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The Chase Bliss HiFi Condor defies categorization, but it aims to be your next always-on pedal by mixing EQ, overdrive, and filter quirks for comprehensive tone-shaping – the new version has undergone two major changes.Described as "part EQ, filter and overdrive pedal", the purely analog pedal is stocked with plenty of reasons for guitar players to never want to turn it off. Chase Bliss is quick to acknowledge this isn’t an entirely brand new concept; the Condor has been in its arsenal for many years, but it’s received two significant updates that warrant the ‘HiFi’ postnominal.Firstly, the pedal has “borrowed” the power supply from its Preamp MKII pedal to deliver internal boosting up to 30V. It responds to playing in real-time, offering a favorable amount of headroom for freely boosting the EQ of whatever instrument it’s paired with.Under the hood, there are now OPA1662 op amps. These pack a higher fidelity sound whilst minimizing noise and providing an entirely different clipping character. The drive side of things can dial in clean boosts, turning a bald signal into a roaring Sasquatch, or deliver a saturated crunch, if that’s your jam.Gain controls interact with the EQ to redraw the character of the drive, with Chase Bliss saying that cranking the pre-gain bass control dramatically pushes the pedal’s output. Using the post-gain mids and LPF controls, meanwhile, adds more resonance to the pedal’s punch.In short, it sets about splitting up the frequencies of your signal, adding fresh EQ sculpting to each segment. There's up to 18db of boost or cut from its mids control. Control-wise, there are six dials – for gain, frequency, volume, bass, mids, and LPF – with three switches helping you reshape your frequency's waveforms. There are two footswitches: one for drive/hold, and one for bypassing its magic, which is something Chase Bliss hopes you never feel the need to do. MIDI, CV, and expression pedal controls are also available, as well as an internal memory for banking presets. Hidden within the Condor, its internal modulations cook up everything from tremolos and effects that can only be given the descriptor 'weird'.There will be 2,000 of these pedals made, with the first 1,000 built and ready to be shipped.
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