer (check the various BX modules out there for a start).
Real suggestion is buy a used DFAM and start from there. There are a lot of standalone noise-friendly synths that really kick ass, check out Strega, Lyra-8 (and Pulsar-23), everything Bastle/Casper, and no-input mixing. Any of those would probably spank your "I bought all the shiny shit" setup here. You look like you're trolling because of the sheer quantity of things you're ignoring that are core to the format plus your deference to a chatbot as an authority which is ridiculous on its face. Loads of complex oscillators but not a single LPG, it's a formula worth trying like peanut butter on bread. Go to the synth noise section on muffwiggler if you aren't just taking the piss.