Offer Details

Not motivated to part with this but will consider as I certainly understand the obsessive/collector/artist perspective. It’s one of a kind. Like New. Limited One-Time Production Run. Spectral Morphing Workstation melds looping, vocoder, glitch, etc. A deceptively simple combination of two ideas – Recording & Vocoding – resulting in a fully interactive, input-dependent effects pedal with a fluid sonic identity.A Spectral Morphing Workstation that lets you record any musical phrase or audio signal into its internal memory, and turn it into an entirely new, original sound-processing engine.When you record a phrase, RECODER does not play it back like a looper. Instead – it performs a detailed spectral analysis of the captured signal – extracting its sonic DNA with extraordinary precision, and transforms it into a dynamic audio processing template which is applied directly onto your live playing in real-time.The result is a continuous conversation between two signals – where every new note you play pushes the character of the interaction, and pulls the effect in new and unexpected directions.You can think of the RECODER as:a signal cross-pollinator,a dynamic filter,a moving audio prism,a ghostly vocoder, a formant resonator,a granular echo creator, or evena sound-imprint machine……but the truth is that even we don’t know how your RECODER is going to sound, because this pedal is only complete when you fill it up with your own musical ideas…HOW IT WORKSThe RECODER operates through the interplay between two signals: the Live Input from your instrument (INPUT), and a secondary MODULATOR signal – which can be any recorded PHRASE or a live MODULATOR input (REC INPUT).Internally, RECODER runs a real-time high-resolution Fast Fourier Transform (FFT) spectral analysis engine – measuring the energy distribution of both signals across 1024 isolated frequency bands.The RESOLUTION control adjusts how often these “spectral snapshots”are refreshed – from rapid 5ms intervals to slower, stepped windows (40ms, 80ms).Once the spectral profiles of both signals are measured, the RECODER can apply precise, band-specific adjustments to the INPUT — performing surgical moves on every frequency band, and structuring the interaction between the two signals on a molecular level:Transferring TIMBRE between signals, shaping the AMPLITUDE of one with the other, making your INPUT mimic the MODULATOR’s sound and respond to its every movement — and extracting SLICES, GRAINS, and RESONANCES from the overlapping spectral content, then pushing them through time as melodic feedbacks, reverbs, delays, and harmonic blooms.LAYERSAll RECODER sound engines are controlled via 4 shared endless encoders across three color-coded control LAYERS: 
WHITE, YELLOW, and RED.Each control LAYER gives the encoders a different set of functions, letting you access 3 distinct processing domains:WHITE LAYER: INPUT MODIFICATION & FEEL Use the spectral & dynamic profile of the MODULATOR to modify INPUT signal:Short 20-100ms PHRASES act like spectral “snapshots” – that you can apply onto your input as timbral filters.Longer PHRASES (or any LIVE signal routed into the REC Input) become a constantly moving dynamic modifier for your main instrument!- CREATE CUSTOM TREMOLO PATTERNS - - TURN MELODIES INTO A SIDE-BAND BOOST - - MAKE VARIOUS VOCODER EFFECTS - - COPY TIMBRE & APPLY TO YOUR SIGNAL - - ADJUST RESPONSIVITY & TRANSIENTS -🔴AMPLITUDE SHAPING TIMBRE TRANSFER🔴YELLOW LAYER: GENERATIVE & SPATIAL FX The RECODER can also isolate and extract the overlapping spectral content between both signals – THE 
MODULATOR & main INPUT – generating entirely new sonic structures – SLICES & RESONANCES.Then – you can push them through time – creating unique variations of melodic feedback, echoes, delays and reverbs.- EXTRACT SLICES OUT OF MODULATOR - - TRIGGERED BY OVERLAPPING FREQUENCIES - - CREATE RESONANCES BETWEEN TWO SIGNALS - - CREATE MELODIC REVERB & FEEDBACK - - POWERFUL DELAY & REVERSE DELAY ENGINE - 🔴SLICES,RESONANCE,REPEATS & DISTANCE🔴RED LAYER: RESHAPING THE MODULATORThe Red Layer lets you radically reshape the personality and texture of the MODULATOR – thus affecting all further interactions downstream.- POWERFUL TILT EQ - - BUILT-IN DRIVE & BIT-REDUCTION ENGINES - - PITCH SHIFT (4x UP & DOWN) - - TIME-STRETCH ANY RECORDED SOUND - (10X) In LOOP or STEP ADVANCE mode – press both footswitches simultaneously to audition the MODULATOR with all RED LAYER adjustments via the MAIN OUTPUT.
LOOP Mode – Circular PlaybackThis is the default mode – the one we’ve focused on in all previous sections, and the mode that inspired the RECODER idea initially!In LOOP mode, the recorded phrase is constantly spinning inside the engine — like a circular buffer. The playhead continuously cycles through the phrase, over and over again.STEP Mode – Dynamic PlayheadRECODER analyzes the recorded phrase and splits it into segments based on transients and pitch changes — like tiny “phrase markers” or event points.The playhead only advances when you trigger it with your playing.Each time you strike a note or hit a transient — the engine jumps to the next slice, segment, or pitch zone in the recorded phrase.This is the ideal mode for breaking out of a set rhythmical pattern!* Advance Sensitivity & Threshold can be adjusted in Global Settings.LIVE Mode – Real-time SPECTRAL MORPHINGInstead of relying on saved phrases as the signal source —  the RECODER uses your live input as the spectral donor – essentially becoming a real-time spectral resynthesis and cross-morphing machine.