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This is an effects routing pedal made by Cusack Music. It's in great working order. Cosmetically the pedal is extremely clean.Rash Opinion:This pedal is definitely sweet as hell. It lets you run your vocals through your guitar pedals so you can get freekideeki and take your listeners on a trip to the 7th dimension while you spin them out with phasers and delay pedals with the repeats cranked. Then you can stomp on your drive pedal and totally crush it with kaiju-sized bellowing and impress the shit out of everyone.Truth be told when you stomp on that drive pedal the squealing feedback that results will greatly distress everyone and they'll all think you have no idea what you're doing. And you don't because you're blazing guitar distortion through a live mic next to speakers. So EQ the hell out of everything and try to get your settings just right for hours and hours to ultimately get a thin yet muddy tone that precariously pokes out to the top of the mix while constantly hinting at feedback even though you were sure you had it dialed in earlier. If you bring it to a gig and ask the sound guy to try to work with the mangled and volatile signal you whipped up with this thing I will be deeply disappointed. The red hot feedback you conjure up will kill everyone in the room and people will think it's the sound guy's fault because they don't know any better. It is sweet though, my guitar pedals are better than the handful of live vocal processors I've tried over the years. Delay, pitch, EQ, modulation - my vocals get awesomely trippy in a way those processors never seem to offer. But if you're trying to get on top of the mix with a loud band it's still gonna be tough. Nobody said this thing is exclusive to live usage. So if you're going to record with it using headphones ignore all the above warnings. Go crazy, it will all be gravy.
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