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Wild fuzz Shin-Ei in a box.The switches include treble cut, amplifier bias, and compression. The treble cut allows for a more useful fuzz sound at higher gain settings. It also pairs well with the compressor engaged. The compressor pinches the high end in a way that might cut through the mix in certain situations, but could also come off as overbearing in a sparse arrangement. The threshold of the compressor is controlled by the onset knob, which in practice acts more like a gain boost than anything else. If you have a wild sound going on without the compressor, engaging compression might make your sound just a little crazier.The amplifier bias toggles between “open” and “saturated”.