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I agree with what others are saying; I'd shy away from more sound sources and focus more on mixing your modulation sources to make it more complex. I use the Doepfer Matrix Mixer with other offset/attenuation to vary the mix and degree of my modulation sources, and something like the TipTop Miso or the 4MS SISM fills a similar function in a smaller footprint. I would also say injecting a little bit of randomness really keeps things interesting. I know Pams has random waveforms, or I'm sure you can use one of the Distings for the purpose as well, but a little bit of slewed sample and hold or a designated random module like the Wogglebug (or Sloths if you dig the smoother chaos) goes a long way. Mix your modulation sources, run your modulation sources into a VCA and control it with another modulation source, mix and mingle with some feedback maybe (!?), send it to your cutoff or timbre controls and see which motions jive with your sounds. Apart from that, all great stuff in your rack! Have fun!