RP500

Description

From the Manufacturer
Make the complex simple. Pros use large effect switching systems to connect and make it simple to control large assortments of stompboxes, effects and amps. They need control over effect’s on/off state as well as the ability to completely change the effects in their “pedalboard” at the touch of a single button.Stompbox feel. Pros like stompbox type metal switches due to their feel when pressed and simplicity of operation. On/Off, or program number is all they have time to worry about in a performance.The Simplicity of a Stompbox. The Control of an Effect Switching System. The RP500 takes the complexity of an effect switching system and combines it with the simplicity of stompboxes. Professional tones are at your disposal, all easy controlled. Concentrate on performing.
Versatility
Every guitar player is different from their core tone, how they achieve it, and how they control it on stage. Whether you get your tone from your amp and just need a few effects or get your tone from a single box the RP500 has the sounds and control over them that you need. Unlike multi-effects that take over your tone and limit your control, the RP500 is an effect switching system over internal stompboxes, effects, and amps. Control your tones in Preset or Pedalboard mode. The Preset mode allows you to switch between saved presets and can drastically differ from one to another. The Pedalboard mode allows you to turn on an off individual effects and stompboxes with ease within a preset.
To top it off, the unique Amp/Cabinet Bypass mode defeats internal amplifiers and cabinets in the RP500 leaving you with just stompboxes and effects. Your RP500 is now the perfect collection of stompboxes and effects with unprecedented control to use with your distorted or clean amplifier. Augment and spice up your sound any way you’d like and retain the control you need with the RP500. 
Effects
Wahs:
DigiTech® WahCry Wah Based on a Dunlop® Cry Baby™ WahClyde Wah Based on a Vox® Clyde McCoy™ Wah 
Compressors:
DigiTech® CompressorCS Compressor Based on an Boss® CS-2 Compressor/SustainerDyna Comp Based on an MXR® Dynacomp™ 
Noise Gate:
DigiTech® Silencer™ Noise GateDigiTech Auto Swell Gate 
EQ:
3-band semi-parametric EQ
Chorus Stompbox Models:
DigiTech® Dual ChorusDigiTech Multi-ChorusDigiTech Glistening ChorusCE Chorus based on a Boss® CE-2 ChorusTC Chorus based on a TC Electronics® Chorus 
Flanger Models:
DigiTech® FlangerDigiTech Triggered FlangerMX Flanger based on MXR® FlangerEH Flanger based on Electro Harmonix® Electric Mistress™AD Flanger based on ADA™ Flanger 
Phaser Models
DigiTech® PhaserMX Phaser based on MXR® Phase 100EH Phaser based on Electro Harmonix® Small Stone™ 
Pitch Models:
DigiTech® Whammy™DigiTech® Pitch ShiftDigiTech® DetuneDigiTech® Harmony PitchOctaver based on a Boss® OC-2 Octaver™ 
Vibrato / Rotary Models:
DigiTech® VibratoDigiTech® RotaryDigiTech® Vibro / PanUnovibe based on a Unicord Uni-Vibe™ 
Tremolo Models:
DigiTech® TremoloDigiTech® PannerDigiTech ScatterTrem – Dual tremolo effectOpto Tremolo based on a Fender® Opto Tremolo™Bias Tremolo based on a Vox® Bias Tremolo 
Envelope / Special Models:
DigiTech® Auto Yah™DigiTech® YaYa™DigiTech® Synth Talk™DigiTech® Step FilterDigiTech® Sample & HoldDOD FX25 based on DOD® FX25 Envelope Filter 
Delays:
Digital DelayAnalog DelayPong DelayModulated DelayTape DelayReverse DelayDM Analog Delay based on Boss® DM2 Analog DelayEcho Plex based on a Maestro EP-1 Tube Echoplex 
Reverbs:
Lexicon® AmbienceLexicon® HallLexicon® RoomLexicon® StudioSpring based on a Fender® Twin Reverb™EMT240 based on an EMT® 240 Plate Reverb
Distortions
SCREAMER (Based on an Ibanez® TS-9)
TS 808 (Based on an Ibanez TS-808 Tube Screamer)
SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
RODENT (Based on a Pro Co RAT™)
MX DISTORTION (Based on an MXR® Distortion +)
DS (Based on a Boss® DS-1™ Distortion)
GRUNGE (DigiTech® Grunge®)
ZONE (Based on a Boss MT-2 Metal Zone®)
DEATH METAL (DigiTech Death Metal™)
GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
8TAVIA (Based on a Roger Mayer Octavia™)
FUZZLATOR (Based on a Demeter Fuzzulator)
CLASSIC FUZZ (Based on a DOD Classic Fuzz)
FUZZY FACE (Based on an Arbiter® Fuzz Face™)
BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
REDLINE (DigiTech® Redline Overdrive)
Amps
57 CHAMP Based on a '57 Fender® Tweed Champ®57 DELUXE Based on a '57 Fender® Tweed Deluxe™59 BASSMAN Based on a '59 Fender® Tweed Bassman®62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb®65 JTM-45 (Based on a '65 Marshall® JTM-4568 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)68 JUMP PANEL Based on a '68 Marshall Jump Panel77 MASTER VOLUME Based on a '77 Marshall Master Volume83 JCM800 Based on an '83 Marshall JCM80093 JCM900 Based on a '93 Marshall JCM90001 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)62 AC15 Based on a '62 Vox® AC1563 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR10381 MARK IIC Based on an '81 Mesa Boogie®Mark II C01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual RectifierMARK 4 Based on an '93 Mesa Boogie Mark IVTRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier99 LEGACY VL-100 Based on a Carvin® Legacy VL-10096 MATCH HC-30 Based on a '96 MatchlessTM HC3088 SLO-100 Based on an '88 Soldano SLO-100GA-40 Based on a Gibson® GA-405150 II Based on a Peavey® 5150® IIJAZZ COMBO Based on a Roland® JC-120SOLAR 100S Based on a Sunn® 100SHT-100 Based on a Randall® HT-100OJ 120 Based on a Orange™ OR 120SUPER G Based on a Laney™ SupergroupDIGITECH SOLO DigiTech® SoloDIGITECH METAL DigiTech MetalDIGITECH BRIGHT CLEAN DigiTech Bright CleanDIGITECH CHUNK DigiTech ChunkDIGITECH CLEAN TUBE DigiTech 2101 Clean TubeDIGITECH CRUNCH DigiTech CrunchDIGITECH BLUES DigiTech BluesDIGITECH FUZZ DigiTech FuzzDIGITECH SPANK DigiTech SpankDIGITECH HIGH GAIN DigiTech High GainDIGITECH MONSTER - Maxed out gainDIGITECH “TWEEDFACE” – Tweed preamp w/Blackface powerampDIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman powerampDIGITECH STONERROCK – Thick, sludgy distorted amp toneDIGITECH DARKMETAL – Responsive, tight metal toneDIGITECH TRANSISTOR – Solid state transistor amp soundDIGITECH BROWNSOUND – Hot rodded 80’s stack toneDIGITECH MOSH – Chunky metal tone with just the right amount of sizzle2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated TubeDIRECT No amp modelDREADAUGHT ACOUSTICJUMBO ACOUSTIC
Cab Models
CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe ReverbBRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox SpeakerBLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue BacksBASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backsFANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane SpeakersBOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’sVINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’sDIGITECH SOLO 4X12 4x12 DigiTech® SoloDIGITECH BRIGHT 2X12 2x12 DigiTech BrightDIGITECH METAL 4X12 4x12 DigiTech MetalDIGITECH ROCK 4X12 4x12 DigiTech RockDIGITECH ALT 4X12 4x12 DigiTech Alt RockDIGITECH VINTAGE 4X12 4x12 DigiTech VintageDIGITECH CHUNK 4X12 4x12 DigiTech ChunkDIGITECH SPANK 4X12 4x12 DigiTech SpankDIGITECH SPEAKER COMP 4x12 DigiTech Speaker CompensationDIRECT No cabinet model 
 
Specifications
General Specifications
Chassis: Durable cast metal constructionDisplay: Large 8 character alpha-numeric and 2 character numeric LED display 
Controls
Footswitches: 9 heavy duty vacuum-style switches control Bypass, Tap Tempo, Bank up/down, Program up/down, Tuner, program access and stompbox/effect on/offExpression pedal: Built-inA/D Converter: 24-bit high performance audioD/A Converter: 24-bit high performance audioSampling Frequency: 44.1kHz throughoutDSP Section: 1 Audio DNA2™ DSP ProcessorPreset Memory: 99 User / 99 Factory Presets 
Analog Input Connections
Guitar input:Impedance: 1M OhmsMaximum Output signal: 8 dBu 
Analog Output Connections
Line outputs:Impedance: 1K Ohms unbalanced / 2K Ohms balancedMaximum Output level: 23 dBuMixer Outputs:Impedance: 2k Ohms balancedMaximum Output Level: 23 dBuHeadphone Outputs:Minimum Headphone Impedance: 50 OhmsOutput Power: 250mW / channelElectronic SNR: ≥ 110dBUSB: 2.0 compliantAudio streaming: 2 channels to computer, 2 channels from computerSample rate: 44.1 kHz
Size/Dimensions
Unit Dimensions: 19.5” x 2.25” x 8.75” (W x H x D)Shipping Dimensions: 21” x 4” x 11” (W x H x D) (approximate)Shipping Weight: 8.0 lbs (approximate 
Windows Software Requirements

Vista Home/Premium XP Home/Professional (SP2 installed, .NET 2.0 installed*)
Pentium®/Athlon™ 1.4GHz or later 512MB RAM (1GB RAM recommended) 
180MB hard disk space for application
DVD-ROM drive
USB Port
Internet connection required for Cubase activation

*.NET 2.0 will be installed during installation of X-Edit software if required on XP systems 
Mac Software Requirements

OS 10.4.x or later 
PowerPC G4/G5 1GHz or later 
512MB RAM (1GB RAM recommended) 
180MB hard disk space for application 
DVD-ROM drive
USB Port
Internet connection required for Cubase activation 

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