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Condition: Very good, signs of use and some marks on the pedal.
The idea of creating a modular fuzz came about as Jackson were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, “All of them!” All of them are different, and all of them bring something unique sonically.
With the FUZZ, you can update your fuzz sound completely with our analog plug-ins and turn your pedal into a whole new pedal with a simple and affordable plug-in swap.
This pedal comes with 2 of the additional modules, the Fuzz Classic/Vintage and the Goat Head.
FUZZ CLASSIC/VINTAGE
The classic Fuzz with the smiley Face! This plug-in has lower gain and a looser/softer feel. This plug-in is perfect for the earlier Jimi era tones.
GOAT HEAD
Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit!
Also included on the plug-in board are TONE and GAIN trimmers so you can fine tune the classic Big Muff tone control and adjust the overall gain style of the circuit.
How you EQ your tone, and especially the mids, are where the guitar makes its stand. Not enough mids and your guitar is lost in the mix. Too much highs and your tone is piercing and off putting. Too much bass and you compete sonically with the bass drum and bass player. With the parametric EQ on the FUZZ, you have 9 controls at your disposal to fully sculpt your tone and make sure the riffs you are laying down are NEVER lost in the mix!
BASS LEVEL - External knob. Adjusts for more or less bass. +/- 20dB
BASS FREQ - Internal trimmer. Selects which bass frequency is being adjusted.
BASS Q - Internal trimmer. Adjusts how narrow or wide the selected frequency is.
MID LEVEL - External knob. Adjusts for more or less mids. +/- 20dB
MID FREQ - External knob. Selects which mid frequency is being adjusted.
MID Q - Internal trimmer. Adjusts how narrow or wide the selected frequency is.
TREBLE LEVEL - External knob. Adjusts for more or less treble. +/- 20dB
TREBLE FREQ - Internal trimmer. Selects which treble frequency is being adjusted.
TREBLE Q - Internal trimmer. Adjusts how narrow or wide the selected frequency is.
Octave
A good fuzz and a good octave pedal go hand in hand. Jimi knew it. Stevie knew it. And you know it. If you want to put some purple in your haze, you’re going to need an octave pedal and the octave circuit in the FUZZ is outstanding!
Covering everything from perfectly pure octave up to screaming splatting sonic mayhem, the octave circuit in the FUZZ is the perfect marriage of vintage and modern thanks to its unique octave BLEND control.
The BLEND control mixed your clean signal with the fuzz/octave signal so you can dial in precisely how much octave effect you want. Guys like Doyle Bramhall II use this to great effect by adding just a little octave to their sound which gives is a little “lift”.
With the BLEND control fully counterclockwise, the octave circuit acts as a boost and is perfect for slamming the front of the fuzz circuit for more gain! Pro Tip! Boost + Fuzz Face = Tone Bender! This boost is also perfect for boosting the front of other pedals or just running as an always on signal buffer/booster.
With the BLEND control fully clockwise, there is no clean blend so your signal is fully fuzzed out with however much fuzz/octave you have dialed in with the OCT control.
Specifications
True Bypass (mechanical) for each circuit
Input Impedance: 1M
Output Impedance: 100k
Power Supply: DC (supply not included)
Voltage Input: 9V MAX
Polarity: Center Negative
Min Current Required: 50mA
Dimensions: 2.7” x 4.875″
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