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Hi Troux, Mowse and Farkas,

Thank you all for your kind words, that's really comforting me :-)

Troux: Ha, ha, interesting to read that you feel bits of 20th century classical at times, didn't expect that but on the other hand I have been grown up in the 20th century, so that might explain :-) As you noticed, I love to use the frozen-reverb of the Ventris of Audio Source, I just couldn't stop using it, it gives kind of ambient accents to the whole thing. Perhaps I used it a bit too much that frozen option?

Mowse: Thanks a lot for the details on your focus on transition and progression. At 03:45 the arpeggio of the Sinfonion kicks in, the voice of that arpeggio is done by the STO of Make Noise (using the Ventris reverb effect pedal). At 07:45 or just before you hear the effects of the Erica Synth - Black Hole DSP2, around 07:45 I kind of "cut off" that effect at 07:42 the first "cut off" and at 07:47 the second "cut off", by just reducing those effects parameter knobs on the Black Hole DSP2. The voice used there is the Intellijel - Rubicon2. Before 11:20 that cloudy-voice is the E330 (voices 11 & 12), after 11:20 mixture of sounds of voices 1, 2 & 3.

Farkas: Thank you for pointing out the room each sound has to breath, I actually hadn't really thought about that until you pointed that out here, so thanks a lot for that marker point :-) Yes, ACL modules are nice. In this track you can here the Sinfonion at full action at certain times. The voices 9 up till 12 went through the ACL - Audio Interface (via the Grand Canyon effects pedal) to the external mixer. The big con of ACL are their prices :-( So there are still plenty of ACL modules on my wish list ;-)

Thank you all and kind regards, Garfield.