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Boss DD-500 Digital Delay (used) – original packaging – almost flawless – factory settingsI am selling my Boss DD-500. The pedal is almost flawless, has been reset to factory settings and comes in its original packaging (including everything that came with it).ConditionAppearance: almost like new (no significant marks)Technical: flawlessFactory reset: Yes (clean start for new setup)Original packaging: YesWhy the DD-500 is so absurdly versatileIf you think of delay as ‘just’ an echo, you're not even scratching the surface with the DD-500. This thing is more of a delay platform:Sounds / delay types (huge range)Crystal-clear digital delays to warm, modulating texturesAnalogue and tape voicings (with character, without muddiness)Pattern / rhythm delays for U2/Edge style, math rock, ambientShimmering, modulated, floating delay surfaces (ambient/score)SFX, glitch/warp-like effects, reverse-like vibes (depending on mode)Features that are worth their weight in gold in practiceLots of presets (ideal for live: one song per preset)MIDI (program changes, clock, parameter control – perfect for switching systems)Tap tempo, subdivisions, sync optionsStereo I/O (big, wide, very musical)Two delays possible simultaneously (layering, dual delay setups, ping pong + slapback, etc.)Looper (great for jamming and soundchecking)Deep editing, but also quick ‘plug & play’ if you wantAreas of application (from “normal” to ‘film’)Slapback for rockabilly, classic rock, countryDotted 8th / rhythmic delays for pop/rock/worshipAmbient pads: long, modulating trails, swells, ‘ever-expanding’ carpetsSound design: spacey trails, swell delays, pseudo-reverse, experimental texturesStudio: precise, reproducible, MIDI-syncableLive: presets + MIDI = stress-freeComparison with Strymon (Timeline & Co.)Many people compare the DD-500 directly with the Strymon Timeline (and the Strymon world in general) because both play in the ‘pro delay’ league. Here is an honest assessment:Where the DD-500 is particularly strongPrice/performance: usually significantly more attractive than Strymon, but absolutely ‘pro’ capablePrecision & control: lots of parameters, very flexible setupMIDI integration: really convenient for complex rigsVersatility: from clean to crazy, plus dual delay optionsWhere Strymon often scores‘Strymon glue’: that typical, very classy, instantly beautiful ‘hi-fi’ feel (especially Timeline)Feel: some find Strymon more direct/“inspiring” out of the boxCharacter voicings: Strymon is often strong in “instant vibe” (tape/analogue feel)In shortIf you want maximum functionality, flexibility, presets/MIDI power and delay from ‘standard’ to ‘soundtrack’, the DD-500 is a monster.If you're primarily looking for the Strymon signature sound and want to spend less time tweaking, Timeline is often the benchmark.Sonically, both are top-notch – the difference is more about workflow & character than ‘good vs. bad’.
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