Slimline Slew Limiter

Description

Slimline Slew Limiter CV/Audio slew (lag processor) with independent Rise/Fall, CV & Shape for Eurorack in 2HPDive into subtle motion shaping with a slew limiter that turns hard steps into musical movement. Where CV would normally “snap”, the Slimline Slew Limiter creates smooth transitions: pitch glides instead of jumping, random voltages become organic drift, and stepped modulation turns into gentle curves. The result isn’t just “smoother” — it’s more controllable, repeatable, and often simply more musical, because your patch no longer catches on edges.In modern Eurorack patches where many sources meet (sequencers, S&H, random, stepped envelopes, quantised CV, macro controllers), unwanted artefacts appear quickly: zipper noise on filter sweeps, audible steps in subtle modulation, or sharp transients when parameters switch too fast. A slew limiter is elegant “patch hygiene”: it lets you shape the speed of change — from almost invisible smoothing to deliberate, performable glide that feels like an instrument. Why a slew limiter?Portamento/glide for pitch CV: mono lines instantly feel more alive and less “stiff”Smoothing stepped modulation: less zipper noise on filters, VCAs and waveshapersOrganic drift from random/S&H: hard jumps become floating trajectories2HP compact — maximum control over motionSpace is always tight, which is exactly why a slew limiter belongs to the utilities you want within reach all the time. At only 2HP, the Slimline Slew Limiter drops into any Eurorack system without stealing room — yet it’s the kind of tool that quietly improves countless patches, or steps forward when you want movement as a musical element. Instead of rebuilding a patch, you simply shape time: how fast may a parameter respond? How soft should a change be? And when should a transition feel “snappy” without hard clicking?The Slimline Slew Limiter is meant as an always‑on utility: patch it, forget it (in the best way), and enjoy how everything reacts more stable, softer and more controllable. Whether you smooth audio‑like modulation, calm sensitive CV paths or tame performative macros, the key is that behaviour stays reliable and not “accidentally” different from patch to patch. That’s how a system starts to feel higher‑end: motion no longer stumbles, it’s guided.Typical applicationsPortamento/glide for pitch CV between sequencer and VCOSmoothing random/S&H into organic drift (filter, PWM, timbre)Reducing “zipper noise” on stepped modulation of cutoff, drive or morphSoftening macro CV (fader/joystick) for live‑ready performanceAsymmetric movement via separate Rise/Fall times for pump/swell effectsCreative curve shaping with Shape — from precise to organic

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