Full-Drive 2 Mosfet

Description

I am original owner. Only used a few times in my studio never on a pedal board. In better then excellent shape. No original box>>>>>>>>>>>>>from specWith extended Bottom-end response, the first channel is the Overdrive Mode capable of Clean Boost (Comp-Cut) or more distortedOverdrives. (“FM“ and “Vintage“ modes) The Tone control is a very effective circuit that can smooth out or enhance upper harmonics, with12 O'clock being about neutral. There's also a foot-switchable second channel "Boost Mode" Distortion control capable of higher gains withmore singing sustain! This pedal gets its natural sound through the use of Asymmetrical-Clipping, (Standard Mode only) has my proprietary"Flat Mids" circuit, (FM mode) and also a Symmetrically Clipped MOSFET mode (Metal Oxide Field Effect Transistor) that offers rougher,stinging Marshall/Ampeg/Fender-style distortions making this one of the most versatile OD/Distortions on the planet.In jack: Plug cable coming from guitar into this jack....remember to unplug guitar cable when not using the pedal for longer battery-life.Out jack: Plug a cord from this jack to other effects or to the amplifier.DC power jack: This unit will work with most guitar effects 9 to 18 Volt DC adapters that offer the standard 2.1mm x 5.5mm Barreljack...please note the adapter MUST HAVE the Negative (-) going to the Center pin to operate with this pedal! Most adapters are noisy andsupply poor DC power so choose only a regulated one such as our Fulltone FPS-1. Cool feature! You can leave a battery hooked up insideyour pedal without any draining of its power AS LONG AS you have an adapter plugged in to the DC power jack your battery won’t die.Battery access: To access the 9 volt battery simply loosen (by hand) and remove the 4 rubber feet/screw and pull the housing apart.There is no need to over-tighten the 4 screws, just re-install them hand-tight.ON/OFF switch: This pedal has True-Bypass with LED indicators! when this pedal is Off, it's not loading down your signal like virtuallyevery mass-produced pedal around! We make the Fulltone 3PDT switch nearly indestructible, with many proven years of service.Volume knob: Raise or lower this to increase or decrease overall level of both channels.Tone knob: This affects both channels, Since this pedal stays true to your original sound, I made this a Presence control for rolling-off oraccentuating both the hi-end and the upper Harmonics. Turning this clockwise increases brightness.Turning counter-clockwise smoothes out sound without changing either the Midrange or the Bass content.Overdrive Mode: This knob controls the distortion levels for the "Overdrive Mode only (note: the Left-side LED is lit by itself without theRight-side LED being on). Turning this CW will increase Overdrive and sustain. This channel is voiced for transparency for the purist who's happy with his/her /Amp tone and just wants to enhance the gain and sustain.Boost Mode: Actuated by stepping on the "Boost" footswitch located at the lower right, (note: both Left-side and right-side LED's mustbe lit) this transforms the pedal into a medium to higher-Gained distortion with a nice midrange growl and lots of sustain. You can control the amount of distortion. (regardless of where OD knob is set!)Note: Boost Mode will not operate unless the pedal is turned on with the Left LED lit and the Right LED lit as wellComp-Cut Mode: this setting (on the mini-toggle switch) accesses the Clean boost mode for both channels! You can get serious clean volume increase and add slight distortion to this via the Overdrive and Boost knobs...CAUTION! this mode can give a huge gain increase at higher OD and Boost settings so back-off on the Volume level at first. When "Overdrive" and "Boost" levels are below 10 O'clock, this change is heard as a quicker and firmer attack with less softness. Because there is little compression at lower OD settings, you may have difficulty hearing the subtle difference when using Comp-Cut....listen for the attack and more immediate transients.FM Mode:(on the mini toggle) makes the “Overdrive Mode” (channel A) very transparent, with less Mids than “Vintage Mode,” and you’ll notice that the FD2-Mos cleans up much better when your guitars’ volume knob is turned down as well. When in “FM Mode,” switching to the Boost channel (channel B) gets you more midrange and offers more Distortion with a bit more high-end (frequency @5Khz)Vintage Mode: this setting (on the mini-toggle) takes the “Overdrive Channel (channel A) back to the Midrange heavy beast it was in the ‘90’s....You’ll hear more midrange. You may notice that the “Vintage Mode“ Boost channel (channel B) has a little Less treble (more) than the “FM mode” Boost channel.MOSFET Mode: this new Mode applies Mosfet Clipping, which has more bottom-end, more growl, and more aggressive attack & overtones. In Mosfet mode you utilize Comp-Cut, FM, and Vintage Modes as well. Fulldrive 2 features controls for volume, tone, overdrive, and boost, as well as 2 toggle switches. The first toggle switch changes between 3 different overdrive modes - Comp Cut, FM, and Vintage, ranging from clean boosts to medium overdrives. The second changes between 2 additional settings, Mosfet and Standard. The pedal can be powered with a 9V battery or via a 9V DC power supply. When engaged, a bright green LED shines to indicate on status and when the boost feature is engaged, a red LED is displayed; both LEDs are super bright. The pedal is true bypass, so when not in use, it is not robbing any tone from the original guitar signal. there is also no "pop" when engaging the pedal. On to the other features.Knob ControlsVolume - Like most volume controls, this one simply controls the overall output level of the pedal. Turning this knob clockwise increases the output of the pedal. This knob becomes very useful when toggling between the overdrive settings. Tone - Most tone knobs serve as sort of a treble control, simply adding brightness to the overall sound or dulling the treble. The tone knob on the Fulldrive 2 is actually more of a presence control, while still affecting the treble frequencies. Turning the knob clockwise provides a wider soundscape, giving a little more fullness and life to the pedal with focus on the higher frequency range, adding upper harmonics, while turning it counterclockwise smooths out those frequencies just a bit. My favorite setting for the tone knob is around 11:30, giving it just a little more air and breathing room, but not too much presence, to help tame the upper registers.Overdrive - This knob controls the amount of gain in the signal path of the pedal. Turning the knob counterclockwise decreases the amount of gain while turning it clockwise increases it. The Fulldrive 2 has a healthy amount of gain on tap, but also cleans up nicely and performs well as just a boost. This is another knob that is very useful when toggling through settings.Boost - This knob controls the amount of saturation when the boost control is engaged. Turning the boost knob counterclockwise limits the amount of saturation and turning it clockwise increases it. The boost control pushes the pedal harder for a much more saturated overdrive sound. The pedal must already be in use for the boost feature to be operable and it only adds so much of a level increase, so there is not a huge volume difference when engaging the boost, however the sound just gets meaner and meaner as the boost knob is cranked. Fully clockwise, the sounds are practically distorted, very thick and lots of gain with lots of sustain. This is great for adding gain for a solo or break out part or even to add more gain for a chorus part or bridge; the options are open for the user.Toggle Switch SettingsComp Cut - This stands for compression cut. This mode allows the pedal to function more as a clean boost or moderate overdrive, depending on the amount of overdrive. There is a large increase in volume from the other settings and the tones are much cleaner and smoother. This is my favorite setting, I like how natural the pedals sounds when used in this position. All of the settings do a great job of maintaining the original sound of the amp and guitar, but this setting seems to do it the best. All of the sounds are very clear and rich and this setting gives the boost a little more headroom, increasing the sustain and clarity while in use. This setting works great for boosting clean tones or to push the sound over the top a bit for solos when already playing overdriven.FM Mode - This stand for "flat mids". This setting offers more gain and is a very natural overdrive sound. Sounds are punchy and tight and the amp breaks up really nicely in this setting, seemingly to offer a little more gain than the other 2 settings.Vintage - This setting is more true to the original Fulldrive pedal by Fulltone. Very heavy on the mids and does a great job standing out in a mix. This setting seems to be a bit warmer than the FM mode, with the increase in the mid range frequencies.Standard - This mode allows the pedal to operate just as the standard Fulldrive 2. As described above, disengaging the Mosfet mode from the circuitpath.Mosfet - This introduces the Mosfet mode into the circuit path, which slightly increases the upper mids in the overall sound. A very subtle, but usable and interesting switch for creating original overdrive sounds.

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