ER-MicAmp

With Hi-Z Input, Line Out, Insert, Envelope, Trigger, and Gate With Digital Control and Recall via XPatch App and ER-Proccessor

Features

• High Quality FET Input Mic Amp
• 48v Phantom Power
• XLR Combo Input with balanced Hi-Z (10M) Jack Input
• 3.5mm Jack Break Point – Mic/Line/Instrument Input XLR Line Output
• XLR Line Output
• High Pass (150Hz 6dB.Octave) and Polarity Control
• Envelope & Inverse Envelope Outputs -5v to +5v, With/Without Low Pass filter
• Trigger & Gate Outputs
• Controlled by the ER processor - Digital Recall of all settings
• Select between fixed gain of 16dB, 32dB, 48dB or 64dB at the Insert Output, 22dB, 38dB, 54dB or 70dB at the XLR Output
• Combine with one channel of the ER-Gain+Sum to provide up to 92 dB of variable gain at the XLR Output with 0.25 / 0.5 / 1 dB gain Steps.
• Size: 11 HP
• Control via the XPatch App

Description

The ER-MicAmp is the latest addition to the ER-Range, and joins in with the ER-Processor, ER-Patch16/32 and ER-Gain & Sum.

Our goal was to create the best possible clean eurorack FET Microphone preamp, with digital control and recall from their XPatch App and the ER Processor.

The ER-MicAmp brings studio quality to eurorack with clean sparkly treble response and an extended sounding presentation of the bass end of your microphone.

The ER-MicAmp excels in delivering detail and lets people hear very low level signals in the top end of the spectrum. An unrivalled pristine High Impedance line/Instrument level input, to bring in very high quality audio from any source into the system.

Delivering convincing front to back depth allowing the sound to reach out from the speakers and grab you.

Use the breakpoint to connect Mic/Line/Instrument Input to your system and to output via Balanced XLR Line Output.

An I/O Swiss army knife with, Envelope follower, Gate and Trigger outputs.
Have fun and get creative by:

Triggering effects and modulation chains based on a vocal.

Set up some side chain ducking with a VCA running off the inverse envelope.

Patch the envelope and gate through the ER-Patch 16/32 and then have the trigger switch scenes to route the envelope and gate to different sections of your system to do endless variations as the vocal progresses.

Add the output to the mix and have it hit different sections while also routing the line output to external rack gear. 

https://www.cbelectronics.co.uk/ermicamp