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Perfect other that the velcro - which I can remove if you’d prefer. BUMFStory timeWhen Tom Majeski joined Chase Bliss a couple years ago we knew we had to make a version of Generation Loss MKII, but beyond that it wasn’t clear if we would revisit any other CooperFX pedals. Outward was always the other Cooper pedal that excited us the most, but it felt like there might be just a bit too much similarity with MOOD so that possibility just kinda sat there. Until a few months ago when Tom approached me with an idea. The development for this one started really humble, we didn’t decide in advance if this was going to be a pedal or not. Tom just wanted to chase a curiosity and usually that’s a good idea. And it worked out.Onward is very much its own thing, I know Outward has its fans so I want to be really clear about that. It doesn’t try to do everything that Outward did. It’s a more focused, refined pedal that takes the envelope mode concepts from Outward and dives all the way to the bottom. We did actually test out a version of this pedal that had a lot more in common with Outward, to see if we could make everyone happy. But it felt watered down. So we committed to this new direction. Onward!A bit more about itThere’s so much to talk about but I’ll stay away from the facts because you can find those here.I personally think the most interesting thing about Onward is how well it tracks and reacts to your playing. It does some very synthy things, but unlike a synth pedal it doesn’t have to analyze your playing. It just samples it – it’s all you. So it’s really tight and responsive, and then you have a whole pile of ways to shape and mess with those samples and how they play back. Another unique aspect of Onward is how the two sides form this unlikely friendship. The freeze is smooth and shapeless, the glitch is crisp and repetitive. One gives you atmosphere and synthetic soundscapes, the other gives you rhythm and structure. You can use them solo, both at once, or – my preference – lock in one side and play along to it, while the other continues to follow you. When all of the parts come together it can feel like a synthetic orchestra supporting you and following your every move. That’s not a feeling I’ve had before.
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