Royal stereo matrix mixer

The Queen’s Court is a new kind of stereo matrix mixer, combining a fully analog signal path with deep digital control — and removing the need for external modulation. Designed for performance as much as for studio work, it brings hands-on control, internal modulation, and preset morphing into a single, cohesive instrument.

At its core, The Queen’s Court offers 4 stereo inputs (configurable as stereo or dual mono), 3 auxiliary stereo inputs, and 4 stereo outputs — all freely routable within a flexible matrix and it embeds modulation directly into the routing structure.

The Queen’s Court integrates 36 internal modulators directly into the matrix.

Per-input panning with LFO-based autopanning
Per-routing-point bipolar envelopes, triggerable via CV or extracted from audio signals
Integrated LFOs on each routing point, with sine and random waveforms, clock-syncable
This enables advanced behaviors such as internal sidechaining, dynamic routing, and animated spatial movement — without relying on external modules.

Designed with an open-ended philosophy, The Queen’s Court can function as:

a self-contained matrix mixer
a performance mixer
a feedback processor
a routing hub for audio and CV
Oh and the system can also be expanded with up to two expanders, increasing the total to:
8 stereo inputs
5 auxiliary stereo inputs
4 outputs
8 CV inputs

4x4 stereo matrix mixer
Full analog signal path, digital control
Mute, Level & Preset performance modes
36 internal modulators: LFO's, envelopes, autopanner
Latch/momentary mute with adjustable fade times
4 assignable CV/MIDI inputs
3 assignable stereo AUX inputs
256 presets with CV, trigger, Select Bus control and real-time morphing
Expandable system with additional I/O for a total of 8 stereo Inputs, 5 aux Inputs, and 8 assignable CV inputs