Transfiguration Oscillator
https://www.earthquakerdevices.com/the-wave-transformer
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The EarthQuaker Wave Transformer is an analog, vintage-voiced, voltage-controlled oscillator with over 8 octaves of accurate pitch tracking. It has 7 simultaneous wave outputs, including a unique Complex output. The Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM. Additionally, you can mute the source waveform to use the circuit as a harmonic gate or VCA, rendering the Wave Transformer a voice unto itself. If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources. Sub Source Sub Source selects either the internal oscillator or the signal patched into the Shape Insert jack for use in generating sub octaves. This control affects the Complex, Sub Pulse and Sub Square outputs. Leave this set to INT unless you are tracking an external source. Sub Octave Sub Octave selects between 1 octave down, 2 octaves down or muting the sub octaves. This control affects the Complex and Sub Square outputs. The Sub Pulse output is unaffected by this control, as it is fixed to 1 octave down. Complex Source Complex Source selects between muting and unmuting the source wave for the Complex output. Tune Tune allows course control of the pitch of the oscillator, spanning approximately 7 octaves. Fine Tune The Fine Tune offers fine control of the pitch of the oscillator, spanning a little more than 1 octave. µTune – (Micro Tune) This is the ultra fine control of the oscillator, spanning approximately 25 cents. Pulse Width Pulse width varies the Pulse width of the Rectangle output between 0 and 100 percent. At 0 percent or 100 percent Pulse Width, the Rectangle output is silent. Transform Transform morphs the Complex output from a triangle wave through multiple iterations into a strange and harmonically complex waveform, using an asymmetrical multi-differential audio transmutation circuit. Inputs Hard Sync – (Accepts plus minus 5 volts) It uses the incoming signal to reset the phase of the oscillator to a particular phase, depending on the polarity of the incoming pulses. Soft Sync – (Accepts plus minus 5 volts) Pulses at this input cause the transient of the triangle wave to prematurely change direction, causing the oscillation period to be a multiple of the pulse width of the incoming signal. V Octave – Accepts traditional volt and octave CV to control pitch. Shape Insert – (Accepts Plus minus 5 volts) Allows the insertion of another waveform or modular-level signal to be mutated by the Transform circuit. The new waveform will change the results heard at the Complex output. Lin FM – (Accepts plus minus volts audio signals) Allows linear frequency modulation. Expo FM – (Accepts plus minus 10 volts) allows exponential frequency modulation. Outputs Some of the outputs are Sine – (plus minus 5 volts), Triangle – (plus minus 5 volts), and Saw – (plus minus 5 volts). Complex– (up to plus minus 10 volts) - this strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform.
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