First up, get those Moogs out of there. This might seem convenient, but in reality it's a big money-waster and space waster.
Second, having done that, remove two of those cabs. Condense the remaining PROPER modules down into the remaining cases. You might also consider removing those mults, since the build would now be small enough that you won't need them, and anything of that sort can be done with inline mults. Plus, you don't have enough destinations for your pitch CV to justify buffered multiples anyway...only use these if/when you're branching off a single CV to more than three (as a rule) destinations to avoid voltage sag.
Third...and this is KEY if you intend to use this for film scoring...you need this: https://www.modulargrid.net/e/expert-sleepers-fh-2-factotum And the reason for this is because you need to-frame sync for scoring, which means that your DAW will need to be SMPTE-capable, and it'll need to translate/lock the MIDI clock to/from that SMPTE clock so that your synchronization between film and sound is spot-on. The FH-2 is Expert Sleepers' clock-oriented MIDI-via-USB module, and you'll find it essential for locking up the Rene and the RCD to your visuals.