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Look up onUp for sale, a TC Electronic MIMIQ Doubler. This gem from my collection has been lovingly cared for and is in pristine condition.The TC Electronic MIMIQ Doubler is a unique stompbox designed to replicate the massive, thick sound of studio double-tracked guitars in a live setting. Instead of relying on a standard, static delay, it uses a proprietary algorithm that subtly varies the timing, pitch, and attack to emulate a real human playing alongside you. Virtuoso guitarist John Petrucci has said, “I’ll never play a live show again without one in my rig”.Key Features & Controls Dubs Toggle Switch: Allows you to select how many additional "overdubs" you want layered on top of your signal. You can choose 1, 2, or up to 3 extra tracks (simulating a total of four guitarists playing in unison).Tightness Control: Adjusts how accurately the simulated tracks follow your playing. Lower settings keep the tracking razor-tight, while higher settings emulate a looser, more spacious, and grooving feel.Mix Controls: Separate Dry and Effect knobs allow you to balance exactly how much of your original signal and the doubled tracks are blended together.Stereo I/O: Features dual inputs and outputs, making it incredibly powerful for stereo rigs. Running it into two separate amps creates a massive, immersive, 3D soundscape.True Bypass: Ensures your tone remains completely unaltered when the pedal is switched off. Who is it for? The MIMIQ Doubler is heavily favored by hard rock and metal guitarists who need a gigantic rhythm sound or a standout lead tone. It essentially functions as an "extra rhythm guitarist in a box" for 3-piece bands or players who want to thicken their sound in a live mix without pushing the overall volume too high. While it can be used in a standard mono setup, users typically agree that it truly shines and opens up in a dual-amp stereo rig. It is generally recommended to place the pedal at the end of your chain, after your distortion and overdrive pedals, so that the overdriven signal is what gets doubled.

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